Merseypride

Recent decades have witnessed an explosion of museum building around the world and the subsequent publication of multiple texts dedicated to the subject. Museum Architecture: A new biography focuses on the stories we tell of museum buildings in order to explore the nature of museum architecture and the problems of architectural history when applied to the museum and gallery. Starting from a discussion of the key issues in contemporary museum design, the book explores the role of architectural history in the prioritisation of specific stories of museum building and museum architects and the exclusion of other actors from the history of museum making. These omissions have contemporary relevance and impact directly on the ways in which the physical structures of museums are shaped. Theoretically, the book places a particular emphasis on the work of Pierre Bourdieu and Henri Lefebvre in order to establish an understanding of buildings as social relations; the outcome of complex human interactions and relationships. The book utilises a micro history, an in-depth case study of the ‘National Gallery of the North’, the Walker Art Gallery in Liverpool, to expose the myriad ways in which museum architecture is made. Coupled with this detailed exploration is an emphasis on contemporary museum design which utilises the understanding of the social realities of museum making to explore ideas for a socially sustainable museum architecture fit for the twenty-first century.

This book fills one of the most significant gaps in modern British historiography. Despite its public profile, the Orange Order has not attracted commensurate scholarly attention. Uncritical apologists apart, historians have displayed condescending censure, stigmatising and dismissing the Order as sectarian - a term unduly restricted in their studies to violence and demonstrations. Having gained unique access to lodge membership records, MacRaild provides a timely corrective. MacRaild makes excellent use of archive material to provide a fascinating study of 'diasporic' Orangeism, showing how it was imported into mainland Britain and implanted within working-class communities as a 'way of life', able to attract adherents with no obvious Irish provenance or connection (the Toxteth lodge in North West England has a not insignificant black presence.) Impeccably researched and expertly written, Faith, Fraternity and Fighting is a major achievement and an important step in rescuing Orangeism from the stigma of sectarianism.

"With a new introduction that takes account of the extraordinary renaissance that Liverpool is currently enjoying, the second edition of this collection by one of the leading scholars of the city's history offers a timely and perceptive examination of the origins and persistence of Liverpool's exceptionalism."--BOOK JACKET.

Transatlantic slavery, just like the abolition movements, affected every space and community in Britain, from Cornwall to the Clyde, from dockyard alehouses to country estates. Today, its financial, architectural and societal legacies remain, scattered across the country in museums and memorials, philanthropic institutions and civic buildings, empty spaces and unmarked graves. Just as they did in the eighteenth and nineteenth centuries, British people continue to make sense of this 'national sin' by looking close to home, drawing on local histories and myths to negotiate their relationship to the distant horrors of the 'Middle Passage', and the Caribbean plantation. For the first time, this collection brings together localised case studies of Britain's history and memory of its involvement in the transatlantic slave trade, and slavery. These essays, ranging in focus from eighteenth-century Liverpool to twenty-first-century rural Cambridgeshire, from racist ideologues to Methodist preachers, examine how transatlantic slavery impacted on, and continues to impact, people and places across Britain.

This volume investigates the realisation and perception of four phonological variables in Liverpool English (Scouse), with a special focus on their sociolinguistic salience. Younger speakers’ speech is found to be more local, but only for the two salient variables in the sample (NURSE-SQUARE and /k/ lenition), which appear to carry considerable amounts of covert prestige. Local variants of non-salient happy-tensing and velar nasal plus, on the other hand, are actually found to be receding, so at least to a certain extent Scouse also seems to be participating in regional dialect levelling. The importance of salience is also obvious in the perception data, with only the two highly salient stereotypes generating robust effects in a social priming experiment (albeit in the unexpected direction). These results indicate that the investigated variables differ measurably not only in their use in production, but also in terms of how central they are to mental sociolinguistic representations of Scouse. They also tell us more about the way we process, store, and (re-)use sociolinguistic variation in perception. By defining likely contexts for significant priming effects they might finally even help in coming up with a more elaborate

Roger McGough, Levi Tafari, Willy Russell, Terence Davies, James Hanley, George Garrett, J.G. Farrell, Brian Patten, Adrian Henri, Beryl Bainbridge, Jimmy McGovern, Alan Bleasdale, Helen Forrester, Lyn Andrews, Margaret Murphy, Clive Barker, Ramsey Campbell... no matter what the genre Liverpool seems to have generated some of the most provocative and interesting writers of the last seventy-five years. Intended to mark and celebrate Liverpool’s 800th birthday in 2007 and its status as European City of Culture in 2008, this collection of essays and interviews addresses the wide range of writing that has emerged from Liverpool from the 1930s to the present day. It asks if there is a distinctive Liverpool voice, and if so, how it might be identified. Featuring interviews with Liverpool-born film director and novelist, Terence Davies, (Distant Voices, Still Lives, The Long Day Closes and The House of Mirth), Roger McGough, Willy Russell and Levi Tafari along with contributions from leading cultural critics such as former NME journalist and Mojo magazine founder Paul Du Noyer and award-winning poet George Szirtes, Liverpool Writing will be of interest to readers fascinated by the influences on and of the city dubbed ‘the Centre of the Creative Universe’.

From the late eighteenth century to the early twentieth century, Liverpool was frequently referred to as the ‘second city of the empire’. Yet, the role of Liverpool within the British imperial system and the impact on the city of its colonial connections remain underplayed in recent writing on both Liverpool and the empire. However, ‘inconvenient’ this may prove, this specially-commissioned collection of essays demonstrates that the imperial dimension deserves more prevalence in both academic and popular representations of Liverpool’s past. Indeed, if Liverpool does represent the ‘World in One City’ – the slogan for Liverpool’s status as European Capital of Culture in 2008 – it could be argued that this is largely down to Merseyside’s long-term interactions with the colonial world, and the legacies of that imperial history. In the context of Capital of Culture year and growing interest in the relationship between British provincial cities and the British empire, this book will find a wide audience amongst academics, students and history enthusiasts generally.

The Persistence of Memory is a history of the public memory of transatlantic slavery in the largest slave-trading port city in Europe, from the end of the 18th century into the 21st century; from history to memory. Mapping this public memory over more than two centuries reveals the ways in which dissonant pasts, rather than being 'forgotten histories', persist over time as a contested public debate. This public memory, intimately intertwined with constructions of 'place' and 'identity', has been shaped by legacies of transatlantic slavery itself, as well as other events, contexts and phenomena along its trajectory, revealing the ways in which current narratives and debate around difficult histories have histories of their own. By the 21st century, Liverpool, once the 'slaving capital of the world', had more permanent and long-lasting memory work relating to transatlantic slavery than any other British city. The long history of how Liverpool, home to Britain's oldest continuous black presence, has publicly 'remembered' its own slaving past, how this has changed over time and why, is of central significance and relevance to current and ongoing efforts to face contested histories, particularly those surrounding race, slavery and empire.

In the past fifty years, port cities around the world have experienced considerable changes to their morphologies and their identities. The increasing intensification of global networks and logistics, and the resulting pressure on human societies and earthly environments have been characteristic of the rise of a »planetary age«. This volume engages with contemporary artistic practices and critical poetics that trace an alternate construction of the imaginaries and aspirations of our present societies at the crossroads of sea and land - taking into account complex pasts and interconnected histories, transnational flux, as well as material and immaterial borders.

Recent studies of the experiences of Irish migrants in Victorian Britain have emphasized the significance of the themes of change, continuity, resistance and accommodation in the creation of a rich and diverse migrant culture within which a variety of Irish identities co-existed and sometimes competed. In contributing to this burgeoning historiography, this book explores and analyses the complexities surrounding the self-identity of the Irish in Victorian Britain, which differed not only from place to place and from one generation to another but which were also variously shaped by issues of class and gender, and politics and religion. Moreover, and given the tendency for Irish ethnicity to mutate, through a comparative study of the Irish in Britain and the United States, the book suggests that in order to preserve their Irishness, the Irish often had to change it. Written by some of the foremost scholars in the field, these original essays not only shed new light on the history of the Irish in Britain but are also integral to the broader study of the Irish Diaspora and of immigrants and minorities in multicultural societies. This book was previously published as a special issue of Immigrants and Minorities.