Memorys Ghost

In an experiment that occurred some forty years ago, Henry M.'s memory was stolen from him during a highly controversial operation performed to cure his epilepsy. Part poetic reflection and philosophical meditation, part popular science and investigative journalism, Memory's Ghost is an unforgettable journey into the mysteries of the human mind.

In the Ukraine, east of the Carpathian Mountains, there is an invisible city. Known as Czernowitz, the 'Vienna of the East' under the Habsburg empire, this Jewish-German Eastern European culture vanished after WWII - yet an idealized version lives on. This book chronicles the city's survival in personal, familial, and cultural memory.

A century after his death, Theodore Roosevelt remains one of the most recognizable figures in U.S. history, with depictions of the president ranging from the brave commander of the Rough Riders to a trailblazing progressive politician and early environmentalist to little more than a caricature of grinning teeth hiding behind a mustache and pince-nez. Theodore Roosevelt’s Ghost follows the continuing shifts and changes in this president’s reputation since his unexpected passing in 1919. In the most comprehensive examination of Roosevelt’s legacy, Michael Patrick Cullinane explores the frequent refashioning of this American icon in popular memory. The immediate aftermath of Roosevelt’s death created a groundswell of mourning and goodwill that ensured his place among the great Americans of his generation, a stature bolstered by the charitable and political work of his surviving family. When Franklin Roosevelt ascended to the presidency, he worked to situate himself as the natural heir of Theodore Roosevelt, reshaping his distant cousin’s legacy to reflect New Deal values of progressivism, intervention, and patriotism. Others retroactively adapted Roosevelt’s actions and political record to fit the discourse of social movements from anticommunism to civil rights, with varying degrees of success. Richard Nixon’s frequent invocation led to a decline in Roosevelt’s popularity and a corresponding revival effort by scholars endeavoring to give an accurate, nuanced picture of the 26th president. This wide-ranging study reveals how successive generations shaped the public memory of Roosevelt through their depictions of him in memorials, political invocations, art, architecture, historical scholarship, literature, and popular culture. Cullinane emphasizes the historical contexts of public memory, exploring the means by which different communities worked to construct specific representations of Roosevelt, often adapting his legacy to suit the changing needs of the present. Theodore Roosevelt’s Ghost provides a compelling perspective on the last century of U.S. history as seen through the myriad interpretations of one of its most famous and indefatigable icons.

Past and present collide when a secret from the 1920s wreaks havoc on Marlow House. Walt struggles to remember what he may have forgotten before it’s too late.

Annotation. Contemporary Chinese history from the Great Leap Famine of the 1950s to the 1990s is traced in this text. This era saw great changes in the way that communities were run, including the reintroduction of the headman-ship system.

Ghosts of Memory provides an overview of literature on relatedness and memory and then moves beyond traditional approaches to the subject, exploring the subtle and complex intersections between everyday forms of relatedness in the present and memories of the past. Explores how various subjects are located in personal and familial histories that connect to the wider political formations of which they are a part Closely examines diverse and intriguing case studies, e.g. Catholic residents of a decayed railway colony in Bengal, and sex workers in London Brings together original essays authored by contemporary experts in the field Draws on anthropology, literature, memory studies, and social history

I had been shot. A bullet in my back. I fell. Where did I fall? I fell from a great height, it seemed, into a painting in a gallery in a great City. I found myself returning across centuries and generations to the end of my age. I had been caught by the Artist in what seemed the womb of unexpected being in which one becomes sensitive to the end one has reached and to a new beginning. It was an end, it was a new beginning one was called upon to probe and discover. We may dream, while still alive, of dying. But the dream is soon forgotten as are the edges and corners of a re-lived life of which we dream. It is buried in the unconscious. We know that life fades into death but, in what degree, does life re-live itself as it dreams of dying? The Ghost of Memory is a novel about life and death or rather - to put it somewhat differently - about the close, almost indefinable cross-culturalities between moments of life and death. This is played out through a man who is mistakenly shot as a terrorist - he sees himself

This is the first scholarly collection to examine the social and cultural aspects on the worldwide interest in the faded remains of advertising signage (popularly known as ‘ghost signs’). Contributors to this volume examine the complex relationships between the signs and those who commissioned them, painted them, viewed them and view them today. Topics covered include cultural memory, urban change, modernity and belonging, local history and place-making, the crowd-sourced use of online mobile and social media to document and share digital artefacts, ‘retro’ design and the resurgence in interest in the handmade. The book is international and interdisciplinary, combining academic analysis and critical input from practitioners and researchers in areas such as cultural studies, destination marketing, heritage advertising, design, social history and commercial archaeology.

For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.