Mars By 1980

In Mars By 1980, David Stubbs charts the evolution of electronic music from the earliest mechanical experiments in the late nineteenth century, through to the familiar sounds of electronica, house and techno that we know today. It's a tale of mavericks and future dreamers overcoming Luddite resistance, malfunctioning devices, and sonic mayhem. The beginnings may be in the world of avant-classical composition, but it continues on through the cosmic funk of Stevie Wonder and Giorgio Moroder, via the astonishing sounds of the BBC Radiophonic Workshop, through unforgettable eighties electropop by the likes of Depeche Mode, the Pet Shop Boys and Laurie Anderson, and right up to present-day innovators on the underground scene.

Humanity has long been fascinated by the planet Mars. Was its climate ever conducive to life? What is the atmosphere like today and why did it change so dramatically over time? Eleven spacecraft have successfully flown to Mars since the Viking mission of the 1970s and early 1980s. These orbiters, landers and rovers have generated vast amounts of data that now span a Martian decade (roughly eighteen years). This new volume brings together the many new ideas about the atmosphere and climate system that have emerged, including the complex interplay of the volatile and dust cycles, the atmosphere-surface interactions that connect them over time, and the diversity of the planet's environment and its complex history. Including tutorials and explanations of complicated ideas, students, researchers and non-specialists alike are able to use this resource to gain a thorough and up-to-date understanding of this most Earth-like of planetary neighbours.

Camille Flammarion (1842-1925) began his career at 16 as a human computer under the great mathematician U. J. J. Le Verrier at the Paris Observatory. He soon tired of the drudgery; he was drawn to more romantic vistas, and at 19 wrote a book on an idea that he was to make his own—the habitability of other worlds. There followed a career as France’s greatest popularizer of astronomy, with over 60 titles to his credit. An admirer granted him a chateau at Juvisy-sur-l’Orge, and he set up a first-rate observatory dedicated to the study of the planet Mars. Finally, in 1892, he published his masterpiece, La Planete Mars et ses conditions d’habitabilite, a comprehensive summary of three centuries’ worth of literature on Mars, much of it based on his own personal research into rare memoirs and archives. As a history of that era, it has never been surpassed, and remains one of a handful of indispensable books on the red planet. Sir Patrick Moore (1923-2012) needs no introduction; his record of popularizing astronomy in Britain in the 20th century equaled Flammarion’s in France in the 19th century. Moore pounded out hundreds of books as well as served as presenter of the BBC’s TV program “Sky at Night” program for 55 years (a world record). Though Moore always insisted that the Moon was his chef-d’oeuvre, Mars came a close second, and in 1980 he produced a typescript of Flammarion’s classic. Unfortunately, even he found the project too daunting for his publish ers and passed the torch of keeping the project alive to a friend, the amateur astronomer and author William Sheehan, in 1993. Widely regarded as a leading historian of the planet Mars, Sheehan has not only meticulously compared and corrected Moore’s manuscript against Flammarion’s original so as to produce an authoritative text, he has added an important introduction showing the book’s significance in the history of Mars studies. Here results a book that remains an invaluable resource and is also a literary tour-de-force, in which the inimitable style of Flammarion has been rendered in the equally unique style of Moore.

Utilizes a travel guide format to bring together recent scientific discoveries about Mars, describing such features as its dry riverbeds, huge volcano, possible ancient sea floor, and impact craters.

A debut collection of darkly humorous, feminist speculative fiction from the Balkans, “sly, uncommon stories” by “a major talent” (Jeff VanderMeer, award-winning author of Hummingbird Salamander). Mars showcases a series of unique and twisted universes, where every character is tasked with making sense of their strange reality. One woman will be freed from purgatory once she writes the perfect book; another abides in a world devoid of physical contact. With wry prose and skewed humor, an emerging feminist writer explores twenty-first century promises of knowledge, freedom, and power. “Bakic’s stories are a dark delight—a treasury of forbidden pleasures, moments of resistance and resilience, and terrifying possibilities.” —Strange Horizons “At turns funny, surreal, and grounded in simple language but flung through twisted realities, the stories in this collection are provocative and utterly readable.” —The Brooklyn Rail “Skillfully disorienting.” —BUST “There’s an immediacy to Bakic’s offbeat worldview, sometimes strange and surreal, sometimes terrifying and upsetting, that pairs perfectly with the madness of the current political moment.” —Locus Magazine “Bosnian writer Bakic’s debut teems with the oddball narratives of George Saunders, the eerie atmosphere of Edgar Allan Poe, and the feminist intellect of Marge Piercyc. . . Told in a straightforward manner that transports speculative fiction into almost realist territory, Bakic’s collection imaginatively and strikingly examines sci-fi tropes from not only the point of view of women, but also from the voice of an effortlessly gifted writer whose future is much brighter than that of those depicted in her stories.” —Publishers Weekly (starred review)

Milo doesn't get it: What's the big deal about moms? They're just slave-driving broccoli bullies. Yet they are worshipped the world over! Perhaps even the galaxy over-because here come Martians and they're after one thing only: moms. Milo's mom in particular! That's quite a long way to come for a mom-could it be that Milo has been overlooking something special?

TIME’S #1 FICTION TITLE OF THE YEAR • NEW YORK TIMES NOTABLE BOOK OF 2018 FINALIST for the MAN BOOKER PRIZE and the NATIONAL BOOK CRITICS CIRCLE AWARD LONGLISTED for the ANDREW CARNEGIE MEDAL An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“The Mars Room is the real deal, jarring, horrible, compassionate, funny.” It’s 2003 and Romy Hall, named after a German actress, is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: her young son, Jackson, and the San Francisco of her youth. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, portrayed with great humor and precision. Stunning and unsentimental, The Mars Room is “wholly authentic…profound…luminous” (The Wall Street Journal), “one of those books that enrage you even as they break your heart” (The New York Times Book Review, cover review)—a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It is audacious and tragic, propulsive and yet beautifully refined and “affirms Rachel Kushner as one of our best novelists” (Entertainment Weekly).