Michelangelos Sistine Chapel Ceiling In Cross Stitch

A counted cross-stitch pattern of the entire Sistine Chapel Ceiling. Included in the book are 45 full color, individual patterns (one for every scene) and instructions on how they may be stitched together, or individually. These patterns are not computer generated. They have been meticulously created one square at a time. This allowed me to to transform the curved Sistine Chapel Ceiling into a flat pattern. There are no special stitches in the pattern, not even backstitch (except the lettering on the signs). There are only 1/4, 3/4 and full cross-stitches. Also, all the different individual pieces have been designed to interlock with the scenes around them. Although you may find patterns of parts of the Sistine Chapel Ceiling elsewhere, as an aggregate you will not find a similar pattern anywhere. To see a sample of the chart, click on the preview associated with this book. A black & white chart may be seen in the preview associated with the B/W version.

Michelangelo's frescoes on the Vatican's Sistine Chapel ceiling are arguably one of the greatest masterpieces of western art. The text and color images in this volume together explore central themes concerning this extraordinary fresco style, bringing information into focus for the general reader and for the tens of thousands of people who visit this masterpiece yearly. 36 color plates.

Modeled on the highly successful Norton Critical Editions, this series offers illuminating introductions to major monuments of painting, sculpture, and architecture.

Essay from the year 2012 in the subject Art - History of Art, grade: 1,7, University of Essex (Art History), course: The High Renaissance in Italy, language: English, abstract: In 1508 Michelangelo began with his working on the ceiling of the Sistine Chapel, he completed it four years later. His frescoes show stories of the Old Testament about creation and fall of humankind and give an anticipation of salvation through Christ. Michelangelo at first did not want to paint the ceiling because he saw himself as sculptor and thought of the commission as trap of his rivals. Moreover, it was unusual for ceiling frescoes to show narration, they were in general regarded as minor compared to walls. Michelangelo, undeniably, taught art history better, his artwork became a masterpiece of High Renaissance. This essay is going to examine Michelangelo’s concerns in decorating the ceiling, especially in regard to the representation of narration and how successful his attempts were.

he Sistine Chapel ceiling is one of the most beautiful and important artworks ever created. Even though Michelangelo considered himself a sculptor, he managed to paint an enormous influential work. Today, more people than ever flock to the Sistine Chapel to see it. A visit to Rome or Italy is not complete without it. Most people just look at the painting and are struck by its beauty. To truly appreciate this work however, you have to know a little bit about it. If you know why this work was so influential and why we still today stand in line for many hours to go and see it, you will appreciate this monumental work even more. Michelangelo did not just paint a few scenes from the bible and that was it. There is a story behind every fresco inside the Sistine Chapel and this book will tell you all these stories and, hopefully, make you enjoy the Sistine Chapel even more, whether you just look at it from pictures or go see it in real life.

This is a comprehensive study of Michelangelo, the man and the artist, as well as his masterpiece. Includes a double gatefold illustrating the entire ceiling of the chapel. The reproduction of the recently restored work reveals, in vivid colors, the true genius of this artist's work. Notable works include: David, Pietà, Moses, The Last Judgment and Sistine Chapel ceiling.

You cannot stand underneath the masterwork that is the Sistine Chapel without considering the genius and painstaking work that went into its creation. Michelangelo Buonarroti never wanted to paint the Sistine Chapel, though. Appointed by the temperamental Julius II, Michelangelo believed the suspiciously large-scale project to be a plot for failure conspired by his rivals and the "Warrior Pope." After all, Michelangelo was not a painter—he was a sculptor. The noble artist reluctantly took on the daunting task that would damage his neck, back, and eyes (if you have ever strained to admire the real thing, you know). Andrew Graham-Dixon tells the story behind the famous painted ceiling over which the great artist painfully toiled for four long years. Linking Michelangelo's personal life to his work on the Sistine Chapel, Graham-Dixon describes Michelangelo's unique depiction of the Book of Genesis, tackles ambiguities in the work, and details the painstaking work that went into Michelangelo's magnificent creation. Complete with rich, full-color illustrations and Graham-Dixon's articulate narrative, Michelangelo and the Sistine Chapel is an indispensable and significant piece of art criticism. It humanizes this heavenly masterpiece in a way that every art enthusiast, student, and professional can understand and appreciate.