Monster Porn

Mike and Dwain are Foley artists for the porn industry in the famed San Fernando Valley. After meeting an amputee porn star, the guys decide to make their own movies portraying a wide variety of "monsters." While Mike wants to make tastefully erotic films featuring abnormally shaped performers, Dwain sees greater profits on the horizon if they push "Freak Porn" to its nauseating extreme. "Monster Porn is beautifully written, descriptive to the Nth degree, with a shocking twist that will leave you gasping for air." - Brandon Wilkinson, Author of Memoirs of the Messed Up Minds

An exploration of how and why social media content is tagged as “not safe for work” and an argument against conflating sexual content with risk. The hashtag #NSFW (not safe for work) acts as both a warning and an invitation. NSFW tells users, “We dare you to click on this link! And by the way, don't do it until after work!” Unlike the specificity of movie and television advisories (“suggestive dialogue,” “sexual content”), NSFW signals, nonspecifically, sexually explicit content that ranges from nude selfies to pornography. NSFW looks at how and why social media content is tagged “not safe” and shows how this serves to conflate sexual content and risk. The authors argue that the notion of “unsafety” extends beyond the risk of losing one's job or being embarrassed at work to an unspecified sense of risk attached to sexually explicit media content and sexual communication in general. The authors examine NSFW practices of tagging and flagging on a range of social media platforms; online pornography and its dependence on technology; user-generated NSFW content—in particular, the dick pic and associated issues of consent, desire, agency, and social power; the deployment of risqué humor in the workplace; and sexist and misogynist online harassment that functions as an enforcer of inequalities. They argue against the categorical effacement of sexual content by means of an all-purpose hashtag and urge us to shift considerations of safety from pictorial properties to issues of context and consent.

The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this volume offers a mosaic of the fantastic now. The contributions pinpoint and discuss current developments in theory and practice by offering enlightening snapshots of the contemporary Anglophone landscape of research in the fantastic. The authors' arguments and analyses thus give new impetus to the field's theoretical and methodological approaches, its textual materials, its main interests, and its crucial findings.

"A comprehensive modern-day bestiary."--The New Yorker

Shifts in societal development resulting from economic and technological advancements have had an impact upon the development of human sexuality and behaviour, and with the expansion of developments such as the Internet and associated technologies, it is likely that further societal shifts will ensue. This book recognises the importance of new digital spaces for discourses surrounding sexuality, examining issues such as pornography; sex education and health; LGBTQ sexualities; polysexuality or polyamory; abstention; sexual abuse and violence; erotic online literature; sex therapy; teledildonics; sex and gaming; online dating; celebrity porn; young people and sexual media; and sexting and sextainment, all of which are prominently affected by the use of digital media. With case studies drawn from the US, the UK and Europe, Sex in the Digital Age engages in discussion about the changing acceptance of sex in the 21st century and part played in that by digital media, and considers the future of sex and sexuality in an increasingly digital age. It will therefore appear to scholars across the social sciences with interests in gender and sexuality, new technologies and media and cultural studies.

An exploration of the modalities, affective intensities, and disturbing qualities of online pornography. Digital production tools and online networks have dramatically increased the general visibility, accessibility, and diversity of pornography. Porn can be accessed for free, anonymously, and in a seemingly endless range of niches, styles, and formats. In Carnal Resonance, Susanna Paasonen moves beyond the usual debates over the legal, political, and moral aspects of pornography to address online porn in a media historical framework, investigating its modalities, its affect, and its visceral and disturbing qualities. Countering theorizations of pornography as emotionless, affectless, detached, and cold, Paasonen addresses experiences of porn largely through the notion of affect as gut reactions, intensities of experience, bodily sensations, resonances, and ambiguous feelings. She links these investigations to considerations of methodology (ways of theorizing and analyzing online porn and affect), questions of materiality (bodies, technologies, and inscriptions), and the evolution of online pornography. Paasonen dicusses the development of online porn, focusing on the figure of the porn consumer, and considers user-generated content and amateur porn. She maps out the modality of online porn as hyperbolic, excessive, stylized, and repetitive, arguing that literal readings of the genre misunderstand its dynamics and appeal. And she analyzes viral videos and extreme and shock pornogaphy, arguing for the centrality of disgust and shame in the affective dynamics of porn. Paasonen's analysis makes clear the crucial role of media technologies—digital production tools and networked communications in particular—in the forms that porn takes, the resonances it stirs, and the experiences it makes possible.

From pornographic videos of rape and incest to sexual predators around every corner; from online challenges teaching children how to commit suicide to resources teaching them how to conjure up demons; from social media trends praising abortion to completely redefining what it means to be human; these are the monsters in the closet which children and teenagers are being exposed to. America is facing a drastic moral decline, and we are only seeing the beginning of the avalanche. Narratives which directly attack God's word are being fed to young people. These monsters are very real and may be much closer than you think. Learn about the harmful indoctrination and lies being spread through the internet, social media, and even the classroom, and how you can combat them.

Brings critical insights to the reality of porn and what it can tell us about ourselves sexually, culturally, and economically. Divided into two sections, this book covers important debates on the topic and traces the evolution of pornographic film, including comparing its development to that of Hollywood cinema.

The magic of love is in the air… Violet When I arrived at Blackthorn Academy, I was hoping to find answers. Like how to control my chaotic magic, or where I came from. I certainly wasn’t expecting to find Bane Locke—a hot incubus who makes my virginal panties melt and my heart swoon. The fact that I’ve revived a legendary forest, I keep getting visions of castles, and all I can think about is Bane and I all tangled up together, has only given me more questions and fewer answers. Is the bond I feel between us just a product of Bane’s lustful magic, or is it something more? Something legendary? Bane The last thing I need is another companion to warm my bed after what happened last year, but the moment I run into Violet McCreanor—Blackthorn’s newest little ingénue—I know I’m doomed. Not just because she smells like heaven, or because I can’t stop thinking about her, but because the bond I feel with her is more than magic, more than lust. She is my Anam Cara, my soul’s mate. But with my cursed history, can I overcome my demons with the possibility of finding what I desire most? A mate? Or will history repeat itself and destroy the last bit of hope I have? Monster’s Spell is book three in the Blackthorn Academy for Supernaturals shared world, featuring a curious, curvy witch, a bad boy incubus, and swoon-worthy romance.

Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.