Memory Mountain

My husband Brian and I live in Georgia. This is my fi rst book and I am currently working on my second. Its our dream to one day travel the National Parks and enjoy nature. How exciting it would be to enjoy the pleasures of writing in the surroundings of a National Park. I enjoyed writing this book so much. I hope you enjoy reading it as much as I enjoyed writing it.

In Mountains of Memory, seasoned wilderness dweller Don Scheese charts a long season of watching for and fighting fires in the largest federal wilderness area in the mainland United States. In the tradition of Edward Abbey and Gary Snyder, Scheese offers readers a meditation on the meaning and value of wilderness at the beginning of the twenty-first century, painting a complex portrait of the natural, institutional, and historical forces that have shaped the great forested landscapes of the American West. Book jacket.

"A prince and a princess must work together to save their kingdom from invaders ... and dangers within"--

Winner of the Theology and Religious Studies award in the Professional and Scholarly Publishing awards given by the Association of American Publishers This provocative study of Jerusalem's Temple Mount unravels popular scholarly paradigms about the origins of this contested sacred site and its significance in Jewish and Christian traditions. In God's Mountain, Yaron Z. Eliav reconstructs the early story of the Temple Mount, exploring the way the site was developed as a physical entity, religious concept, and cultural image. He traces the Temple Mount's origins and investigates its history, explicating the factors that shaped it both physically and conceptually. Eliav refutes the popular tradition that situates the Temple Mount as a unique sacred space from the earliest days of the history of Israel and the Jewish people—a sequential development model that begins in the tenth century BCE with Solomon's construction of the First Temple. Instead, he asserts that the Temple Mount emerged as a sacred space in Jewish and early Christian consciousness hundreds of years later, toward the close of the Second Temple era in the first century CE. Eliav pinpoints three defining moments in the Temple Mount's physical history: King Herod's dramatic enlargement of the mountain at the end of the first century BCE, the temple's destruction by the Roman emperor Titus in 70 CE, and Hadrian's actions in Jerusalem sixty years later. This new chronology provides the framework for a fresh consideration of the literary and archeological evidence, as well as new understandings of the religious and social dynamics that shaped the image of the Temple Mount as a sacred space for Jews and Christians.

Memorylands is an original and fascinating investigation of the nature of heritage, memory and understandings of the past in Europe today. It looks at how Europe has become a ’memoryland’ – littered with material reminders of the past, such as museums, heritage sites and memorials; and at how this ‘memory phenomenon’ is related to the changing nature of identities – especially European, national and cosmopolitan. In doing so, it provides new insights into how memory and the past are being performed and reconfigured in Europe – and with what effects. Drawing especially, though not exclusively, on cases, concepts and arguments from social and cultural anthropology, Memorylands argues for a deeper and more nuanced understanding of the cultural assumptions involved in relating to the past. It theorizes the various ways in which ‘materializations’ of identity work and relates these to different forms of identification within Europe. The book also addresses questions of methodology, including discussion of historical, ethnographic, interdisciplinary and innovative methods. Through a wide-range of case-studies from across Europe, Sharon Macdonald argues that Europe is home to a much greater range of ways of making the past present than is usually realized – and a greater range of forms of ‘historical consciousness’. At the same time, however, she seeks to highlight what she calls ‘the European memory complex’ – a repertoire of prevalent patterns in forms of recollection and ‘past presencing’. The examples in Memorylands are drawn from both the margins and metropolitan centres, from the relatively small-scale and local, the national and the avant-garde. The book looks at pasts that are potentially identity-disrupting – or ‘difficult’ – as well as those that affirm identities or offer possibilities for transcending national identities or articulating more cosmopolitan futures. Topics covered include authenticity, temporalities, embodiment, commodification, nostalgia and Ostalgie, the musealization of everyday and folk-life, Holocaust commemoration and tourism, narratives of war, the heritage of Islam, transnationalism, and the future of the past. Memorylands is engagingly written and accessible to general readers as well as offering a new synthesis for advanced researchers in memory and heritage studies. It is essential reading for those interested in identities, memory, material culture, Europe, tourism and heritage.

The story behind the Sinixt First Nation also known as the "Arrow Lakes Indians" of the West Kootenay. Includes historical photographs, illustrations, and maps throughout.

Readers of Civil War history have been led to believe the battle of South Mountain was but a trifling skirmish, a preliminary engagement of little strategic or tactical. In fact, the fight was a decisive Federal victory and important turning point in the campaign, as historian Brian Matthew Jordan argues convincingly in his fresh interpretation.

This is the first stunning installment of Fiona Mountain's riveting new mystery series that uncovers the secrets of the dead. Pale as the Dead deals with the mysterious death of Lizzie Siddal, a real and fascinating historical figure whose beauty and tragic life have made her into a legend. (She was the model for the famous painting on the cover of the book.) Lizzie's death has always been shrouded in mystery. She is perhaps best known for the macabre story that tells of her husband, the Pre-Raphaelite artist Dante Gabriel Rossetti, having her coffin dug up to retrieve some poems he had buried with her. When the coffin was opened, Lizzie was said to be as beautiful as the day she died. Pale as the Dead is the story of how the disappearance of a young girl, Bethany, appears to be linked in some way to Lizzie Siddal. Our detective is Natasha Blake, a complex young genealogist with a passion for history. Natasha's career choice is partly driven by the mystery of her own roots--she was abandoned in the hospital as a newborn. Her mother disappeared hours after giving birth, leaving a false name and address and a note on the back of a picture postcard that said simply, "Her name is Natasha." Natasha is hired by the missing girl's lover, Adam, whose own life seems to have plenty of dark shadows. An old diary and famous graveyard lead Natasha into more danger than she bargains for--some people will do ANYTHING to keep a secret!