Marriage And Metaphor

Beginning with the opening of Mishnah Kiddushin, 'A woman is acquired (in marriage)...by money, by document, or by sexual intercourse, ' and using other examples of commercial language applied to marriage across the rabbinic canon, this work demonstrates that rabbis used information from the realm of property and commercial transactions to structure their understanding and reasoning about marriage and gender relations through a metaphor of women as ownable and marriage as a purchase or acquisition

Review: "Love and Violence is a detailed study of the marriage metaphor in the prophetic books of the Hebrew Bible and a challenge to the use of that metaphor for depicting the relationship between God and Israel. It examines the ways in which the metaphor is rooted in gender assumptions of the ancient world and the inherent tension in the usage of the marriage metaphor in ancient Israel, as well as in today's church and society."--BOOK JACKET

The Hebrew Bible offers a metaphor of marriage that portrays men and women as complementary, each with their distinct and 'natural' roles. Queer Theory and the Prophetic Marriage Metaphor in the Hebrew Bible draws on contemporary scholarship to critique this hetero-normativity. The book examines the methodological issues involved in the application of queer theory to biblical texts and draws on the concept of gender performativity - the construction of gender through action and behaviour - to argue for the potential of queer theory in political readings of the Bible. The central role of metaphor in reinforcing gender performativity is examined in relation to the books of Jeremiah, Hosea and Ezekiel. The book offers a radical reassessment of the relationship between biblical language and gender identity.

Laurie and Matt Krieg are in a mixed-orientation marriage: Laurie is primarily attracted to women—and so is Matt. With vulnerability and wisdom, they tell the story of how they met and got married, the challenges and breakthroughs of their journey, and what they've learned about how marriage is meant to point us to the love and grace of Jesus.

Describes what marriage should be according to the Bible, arguing that marriage is a tool to bring individuals closer to God, and provides meaningful instruction on how to have a successful marriage.

“After years of debate and inquiry, the key to a great marriage remained shrouded in mystery. Until now...”—Carol Dweck, author of Mindset: The New Psychology of Success Eli J. Finkel's insightful and ground-breaking investigation of marriage clearly shows that the best marriages today are better than the best marriages of earlier eras. Indeed, they are the best marriages the world has ever known. He presents his findings here for the first time in this lucid, inspiring guide to modern marital bliss. The All-or-Nothing Marriage reverse engineers fulfilling marriages—from the “traditional” to the utterly nontraditional—and shows how any marriage can be better. The primary function of marriage from 1620 to 1850 was food, shelter, and protection from violence; from 1850 to 1965, the purpose revolved around love and companionship. But today, a new kind of marriage has emerged, one oriented toward self-discover, self-esteem, and personal growth. Finkel combines cutting-edge scientific research with practical advice; he considers paths to better communication and responsiveness; he offers guidance on when to recalibrate our expectations; and he even introduces a set of must-try “lovehacks.” This is a book for the newlywed to the empty nester, for those thinking about getting married or remarried, and for anyone looking for illuminating advice that will make a real difference to getting the most out of marriage today.

The title of this volume, Sacred Marriages, consciously plays with the traditional concept of sacred marriage, but the plural form, “sacred marriages,” gives the reader an idea that something more is at stake here than a monomaniacal idea of manifestations deriving from a single prototype. Following the guidelines of one of the contributors, Ruben Zimmermann, the editors tentatively define “sacred marriage” as a “real or symbolic union of two complementary entities, imagined as gendered, in a religious context.” “Sacred marriages” (plural), then, refers to various expressions of this kind of union in different cultures that seek to overcome, to cite Zimmermann again, “the great dualism of human and cosmic existence.” The subtitle indicates that the contributors are primarily interested in different aspects of the divine-human sexual metaphor—that is, the imagining and reenactment of a gendered relationship between the human and divine worlds. This metaphor, which is essentially about relationship rather than sexual acts, can find textual, ritual, mythical, and social expressions in different times and places. Indeed, the sacred marriage ritual itself should be considered not a manifestation of the “sacralized power of sexuality experienced in sexual intercourse” but one way of objectifying the divine-human sexual metaphor.

Jer 2:1-4:2 is a locus classicus of the prophetic marriage metaphor, which describes the turbulent relationship between Israel and her God. The literary form of the Book of Jeremiah preserved in the Septuagint (LXX) invites a new diachronic study of this text. The systematic, comparative study of the LXX and the Hebrew (MT) makes up a substantial part of the present book (ca. 200 pages). The redaction-critical reconstruction follows the literary form thus retrieved. 0The edition preserved in the MT introduces the marriage metaphor where the earlier text used general feminine imagery, or suggested rather a filial relationship. The inspiration for the revision came from the Books of Hosea and Ezekiel. The interpretations specific to the translator of the LXX do not point to any coherent agenda. The earliest passage clearly applying the marriage metaphor were introduced at the latest stages of the redaction history. There results demonstrate the growing importance of the marriage metaphor, as well as the ancient editors? conviction about the unity and interconnection of the books which make up the Bible.

Sharon Moughtin-Mumby considers the often unrecognised impact of different approaches to metaphor on readings of the prophtic sexual and marital metaphorical language. She outlines a practical and consciously simplified approach to metaphor, placing strong emphasis on the influence of literary context on metaphorical meaning. Drawing on this approach, she read Hosea 4-14, Jeremiah 2:1-4:4, Isaiah, Ezekiel 16 and 23, and Hosea 1-3 with fresh eyes. Her lucid new readings reveal the way in which scholarship has repeatedly stifled the prophetic metaphorical language by reading it within the 'default contexts' of 'the marriage metaphor' and 'cultic prostitution', which for so many years have been simply assumed. Readers are encouraged instead to read these diverse metaphors and similes within their distinctive literary contexts in which they have the potential to rise vividly to life, provoking the question: how are we to respond to these disquieting, powerful texts in the midst of the Hebrew Bible?

State of the Marital Union documents the transformations of public identity occurring in American society through a close examination of the rhetoric used in nineteenth-century marriage controversies. Leslie J. Harris argues that American citizenship is, in part, rhetorically constituted through marriage. The public debates over seemingly distinct marriage controversies, such as domestic violence, divorce, polygamy, free love, and interracial marriage, functioned as ways of both challenging and solidifying norms of gender, race, class, and ethnicity. Public sentiment operated as a lens for understanding some of the most heated public issues of the time, including slavery, westward expansion, women's rights, and immigration. Harris demonstrates how the private wife became the public woman by contesting legal standing in both the court of law and the court of public opinion. State of the Marital Union makes the case that marriage is a critical site for constituting and performing ways of being in the American public, which has significant implications for understanding both female roles and the body politic.