Mark Tansey
Author | : Arthur C. Danto |
Publisher | : ABRAMS |
Total Pages | : 152 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
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Om den amerikanske maler Mark Tansey f.1949.
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Author | : Arthur C. Danto |
Publisher | : ABRAMS |
Total Pages | : 152 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
Om den amerikanske maler Mark Tansey f.1949.
Author | : Mark C. Taylor |
Publisher | : University of Chicago Press |
Total Pages | : 157 |
Release | : 2010-01-15 |
Genre | : Art |
ISBN | : 0226791270 |
A rich exploration of the possibilities of representation after Modernism, Mark Taylor's new study charts the logic and continuity of Mark Tansey's painting by considering the philosophical ideas behind Tansey's art. Taylor examines how Tansey uses structuralist and poststructuralist thought as well as catastrophe, chaos, and complexity theory to create paintings that please the eye while provoking the mind. Taylor's clear accounts of thinkers ranging from Plato, Kant, and Hegel to Merleau-Ponty, Derrida, and de Man will be an invaluable contribution to students and teachers of art.
Author | : Patterson Sims |
Publisher | : |
Total Pages | : 48 |
Release | : 1990 |
Genre | : Art |
ISBN | : |
Author | : Judi Freeman |
Publisher | : Chronicle Books (CA) |
Total Pages | : 122 |
Release | : 1993 |
Genre | : Art |
ISBN | : |
Mark Tansey's paintings show that these formalist dogmas criple painting by taking away its ability to articulate thought and feeling about our world. It dogmas construct an incumbering chamber of gates, walls, and shackels. Mark Tansey's wit and humor, brings metaphor and discourse back into the art of painting.
Author | : Geoff Tansey |
Publisher | : Routledge |
Total Pages | : 272 |
Release | : 2014-03-18 |
Genre | : Technology & Engineering |
ISBN | : 1135047952 |
Food is a massive industry and the many key players involved have very different interests. In wealthy nations those interests can range from corporate survival and maintaining profitability in a market with limited demand, to promoting a healthy diet and ensuring food safety. For the poor, the emphasis is all too often on simply getting enough to eat. As information technology and biotechnology are set to revolutionize the food system, it is essential to understand the broad context in which the different actors operate, so that all the world's people can enjoy a safe, secure, sufficient and sustainable food supply. This text provides an overview of today's dominant food system - one developed in and controlled by northern industrialized countries, and one that is becoming increasingly globalized.
Author | : W. J. T. Mitchell |
Publisher | : University of Chicago Press |
Total Pages | : 466 |
Release | : 1995-09 |
Genre | : Art |
ISBN | : 9780226532325 |
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.
Author | : Graeme Sullivan |
Publisher | : SAGE |
Total Pages | : 294 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781412905367 |
'Art Practice as Research' presents a compelling argument that the creative and cultural inquiry undertaken by artists is a form of research. The text explores themes, practice, and contexts of artistic inquiry and positions them within the discourse of research.
Author | : Mark Ryden |
Publisher | : |
Total Pages | : 140 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Original publication and copyright date: 2008.
Author | : Arthur C. Danto |
Publisher | : Univ of California Press |
Total Pages | : 292 |
Release | : 1998-11-03 |
Genre | : Art |
ISBN | : 9780520216747 |
This essays explore how conceptions of art -and resulting historical narrativesdiffer according to culture.
Author | : Marc Redfield |
Publisher | : Fordham Univ Press |
Total Pages | : 272 |
Release | : 2015-11-02 |
Genre | : Philosophy |
ISBN | : 0823268683 |
This book examines the affinity between “theory” and “deconstruction” that developed in the American academy in the 1970s by way of the “Yale Critics”: Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, sometimes joined by the French philosopher Jacques Derrida. With this semi-fictional collective, theory became a media event, first in the academy and then in the wider print media, in and through its phantasmatic link with deconstruction and with “Yale.” The important role played by aesthetic humanism in American pedagogical discourse provides a context for understanding theory as an aesthetic scandal, and an examination of the ways in which de Man’s work challenges aesthetic pieties helps us understand why, by the 1980s, he above all had come to personify “theory.” Combining a broad account of the “Yale Critics” phenomenon with a series of careful reexaminations of the event of theory, Redfield traces the threat posed by language’s unreliability and inhumanity in chapters on lyric, on Hartman’s representation of the Wordsworthian imagination, on Bloom’s early theory of influence in the 1970s together with his later media reinvention as the genius of the Western Canon, and on John Guillory’s influential attempt to interpret de Manian theory as a symptom of literature’s increasing marginality. A final chapter examines Mark Tansey’s paintings Derrida Queries de Man and Constructing the Grand Canyon, paintings that offer subtle, complex reflections on the peculiar event of theory-as-deconstruction in America.