Morse Code Quilts

Use the dots and dashes of Morse code to create unique quilts with secret messages such as names, favorite quotations, sayings, simple sentiments, and more. Morse Code Quilts features 10 wonderful projects that express the aesthetic of modern quilts.

Explore language through quilting How do letters, numbers, words, and sentences change when used on a quilt rather than a screen or piece of paper?Statement quilts are an emerging trend within the modern quilt movement. Quilt artist Thomas Knauer's quilts follow the craftivism movement and emphasize social justice issues. From the most serious to whimsical, Quilt Out Loud teaches techniques for making text a part of the readers' quilts. Each chapter focuses on a particular technique, such as raw-edge appliqué or piecing in Morse code, and explores its conceptual implications. Craftivism is a rising trend where quilters are using text on quilts to make a statement and take part in social movements Explore methods of effectively incorporating language and data on quilts, whether profound or playful Learn how to use appliqué, quilted text, binary numbers, morse code, and more for self-expression

This special issue of DO Magazine offers a stunning array of beautiful quilting projects for bedcovers, throws, and wall hangings. Seventeen outstanding designs include precuts & stash quilts, the fast-fold hexie technique, circle of nine grid quilts, and mosaic tile inspired quilts.

We quilt to connect with a rich tradition -- We quilt to explore and express our creativity -- We quilt to move beyond modern consumer culture -- We quilt to create a connection with loved ones -- We quilt to change the world -- We quilt because we can-and because we cannot help but do so -- Epilogue : We quilt for all these reasons and more .

Learn easy, efficient tricks for piecing irresistible quilt tops with precuts and leftover fabric scraps, and discover 18 machine-quilting motifs you can mix and match. Award-winning quilter and designer Christa Watson guides you through 11 skill-building projects with quilting designs in three categories: walking-foot, free-motion, and a combination of the two techniques. Christa is here to help you start and finish strong!

How did these talented designers create small quilts with such big impact? They invited their fat quarters out to play! Join the adventure with fabulous designs that you'll want to make today. Enjoy a diverse array of quilts reflecting the design talents of Pippa Eccles Armbrester, Jeni Baker, Natalie Barnes, Melissa Corry, Elizabeth Dackson, Victoria L. Eapen, Debbie Grifka, Julie Herman, Emily Herrick, Kimberly Jolly, Thomas Knauer, Cheri Leffler, Missy Shepler, Rebecca Silbaugh, Jocelyn Ueng, Heather Valentine, and Jackie White Play with the possibilities: patterns include pieced as well as appliquéd designs Enjoy a diverse array of quilts that range from modern to traditional Choose from 19 engaging projects that vary in size from 12 1/2" x 16 1/2" to 18 1/2" x 23" and are great for gifts

Patchwork quilts are hugely evocative emblems of our domestic past. With no two quite the same, each example hints both at the story of the particular household in which it was produced and at a larger piece of social history. But quilting is by no means only historical, with the craft seeing a huge revival in popularity in recent years, and items that were once made for purely utilitarian and practical reasons are now produced and appreciated for the connection they afford us to a rich vein of heritage and nostalgia. Illustrated with a stunning range of examples from the Quilters' Guild Collection – of which the author is curator – this book is a wonderful introduction to a hugely important aspect of British domestic history.

Winner of the 2022 James F. Sulzby Book Award from the Alabama Historical Association Alabama Quilts: Wilderness through World War II, 1682–1950 is a look at the quilts of the state from before Alabama was part of the Mississippi Territory through the Second World War—a period of 268 years. The quilts are examined for their cultural context—that is, within the community and time in which they were made, the lives of the makers, and the events for which they were made. Starting as far back as 1682, with a fragment that research indicates could possibly be the oldest quilt in America, the volume covers quilting in Alabama up through 1950. There are seven sections in the book to represent each time period of quilting in Alabama, and each section discusses the particular factors that influenced the appearance of the quilts, such as migration and population patterns, socioeconomic conditions, political climate, lifestyle paradigms, and historic events. Interwoven in this narrative are the stories of individuals associated with certain quilts, as recorded on quilt documentation forms. The book also includes over 265 beautiful photographs of the quilts and their intricate details. To make this book possible, authors Mary Elizabeth Johnson Huff and Carole Ann King worked with libraries, historic homes, museums, and quilt guilds around the state of Alabama, spending days on formal quilt documentation, while also holding lectures across the state and informal “quilt sharings.” The efforts of the authors involved so many community people—from historians, preservationists, librarians, textile historians, local historians, museum curators, and genealogists to quilt guild members, quilt shop owners, and quilt owners—making Alabama Quilts not only a celebration of the quilting culture within the state but also the many enthusiasts who have played a role in creating and sustaining this important art.

Improvisational piecing methods anchored within traditional quilting designs. Improvising Tradition pairs improvisationally pieced elements with more structured, and perhaps more familiar, quilt patterns to create projects that share a fresh, clean, and modern aesthetic. Author Alexandra Ledgerwood introduces readers to three basic improv piecing techniques: strip sets, piecing improvised strata, and slice and insert, then marries them with traditional quilting designs such as log cabins, coin and bar quilts, and even Hawaiian quilts. By using improvised elements within traditional patchwork quilt designs, Alexandra merges new and old quilting styles into projects that will appeal to a wide range of quilters. Eighteen original and modern quilting projects combine the beauty and familiarity of traditional techniques with the fresh, fun spirit of improvised quilting.

"In Racial Innocence, Robin Bernstein argues that the concept of "childhood innocence" has been central to U.S. racial formation since the mid-nineteenth century. Children--white ones imbued with innocence, black ones excluded from it, and others of color erased by it--figured pivotally in sharply divergent racial agendas from slavery and abolition to antiblack violence and the early civil rights movement. Bernstein takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which she analyzes as "scriptive things" that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom's Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how "innocence" gradually became the exclusive province of white children--until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself." -- Publisher's description.