Mel Bay Presents Latin American Guitar Guide

This is a well written, informative study of the solo and rhythmic guitar styles found in Latin America. Featured is music from Argentina, Brazil, Costa Rica, Paraguay, Peru, and Venezuela. Most of the compositions are in E major or E minor and all are scored in notation and tablature.

This is a well written, informative study of the solo and rhythmic guitar styles found in Latin America. Featured is music from Argentina, Brazil, Costa Rica, Paraguay, Peru, and Venezuela. Most of the compositions are in E major or E minor and all are scored in notation and tablature

This is a collection of songs in Spanish, Portuguese, nd Haitian French from 19 countries including Argentina, Brazil, Cuba, Ecuador, Guatemala, Haiti, Mexico, Peru, and Uraguay. All Lyrics appear in their original lan- guages as well as in singable transliterated English. Each song is presented as a vocal/guitar arrangement with suggested guitar chords, as well as a guitar solo in tablature and standard notation. In Spanish and English.

This superb collection features 31 solo guitar settings of a colorful spectrum of music from Brazil, Venezuela, Columbia, Mexico, Cuba, Puerto Rico, Bolivia, Chile, Costa Rica, Ecuador, Guatemala, Peru, the Dominican Republic, and Uruguay. the music is derived largely from 19th and 20th century piano literature. While many anonymously composed selections are included here, most of these tunes were written by professional musicians who happened to be pianists, band directors or arrangers. Typical of the period, some orchestral scores appears as piano reductions, which Professor Barreiro has also used as a source for his guitar transcriptions. All of these selections are presented in standard notation and tablature with historical and performance notes. A companion CD is included featuring 16 selections from the book performed by Barreiro.

A Concise History of the Classic Guitar by Graham Wade, one of the foremost international writers on the guitar, explores the history of the instrument from the 16th century to the present day. This compact assessment of five centuries of fretted instruments cover the vihuela in Spain, the history of four-course and five-course guitars, the evolution of tablature, and developments in the six-string guitar in the 19th century. the work also charts the contribution of leading composers, performers and luthiers of the 20th century, and evaluates the influence of Segovia, Llobet, Pujol, Presti, Bream, Williams, etc., among the world's famous guitarists. This book, intended for the general public and guitar students of all ages, is the first interpretative history of the classic guitar to be published in the 21st century, and will be eagerly welcomed by all lovers of the instrument.

Here in a single volume is the original guitar method of Mateo Carcassi (1792-1853) translated to ENGLISH and SPANISH and published with his famous "25 Studies". Although regarded as moderately archaic in terms of modern guitar technique, Carcassi's time- proven method is second to none in its presentation of a graded learning system featuring scales, exercises, and engaging compositions in various keys. Written in standard notation only.

The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book

This is a collection of songs in Spanish, Portuguese, and Haitian French from 19 countries including Argentina, Brazil, Cuba, Ecuador, Guatemala, Haiti, Mexico, Peru, and Uraguay. All Lyrics appear in their original languages as well as in singable transliterated English. Each song is presented as a vocal/guitar arrangement with suggested guitar chords, as well as a guitar solo in tablature and standard notation. In Spanish and English.

Intended for the beginning drum student, this book contains many essential reading and playing skills for the snare and drumset. These studies are integrated in a logical, sequential order. for example, a new rhythm is introduced and studied on the snare drum, then later applied as a beat and then a fill. the same rhythm will appear later in the book for review and then in one of the play-along tunes. This way each concept is reinforced and utilized in different ways. Because of the need to stress the importance of dynamics and their role in the proper execution of playing a piece, dynamic markings are included in many of the snare drum exercises. the author has gone to extreme measures to provide a fun and humorous way of learning to play drums while at the same time implementing the fundamental tools necessary to be a proficient musician. the companion CD presents eight play-along tunes with and without the drums.