Mongol Costumes

The Mongol period (1206-1368) marked a major turning point of exchange – culturally, politically, and artistically – across Eurasia. The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe. This book will be of interest to scholars in art history, fashion design, and Asian studies.

In the thirteenth century the Mongols created a vast, transcontinental empire that intensified commercial and cultural contact throughout Eurasia. From the outset of their expansion, the Mongols identified and mobilized artisans of diverse backgrounds, frequently transporting them from one cultural zone to another. Prominent among those transported were Muslim textile workers, resettled in China, where they made clothes for the imperial court. In a meticulous and fascinating account, the author investigates the significance of cloth and colour in the political and cultural life of the Mongols. Situated within the broader context of the history of the Silk Road, the primary line in East-West cultural communication during the pre-Muslim era, the study promises to be of interest not only to historians of the Middle East and Asia, but also to art historians and textile specialists.

Full color look at the history of traditional and ceremonial clothing in China.

The series Religion and Society (RS) contributes to the exploration of religions as social systems- both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.