Middle English Religious Writing In Practice

Although the Middle English texts broadly categorized as 'devotional literature' have received considerable scholarly attention in recent years, much work remains to be done on the cultural meanings and textual transformations of vernacular religious writing during the later medieval period and into the 16th century. How did Middle English religious texts answer changing cultural and practical needs and the requirements of orthodoxy? How did older texts find new readers; how did these readers alter and deploy them? This collection capitalizes on widespread current interest in these questions.

Winner of the Medieval Academy of America's 2013 John Nicholas Brown Prize!

Comprising forty-two selections from primary source materials, each translated with an introduction and commentary by a specialist in the field, this collection illustrates the religious cycles, rituals, and experiences that gave meaning to medieval Christian individuals and communities. The texts represent the practices through which Christians conducted their individual, family, and community lives and explore such life-cycle events as birth, confirmation, marriage, sickness, death, and burial. The texts also document religious practices related to themes of work, parish life, and devotions, as well as power and authority.--From publisher's description.

This collection of texts is designed to show the continuity and at the same time the diversity of work by English writers in the religious prose tradition during the twelfth to the fifteenth centuries. The aim of the edition has been to provide the student with a selection of complete texts representative of the Middle English period as a whole, and the criticial introduction points to the literary excellence of much of the prose work of the period, suggesting that it may have been undervalued by critics in the past.

What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics. Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genres—devotional prose, allegorical poetry, cycle dramas, and morality plays—Staging Contemplation paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluency—from strained syntax and aberrant grammar, to puns, slang, code-switching, and laughter—to explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike.

This collection of commissioned essays explores women's vernacular theology through a wide range of medieval prose and verse texts, from saints' lives to visionary literature. Employing a historicist methodology, the essays are sited at the intersection of two discursive fields: female spiritual practice and female textual practice. The contributors are primarily interested in the relation of women to religious books, as writers, receivers, and as objects of representation. They focus on historical approaches to the question of women's spirituality, and generically unrestricted examinations of issues of female literacy, book ownership, and reading practice. The essays are grouped under four main themes: the influence of anchoritic spirituality upon later lay piety, Carthusian links with female spirituality, the representation of femininity in Anglo-Norman and Middle English religious poetry, and veneration, performance and delusion in the Book of Margery Kempe.

Erotic Discourse and Early English Religious Writing discusses the role of sexuality in medieval devotional practice, looking in particular at religious writings circulating in England in the tenth to thirteenth centuries.

Materiality and Religious Practice in Medieval Denmark' stresses the significance of the sensory, dramatic enactment that moved the soul, body, heart and mind of the medieval faithful and proposes to revisit and pave the way ahead for research in religious material culture in medieval Denmark.00From bread and wine to holy water, and from oils and incense to the relics of saints, the material objects of religion stood at the heart of medieval Christian practice, bridging the gap between the profane and the divine. While theoretical debates around the importance of physicality and materiality have animated scholarship in recent years, however, little attention has been paid to finding solid, empirical evidence upon which to base such discussions.00Taking medieval Denmark as its case study, this volume draws on a wide range of different fields to explore and investigate material objects, spaces, and bodies that were employed to make the sacred tangible in the religious experience and practice of medieval people. The contributions gathered here explore subjects as diverse as saints? relics, sculptures, liturgical vessels and implements, items used for personal devotion, gospel books, and the materiality of Christian burials to explore the significance of objects that moved the souls, bodies, hearts, and minds of the faithful. In doing so, they also open new insights into religion and belief in medieval Denmark.

In this volume, specialists in literature, theology, liturgy, manuscript studies, and history introduce the medieval culture of the Bible in Western Christianity. Emphasizing the living quality of the text and the unique literary traditions that arose from it, they show the many ways in which the Bible was read, performed, recorded, and interpreted by various groups in medieval Europe. An initial orientation introduces the origins, components, and organization of medieval Bibles. Subsequent chapters address the use of the Bible in teaching and preaching, the production and purpose of Biblical manuscripts in religious life, early vernacular versions of the Bible, its influence on medieval historical accounts, the relationship between the Bible and monasticism, and instances of privileged and practical use, as well as the various forms the text took in different parts of Europe. The dedicated merging of disciplines, both within each chapter and overall in the book, enable readers to encounter the Bible in much the same way as it was once experienced: on multiple levels and registers, through different lenses and screens, and always personally and intimately.

The abundant evidence from medieval England suggests a deep interest among devotional writers in documenting, teaching and circumscribing devotional reading, given the importance of careful reading practices for salvation. This volume therefore draws together a wide range of interests in and approaches to studying the reading and reception of devotional texts in medieval England, from representations of readers and reading in devotional texts, to literary production and reception of devotional texts and images, to manuscripts and early books as devotional objects, to individual readers and patrons of devotional texts.