Men On Trial

“Once again, Jack Myers has his fingers on the pulse of the very latest. Myers has clearly done his homework, and the result is this superb book.” —Ken Burns, documentary filmmaker of The Roosevelts and The Civil War After being told all their lives to “be a man” and “man up,” men are now rejecting the macho stereotype and instead developing empathy, getting in touch with their emotions, and becoming more sensitive in their relationships. Women are gaining ground in business, culture, education, relationships, and politics as traditional male and female roles disappear. The Future of Men: Masculinity in the Twenty-First Century prepares men and women for this shift in gender norms. As the definition of a “real man” evolves, understanding the future of men in business, politics, sports, education, relationships, and parenting will be essential for men to maintain psychological well-being, strengthen their self-esteem and sexual self-confidence, and rewire their emotional lives. The Future of Men provides tools to help men, and especially younger men, recognize and embrace new behaviors that are required for health and happiness at work, at home, and in their relationships.

Men on Trial provides the first history of masculinity and the law in early nineteenth-century Ireland. It combines cutting-edge theories from the history of emotion, performativity and gender studies to argue for gender as a creative and productive force in determining legal and social power relationships.

Men on Trial provides the first history of masculinity and the law in early nineteenth-century Ireland. It combines cutting-edge theories from the history of emotion, performativity and gender studies to argue for gender as a creative and productive force in determining legal and social power relationships.

DigiCat Publishing presents to you this special edition of "Men on Trial" by Peter Howard. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

On April 15, 1920, Parmenter, a paymaster, and Berardelli, his guard, were fired upon and killed. Sacco and Vanzetti were charged on May 5, 1920, with the crime of the murders, were indicted on September 14, 1920, and put to trial May 31, 1921, at Dedham, Norfolk County, Massachusetts. compare pages [3]-8.

Magneto, the mutant master of magnetism -- one of the founders of the mutant nation of Krakoa, a former villain who has never stopped fighting for the benefit of mutantkind -- stars in the story that will shake Krakoa to its core! A horrific murder. A shocking revelation. And a trial that will divide the new mutant nation down the middle -- and possibly shatter it forever! Leah Williams and Valerio Schiti bring you an epic mystery that threatens the Reign of X and upends the world that Magneto has worked so hard to build for his fellow mutants. The truth is deeply hidden, the danger is far from over, and the trial has begun... COLLECTING: X-Men: The Trial of Magneto (2021) 1-5

A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.