Modern Condtns Post Mod Contrv

First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

The inclusion of this volume in Brill's Transcultural Aesthetics, a book series devoted primarily to multidisciplinary Western and non-Western aesthetics, is indispensable to enrich the nature and scope of contemporary aesthetics. Time and again, many aesthetic controversies have not been adequately addressed, and this has become a common concern among scholars in contemporary aesthetics. This volume therefore seeks to contribute new perspectives to these controversies by shedding light on some of the fresh views among the leading theorists working in the field today.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.

In the seventeenth century, a vision arose which was to captivate the Western imagination for the next three hundred years: the vision of Cosmopolis, a society as rationally ordered as the Newtonian view of nature. While fueling extraordinary advances in all fields of human endeavor, this vision perpetuated a hidden yet persistent agenda: the delusion that human nature and society could be fitted into precise and manageable rational categories. Stephen Toulmin confronts that agenda—its illusions and its consequences for our present and future world. "By showing how different the last three centuries would have been if Montaigne, rather than Descartes, had been taken as a starting point, Toulmin helps destroy the illusion that the Cartesian quest for certainty is intrinsic to the nature of science or philosophy."—Richard M. Rorty, University of Virginia "[Toulmin] has now tackled perhaps his most ambitious theme of all. . . . His aim is nothing less than to lay before us an account of both the origins and the prospects of our distinctively modern world. By charting the evolution of modernity, he hopes to show us what intellectual posture we ought to adopt as we confront the coming millennium."—Quentin Skinner, New York Review of Books

Death is not only the final moment of life, it also casts a huge shadow on human society at large. People throughout time have had to cope with death as an existential experience, and this also, of course, in the premodern world. The contributors to the present volume examine the material and spiritual conditions of the culture of death, studying specific buildings and spaces, literary works and art objects, theatrical performances, and medical tracts from the early Middle Ages to the late eighteenth century. Death has always evoked fear, terror, and awe, it has puzzled and troubled people, forcing theologians and philosophers to respond and provide answers for questions that seem to evade real explanations. The more we learn about the culture of death, the more we can comprehend the culture of life. As this volume demonstrates, the approaches to death varied widely, also in the Middle Ages and the early modern age. This volume hence adds a significant number of new facets to the critical examination of this ever-present phenomenon of death, exploring poetic responses to the Black Death, types of execution of a female murderess, death as the springboard for major political changes, and death reflected in morality plays and art.

Who has not wondered about the origin of the universe and life? And, for certain, this is a question that should be taken with the utmost seriousness and sense of duty. After all, how can we know why we are here or what we should be doing if we do not know where we came from?Although religions have their belief (creation), and materialists have their belief(evolution), beliefs are not what truth is about. This is a book of daring adventure between these two emotionally charged belief systems. Rather than advocate, Dr. Wysong pits one belief against the other using the only weapons that should be used if truth is the objective: reason and evidence.Dr. Wysong's rational, philosophic, and scientific probings make this book a reservoir of thoughtful and factual information that will not draw dust on your bookshelf.Now in its thirteenth printing, this seminal 1975 book has been read worldwide, is widely cited on the web, and continues to be used in schools. It has helped lay the groundwork for a rational dialogue between religion and science and remains current to this day because of its even handed treatment of the subject and because reason should never fall out of fashion.

In assessing this tumultuous period in American history, Stephanie A. Slocum-Schaffer provides readers with a visceral experience of the seventies and a comprehensive survey of the important events of the entire decade. Central to the book is the belief that the 1970s were a time of betrayal and loss for the U.S., tempered by moments of healing and renewal. Slocum-Schaffer evokes the pain of Nixon's betrayal of the nation, the revelations of the My Lai massacre and the Pentagon Papers, and the losses of icons such as John Wayne, Jimi Hendrix, and the cult followers at Jonestown. At the same time, she revisits the successes of Camp David, Billie Jean King, and Frank Robinson, and the first Space Shuttle test flight, and reminds us of the healing that such events offered to the U. S.'s faltering self-esteem. America in the Seventies concludes with a "Legacy Chapter," summarizing the influence of the events of the decade on future generations and an annotated bibliography that includes the author's recommendations for the "best first book" to read on each subject, as well as relevant Internet sources.

First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Significant to Dunn's critique of poststructuralist and postmodern theories is his application of George Herbert Mead as a means of theorizing identity and difference. The focus on postmodernity, rather than postmodernism grounds his analysis of identity and difference both materially and socially.