Media Darling

Hayley Carpenter has always dreamed of being a famous screenwriter, but dreams don’t pay bills and LA living isn’t cheap. So when a temp position at a celebrity gossip magazine becomes available, she goes after it. Emerson Sterling has been acting since she was little, but a rough patch as a teenager has given her a bad rap in Hollywood. Just when she thinks her dream role can turn around the public’s image of her, a conflict with her co-star and America’s Sweetheart, Rachel Blanche, puts her on the front cover of every magazine, the villain once again. Rumors swirl that the starlets’ feud started in the bedroom, and Hayley accidentally overhears a conversation between Emerson and Rachel that could lead to the biggest scoop of her career. Will Hayley follow the story, or will her irresistible attraction to Emerson and the secrets Emerson is desperate to keep buried ruin both their careers...and their chance at love?

The Media and Political Process examines the increasingly topical subject of the political process and assesses: The nature of the relationship between mass media and the political process The impact of media-ization on existing political frameworks The implications of media-ized politics Eric Louw uses a number of case-studies including political, celebrity, war and terrorism to provide a media studies perspective on how media workers (journalists, public affairs officers, spin-doctors) impact upon the political process. The book also considers the media's role in promoting a range of twentieth century ideologies and emerging dominant discourses.

How to Be a Media Darling is a practical public relations guide that teaches you step-by-step how to be your own publicist and get media coverage--all while taking the mystery out of getting your brand the attention it deserves. In this book, you'll learn how to: Lay out a strategic publicity plan, develop compelling ideas for the media, social media, and more, and get the media to come to you and offer you free advertising for your brand. With How to Be a Media Darling, you'll be able to transform your brand, showcase your story, and become the ultimate publicity machine. If you're feeling stuck in a sea of other brands and asking yourself, "What makes mine different?" this is the book for you. Authored by KJ Blattenbauer, an award-winning publicist with more than two decades of PR experience, this easy to read and even easier to implement introduction to the world of PR is perfect for entrepreneurs, small business owners, influencers, and those working in PR who want to refresh their skills.

Based on a series of case studies of globally distributed media and their reception in different parts of the world, Imagining the Global reflects on what contemporary global culture can teach us about transnational cultural dynamics in the 21st century. A focused multisited cultural analysis that reflects on the symbiotic relationship between the local, the national, and the global, it also explores how individuals’ consumption of global media shapes their imagination of both faraway places and their own local lives. Chosen for their continuing influence, historical relationships, and different geopolitical positions, the case sites of France, Japan, and the United States provide opportunities to move beyond common dichotomies between East and West, or United States and “the rest.” From a theoretical point of view, Imagining the Global endeavors to answer the question of how one locale can help us understand another locale. Drawing from a wealth of primary sources—several years of fieldwork; extensive participant observation; more than 80 formal interviews with some 160 media consumers (and occasionally producers) in France, Japan, and the United States; and analyses of media in different languages—author Fabienne Darling-Wolf considers how global culture intersects with other significant identity factors, including gender, race, class, and geography. Imagining the Global investigates who gets to participate in and who gets excluded from global media representation, as well as how and why the distinction matters.

How have professional communicators transformed the business of politics? How do political bodies use the media to sell domestic and foreign policies to the public? This fully revised new edition of The Media and Political Process assesses the impact of spin doctoring and media activity in liberal democracies that are just as concerned with impression management and public relations as with policy. Political processes never stand still, and this revised second edition explores the mediatisation of the political process in light of recent developments, from Vladimir Putin′s growth into a political celebrity, to the activities of spin doctors in the 2008 US Presidential Elections. Providing a comprehensive overview of the evolution, operation and terminology of political communication, this text is an accessible, lively resource for students of political communication and media and politics, and will be important further reading for students of journalism, public relations and cultural studies.

"The book is well versed in the scholarly literature as well as pop-culture references found in contemporary television shows and movies. But what stands out in the volume’s research is its utilization of interviews conducted by the author that provide a range of perspectives on the media and politics from the vantage points of U.S. senators, journalists, critics, and activists." —Kirkus Reviews "Jane Hall has written a brilliant analysis that is educational, entertaining and important. Her comprehensive and timely book will be required reading for scholars, and will be invaluable for general readers and anyone interested in the relationship between politics and the media." - Kenneth T. Walsh, veteran White House correspondent, adjunct professorial lecturer in communication, and author of 10 books on the presidency including Presidential Leadership in Crisis. "Finally, as current a book as possible incorporating scholarly work on the media and politics and up-to-date examples and suggested exercises that are sure to rivet student interest. From its coverage of a tweeting President constantly assailing the media to trenchant analyses of coverage of the BLM movement, immigration and how the media treats women candidates this book is a must- adopt for Media and Politics classes. It is also an excellent add on for classes on American Politics and Campaigns and Elections." - Karen O’Connor, Jonathan N. Helfat Distinguished Professor of Politics, Founder Women and Politics Institute, American University. "The book is very timely and it has good case studies for students to discuss in class. It has chapters on race- and gender-related issues. You can use it as the main textbook, or you can assign it as supplementary reading material." —Ivy Shen, PhD. Southeast Missouri State University Politics and the Media: Intersections and New Directions examines how media and political institutions interact to shape public thinking and debates around social problems, cultural norms, and policies. From the roles of race and gender in American politics to the 2020 elections and the global coronavirus pandemic, this is an extraordinary moment for politicians, the news media, and democracy itself. Drawing from years of experience as an active political media analyst, an award-winning journalist and professor of politics and the media, Jane Hall explores how media technologies, practices, and formats shape political decision-making; how political forces influence media institutions; and how public opinion and media audiences are formed. Students will gain an understanding of these issues through a combination of scholarship, in-depth interviews, and contemporary case-studies that will help them develop their own views and learn to express them constructively.

From 18th Century poetry up to modern 3D cinema, the vampire has developed a genre in its own right. Leaving behind its roots in phantasmagoria and horror, taking in romance, action and adventure, as well as flights of science fiction fantasy and political allegory. The vampire is a part of all these fields of artistry and beyond them, a melting pot of imagination and invention that has captivated audiences around the world. In the first part of this volume, Andrew M. Boylan - author of the famous vampire blog Taliesin Meets the Vampires, looks at the genesis of the vampire genre from Ossenfelder's poem Der Vampir to Bram Stoker's seminal novel Dracula. The second part of the book spreads eclectically out from Dracula, just as the genre spread, taking in some famous kissing cousins of the genre as well as looking at the vampire's changing relationship with the divine and following the toothsome bloodsuckers out into space.

Charlotte Southwick always has a plan. Boarding her honeymoon cruise alone and decidedly unmarried wasn’t her intention. Neither was running into her high school love on board. Lexi looks so confident, and so hot, and so irresistible... How could she have let this woman get away? Lexi Bronson hasn’t had a permanent address in almost a decade and couldn’t be happier. Life is good bartending for a luxury cruise line—open seas, warm beaches, beautiful women, and no unnecessary anchors—until the woman who broke her heart shows up on her ship, and all those dreams of forever come rushing back. When passion flares, will the storm that rages shipwreck them both?

Celebrity Colonialism brings together studies on an array of personalities, movements and events from the colonial era to the present, and explores the intersection of discourses, formations and institutions that condition celebrity in colonial and postcolonial cultures. Across nineteen chapters, it examines the entanglements of fame and power fame in colonial and postcolonial settings. Each chapter demonstrates the sometimes highly ambivalent roles played by famous personalities as endorsements and apologists for, antagonists and challengers of, colonial, imperial and postcolonial institutions and practices. And each in their way provides an insight into the complex set of meanings implied by novel term “celebrity colonialism.” The contributions to this collection demonstrate that celebrity provides a powerful lens for examining the nexus of discourses, institutions and practices associated with the dynamics of appropriation, domination, resistance and reconciliation that characterize colonial and postcolonial cultural politics. Taken together the contributions to Celebrity Colonialism argue that the examination of celebrity promises to enrich our understanding of what colonialism was and, more significantly, what it has become.

All American politicians face the glare of media coverage, both in running for office and in representing their constituents if elected. But for women seeking or holding high public office, as Maria Braden demonstrates, the scrutiny by newspapers and television can be both withering and damaging—a fact that has changed little over the decades despite the emergence of more women in politics and more women in the news media. Particularly disturbing is the fact that the increase in the number of women reporters appears to have had little effect on the way women candidates are portrayed in the media. Some women reporters, in fact, seem intent on proving that they can be just as tough on women candidates as their male counterparts, thus perpetuating the misrepresentations of the past. Braden examines the political fortunes of Jeannette Rankin, the first woman elected to the U.S. House; those of the congressional "glamour girls" of the 1940s, Clare Boothe Luce and Helen Gahagan Douglas; the long Senate career of Margaret Chase Smith; the political struggles of diverse women of more recent decades, including Bella Abzug, Elizabeth Holtzman, Nancy Kassebaum, Barbara Jordan, Dianne Feinstein, and Ann Richards; and the disastrous vice presidential bid of Geraldine Ferraro. Braden traces a persistent double standard in media coverage of women's political campaigns through the past eighty years. Journalists dwell on the candidates' novelty in public office and describe them in ways that stereotype and trivialize them. Especially demeaning are comments on women's appearance, personality, and family connections— comments of a sort that would rarely be made about men candidates. Are they too pretty or too plain? What do their clothes say about them? Are they "feminine" enough or "too masculine"? Are they still just ordinary housewives or are they neglecting their families by heading for Washington or the state house? Braden's study is based on both media accounts and the revealing personal interviews she conducted with a broad range of recent women politicians, including Margaret Chase Smith, Bella Abzug, Kay Bailey Hutchison, Nancy Kassebaum, and Ann Richards. All describe agonizing struggles to get across to the public the message that they are serious and competent candidates capable of holding high office and shaping our nation's course.