Mirrors Of Madness

Mirrors of Madness depicts the social-psychological processes and institutional consequences of psychiatric staffs experience of ""closet insanity"" (private worries about theirown social and psychological competence) and ""reverse role modeling"" (identification with their labeled psychotic clients' public behavior).The book shows how, in attempting to ward off the threat involved in these processes, staffs tend to be more vigilant of their own behavior while redirecting their insecurities toward their clients in the form of derogatory humor in psychiatric evaluations. These and other activities are shown to be inhibiting factors in the rehabilitative function of social control agencies.

Mirrors of Destruction examines the relationship between total war, state-organized genocide, and the emergence of modern identity. Here, Omer Bartov demonstrates that in the twentieth century there have been intimate links between military conflict, mass murder of civilian populations, and the definition and categorization of groups and individuals. These connections were most clearly manifested in the Holocaust, as the Nazis attempted to exterminate European Jewry under cover of a brutal war and with the stated goal of creating a racially pure Aryan population and Germanic empire. The Holocaust, however, can only be understood within the context of the century's predilection for applying massive and systematic methods of destruction to resolve conflicts over identity. To provide the context for the "Final Solution," Bartov examines the changing relationships between Jews and non-Jews in France and Germany from the outbreak of World War I to the present. Rather than presenting a comprehensive history, or a narrative from a single perspective, Bartov views the past century through four interrelated prisms. He begins with an analysis of the glorification of war and violence, from its modern birth in the trenches of World War I to its horrifying culmination in the presentation of genocide by the SS as a glorious undertaking. He then examines the pacifist reaction in interwar France to show how it contributed to a climate of collaboration with dictatorship and mass murder. The book goes on to argue that much of the discourse on identity throughout the century has had to do with identifying and eliminating society's "elusive enemies" or "enemies from within." Bartov concludes with an investigation of modern apocalyptic visions, showing how they have both encouraged mass destructions and opened a way for the reconstruction of individual and collective identifies after a catastrophe. Written with verve, Mirrors of Destruction is rich in interpretations and theoretical tools and provides a new framework for understanding a central trait of modern history.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Inhaltsangabe:Abstract: Paul Auster's New York Trilogy, published in one volume for the first time in England in 1988 and in the U.S. in 1990 has been widely categorised as detective fiction among literary scholars and critics. There is, however, a striking diversity and lack of consensus regarding the classification of the trilogy within the existing genre forms of the detective novel. Among others, Auster's stories are described as: metaanti-detective-fiction; mysteries about mysteries; a strangely humorous working of the detective novel; very soft-boiled; a metamystery; glassy little jigsaws; a mixture between the detective story and the nouveau roman; a metaphysical detective story; a deconstruction of the detective novel; antidetective-fiction; a late example of the anti-detective genre; and being related to 'hard-boiled' novels by authors like Hammett and Chandler. Such a striking lack of agreement within the secondary literature has inspired me to write this paper. It does not, however, elaborate further an this diversity of viewpoints although they all seem to have a certain validity and underline the richness and diversity of Auster's detective trilogy; neither do I intend to coin a new term for Auster's detective fiction. I would rather place The New York Trilogy within a more general and open literary form, namely postmodern detective fiction. This classifies Paul Auster as an American writer who is part of the generation that immediately followed the 'classical literary movement' of American postmodernism' of the 60s and 70s. His writing demonstrates that he has been influenced by the revolutionary and innovative postmodern concepts, characterised by the notion of 'anything goes an a planet of multiplicity' as well as by French poststructuralism. He may, however, be distinguished from a 'traditional' postmodern writer through a certain coherence in the narrative discourse, a neo-realistic approach and by showing a certain responsibility for social and moral aspects going beyond mere metafictional and subversive elements. Many of the ideas of postmodernism were formulated in theoretical literary texts of the 60s and 70s and based an formal experiments include the attempt of subverting the ability of language to refer truthfully to the world, and a radical turning away from coherent narrative discourse and plot. These ideas seem to have been intemalized by the new generation of postmodern writers of the 80s to such [...]

I wish to acknowledge my wife Lynette for her unwavering support and her endearing friendship. I wish to thank my Mother, and the other members of my family for being a source of inspiration. I wish to thank my high school English teacher, for his insight.

A sweeping survey of how notions of madness have been represented in medicine and literature from the Greeks to the present

In this deceptively simple little book, Ms. England has made accessible for both professionals and the general public the theory linking neurochemical science to the behaviors and relational patterns observed in persons with addictions and those who love them. As a professional working with families ravaged by addiction, and as a member of Al-Anon seeking to grow and be a good steward of the life experiences that are mine, I am challenged by this book to seek ways to apply its techniques with clients and my own life...Ms. England's book reminds me in the particularly memorable way of any good story...that there is both danger and delight in this activity of living.

Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.

わかりやすい英語で読む「ラカンの精神分析」。難解とされるラカンの精神分析の思想を明快に紹介した定評ある入門書「ラカンの精神分析」が英語版としてバージョンアップされました。