Material Architecture

Composed of a series of essays, this book deals with the broad issues affecting the nature of architectural materials and provides a focused review of the state of the art materials. It also provides designers with the tools they need to evaluate and select from the thousands of different materials that are available to them. The book is organized into three sections; ‘Time’ looks at how the materials used in architectural design have changed over the years showing how we have come to use the materials we do in contemporary design. ‘Materials’ covers all five material families; metals, polymers, ceramics, composites and natural materials giving in depth information on their properties, behavior, origins and uses in design. It also introduces a review of the cutting edge research for each family. ‘Systems’ outlines the technical design-orientated research that uncovers how new architectural assemblies can be designed and engineered. All of this practical advice is given along with many real case examples illustrating how this knowledge and information has been, and can be, used in architectural design.

Blaine Brownell s best-selling Transmaterial series has introduced designers to hundreds of emergent materials that have the potential to transform our built environment. In our new Architecture Brief, Material Strategies, Brownell shows architects how creative applications of these materials achieve such transformations. Chapters based on fundamental material categories examine historical precedents, current opportunities, and future environmental challenges. Case studies featuring detailed illustrations showcase pioneering buildings from today s most forward-thinking architectural firms.

The use of smart materials in architecture is a dynamic and innovative area merging research, development, and use. Smart materials, with their reversible characteristics, respond to stimuli such as light, temperature, and electrical field by changing their form, color, viscosity, etc. One of the most fascinating developments is the advent of Phase Change Materials. These materials make it possible, for example, to develop self-acting, kinetic facades and wallpaper that changes its color and pattern based on temperature and light. The book presents the development of these materials and also describes their use in the contexts of architecture, design, and art. It offers a systematic overview with a detailed discussion of properties, technologies, products, and projects based on twenty groups of smart materials.

"First published in Great Britain in 2003 by Laurence King Publishing Ltd, London."--T.p. verso.

Bringing together texts and work by theorists and practitioners who are making material central to their work, this book reflects the diverse areas of inquiry which are expanding current material discourse. Focusing on the cultural, political, economic, technological and intellectual forces which shape material practices in architecture, the contributors draw on disciplines ranging from philosophy, history and pedagogy to art practice and digital and low-tech fabrication. By paying critical attention to material, a wide range of issues emerge which are otherwise excluded from architectural discourse, issues that shape and determine the buildings we make, the processes we use and the ways we understand them. Beautifully illustrated and designed, this book is a unique collection which will be of great interest to architectural practitioners and theorists who want to consider the wider implications of material practice, and to students who are developing their own approach to making buildings.

The approach of "Informing Architecture by Materiality" opens the way to an innovative use of materials in the design professions. Taking material qualities and properties such as texture, elasticity, transparency and fluidity as a point of departure, the concept described and employed here transcends the conventional definitions of building materials. Instead, the focus is on a multitude of material operations, like folding and bending, carving and cutting, weaving and knitting, mirroring and screening. The featured design strategies and methods address established and "new" materials alike. They are applied both to the scale of the detail and the entire building. The examples comprise prototype structures as well as large building projects. Eight chapters deal with surfaces and layers, joints and juctions, weaving and texturing, nanoscale transformations, responsiveness, the integration of ephemeral factors like wind and light as well as material collections providing professional resources. Written by renowned experts in this field, the book features many examples from international contemporary architecture. The introductory part provides the conceptual background, while a final chapter describes consequences for pressing issues of today, like sustainability or life cycle assessment.

Following the overwhelming success of Material World, European material experts MatériO have compiled and described innovative materials for architecture and design in the sequel: Material World 2. Once again architects, interior architects and designers can look up the ideal manufacturer, and gain inspiration for their building exteriors, interiors, and innovative products. Material World 2 is as comprehensive as the first volume: here architects and designers will find detailed product information, addresses, and contact details of manufacturers for every material featured. In addition, each material entry is accompanied by case studies, which show the material in specific applications.

Exploring the design of innovative building enclosure systems (or skins) in contemporary architecture and their precedents in earlier twentieth century modern architecture, this book examines the tectonics, the history and the influence of translucency as a defining characteristic in architecture. Highly illustrated throughout with drawings and full colour photographs, the book shows that translucency has been and continues to be a fertile ground for architectural experimentation. Each chapter presents a comparative analysis of two primary buildings: a recent project, paired with a historical precedent, highlighting how architects in different eras have realized the distinctive effects of translucency. The included buildings span a variety of program types, ranging from a single-family residence, to a factory, to a synagogue. Whether it is Pierre Chareau’s glass-lens curtain wall at the Maison de Verre, Frank Lloyd Wright’s wall of stacked glass tubes at the Johnson Wax Research Tower, or Peter Zumthor’s use of acid-etched glass in a double-skin envelope at the Kunsthaus Bregenz, the included projects each offer an exemplary case study of innovations in materiality and fabrication techniques. Today, among many contemporary architects, there is an engagement with new technologies, new material assemblies, and new priorities such as sustainability and energy-efficiency. A resurgent interest in translucency as a defining quality in buildings has been an important part of this recent dialogue and this book makes essential reading for any architect looking to incorporate aspects of translucency into their buildings.

Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.

DVD features highlights from the conference held at Columbia University.