Mary Wheelwright

"The book is based on more than fifteen years of oral history and archival research by author Leatrice A. Armstrong, formerly the assistant to the director at the Wheelwright Museum. On a trip to New Mexico around 1920, Wheelwright (1878–1958) met the influential Navajo ritual singer Hastiin Klah. From that moment forward she devoted her life to an understanding of Navajo spiritual life, as well as to the physical health of Native peoples of New Mexico and the stability of Native American and Spanish New Mexican arts. To further these interests she served as a trustee of numerous institutions and funded projects of museums and other organizations throughout New Mexico. She eventually created the Museum of Navajo Ceremonial Art, now named the Wheelwright Museum of the American Indian. This biography examines Wheelwright’s upbringing in a wealthy Boston family, her “discovery” of the Southwest, her relationships with artists and activists in New Mexico and elsewhere, and her many achievements."--Wheelwright Museum of the American Indian

This is an illustrated history of the extraordinary Anglo-American Wheelwright family.In 1636 an outspoken Puritan, Reverend John Wheelwright, left his native Lincolnshire and headed for the new Boston Bay Colony. His stay in Massachusetts would be short lived.Persecuted and banished, Reverend John went on to found two New England towns and a dynasty which now spans six continents.The Wheelwrights have produced explorers, engineers, clerics, consuls and a family of cannibals. There are philanthropists, philanderers, psychoanalysts, scientists, soldiers and sailors.A sea captain became a pirate. A lawyer became a gold-digging sportsman and a kidnapped child was transformed from Puritan to Catholic mother superior.The Wheelwright's story, complete with black sheep and skeletons a-plenty, spans four centuries. Hundreds of illustrations and family charts, drawn from years of research, bring 580 pages of this most remarkable family's history to life.

Parsons's stunning images reveal the magical qualities of the upper Rio Grande region, from its bustling Indian market places to the charming churches, ancient petroglyphs, lively fiestas, and haunting old ranchos. 100 color photos.

A register report is one of the clearest and most comprehensive ways to record a family tree - and is certainly far easier to handle than acres of family charts! This is a clearly presented register report with a full alphabetical index for the Wheelwright family. A companion volume to 'The Wheelwright Family Story', it follows their history from Lincolnshire, England to The Americas and back to England, Africa, Australasia and beyond. Spanning 400 years, 13 generations and over 2,000 individuals it is an essential resource for anyone researching the history of New England's founding families.

Document, photocopy, 2 sheets, essay starting "My mother's interest in Cranberry...", by Mary Cabot Wheelwright, about Mrs. Andrew C. Wheelwright's efforts for Great Cranberry Island, including donating to the church the Sarah Whitman stained glass window, the bell, and the parsonage; paying to restore the pulpit and chairs, helping to settle the site of the Town Dock, and hiring Mrs. Schrifgrisser to teach the children games and handcrafts. Transcribed.

Beginning in 1924, Proceedings are incorporated into the Apr. number.

In Earth Diplomacy, Jessica L. Horton reveals how Native American art in the mid-twentieth-century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations. She focuses on a group of artists including Pablita Velarde, Darryl Blackman, and Oscar Howe who participated in exhibitions and lectures abroad as part of the United States’s Cold War cultural propaganda. Horton emphasizes how their art modeled a radical alternative to dominant forms of statecraft, a practice she calls “earth diplomacy:” a response to extractive colonial capitalism grounded in Native ideas of deep reciprocal relationships between humans and other beings that govern the world. Horton draws on extensive archival research and oral histories as well as analyses of Indigenous creative work, including paintings, textiles, tipis, adornment, and artistic demonstrations. By interweaving diplomacy, ecology, and art history, Horton advances Indigenous frameworks of reciprocity with all beings in the cosmos as a path to transforming our broken system of global politics.