Maria

Just Maria is the story of Maria Romero, a blind sixth-grader who is trying her hardest to be normal. Not amazing. Not inspiring. Not helpless. Not weird. Just normal. Normal is hard enough with her white cane, glass eyes, and bumpy books, but Maria's task is complicated by her neighbor and classmate JJ Munson, an asthmatic overweight oddball known in the halls of Marble City Middle as a double-dork paste-eater. When JJ draws Maria into his latest hare-brained scheme--a series of public challenges to prove their worth as gumshoes for his Twinnoggin Detective Agency--she fears she's lost her last chance to go unnoticed. When a young girl goes missing on the streets of Marble City, Maria's new-found confidence is tested in ways she never anticipated. Use your cane and your brain, and figure it out . . . Aimed at middle-grade readers, Just Maria explores difference and disability without resorting to the saccharine and engages universal themes about the price of popularity and the meaning of independence.

The Broadway tomboys, rebel nuns, and funny girls, who upset the 1950s gender norms: Mary Martin, Ethel Merman, Julie Andrews, and Barbra Streisand

Pura Belpre Honor winner for The Revolution of Evelyn Serrano and one of America's most influential Hispanics--'Maria' on Sesame Street--delivers a beautifully wrought coming-of-age memoir. Set in the 1970s in the Bronx, this is the story of a girl with a dream. Emmy award-winning actress and writer Sonia Manzano plunges us into the daily lives of a Latino family that is loving--and troubled. This is Sonia's own story rendered with an unforgettable narrative power. When readers meet young Sonia, she is a child living amidst the squalor of a boisterous home that is filled with noisy relatives and nosy neighbors. Each day she is glued to the TV screen that blots out the painful realities of her existence and also illuminates the possibilities that lie ahead. But--click!--when the TV goes off, Sonia is taken back to real-life--the cramped, colorful world of her neighborhood and an alcoholic father. But it is Sonia's dream of becoming an actress that keeps her afloat among the turbulence of her life and times. Spiced with culture, heartache, and humor, this memoir paints a lasting portrait of a girl's resilience as she grows up to become an inspiration to millions.

"Emmy Award-winning NPR journalist Maria Hinojosa shares her personal story interwoven with American immigration policy's coming-of-age journey at a time when our country's branding went from "The Land of the Free" to "the land of invasion.""--

A brilliant novel and instant New York Times bestseller from the author of Where'd You Go, Bernadette, about a day in the life of Eleanor Flood, forced to abandon her small ambitions and awake to a strange, new future. Eleanor knows she's a mess. But today, she will tackle the little things. She will shower and get dressed. She will have her poetry and yoga lessons after dropping off her son, Timby. She won't swear. She will initiate sex with her husband, Joe. But before she can put her modest plan into action, life happens. Today, it turns out, is the day Timby has decided to fake sick to weasel his way into his mother's company. It's also the day Joe has chosen to tell his office -- but not Eleanor -- that he's on vacation. Just when it seems like things can't go more awry, an encounter with a former colleague produces a graphic memoir whose dramatic tale threatens to reveal a buried family secret. Today Will Be Different is a hilarious, heart-filled story about reinvention, sisterhood, and how sometimes it takes facing up to our former selves to truly begin living.

Devoted to the varied writings of the influential novelist, children's author, and educator, this collection combines postcolonial, historical, and gender criticism to offer fresh readings of Edgeworth's novels, stories, letters, and educational texts. The collection will be invaluable to established scholars working in eighteenth- and nineteenth-century literature, women's studies, and children's literature, as well as to students encountering Edgeworth for the first time.

Compiled by art historians, literary scholars, musicologists, and historians, this essay collection is an innovative and interdisciplinary study of Queen Henrietta Maria and her multi-faceted roles and responsibilities. Elements of the queen's popular biography - her European identity and devout Catholic faith - are only a part of the backdrop against which Henrietta Maria is re-considered. Drawing on the expertise of an international group of scholars from different disciplines, these essays explore and shed new light on the Queen's various roles: a patron of performing and visual arts with taste and influence comparable to her husband's, her salient political position between the French and English courts, and her political sentiments at the outbreak of the English Civil War. Through cutting-edge archival research that includes investigations into household accounts and personal correspondence, this collection ultimately presents a new assessment of female power and influence at the early modern court. What becomes strikingly evident is that Henrietta Maria had a distinct and profound influence on material and political culture that deserves the attention of art history, literature, theatre, and musicology scholars.

This work offers a detailed reconstruction of the campaigns for and trials resulting in the beatification (in 1626) and subsequent canonization in 1169 of the Florentine mystic nun, Maria Maddalena de' Pazzi (1566-1607). Clare Copeland places her findings in the wide context of the politics of saint-making at a time of particular significance for the history of Roman Catholic canonization. The Protestant Reformation had put the Roman Catholic Church on the defensive in this area of devotional practice and the period covered in this volume (ca. 1600-1669) saw far-reaching reforms in the ways in which sanctity was measured and adjudicated by Rome. Copeland shows how these developments need to be seen less in terms of a top-down attempt by the central organs of ecclesiastical control to impose a hegemony of holiness and more in terms of negotiation over the meanings of sanctity—and how it relates to canonization-between the various stakeholders.

This work offers a new portrayal of Queen Maria Carolina of Naples as a woman of power with weaknesses and ambitions, and analyzes the Queen's actions, from her political choices to her alliance and betrayals. A careful examination of the period (1781-1785) covered by the diary shows that the daily life of the Queen and offers key evidence of her political acumen and her personal relationships. Recca cross-analyses unpublished personal documents, which include the integral diary and private correspondence. The book focuses on the political influence that Queen Maria Carolina wielded beside her husband, King Ferdinand IV, and the criticism that has been made by contemporary historians and intellectuals who have often tended to discredit the sovereign for personal rather than political reasons.

Commentary and criticism on Fassbinder's film "The marriage of Maria Braun"