Margaret Trumans Experiment In Murder

When a Washington psychiatrist is found dead in his office, Mackenzie Smith is called in to defend one of his patients who has become a suspect. Then information emerges that links the slain shrink to a highly secret CIA mind control project. A programmed assassin strikes and kills the wildly popular frontrunner in the presidential race. As a result of the assassination, the other government agencies have become aware of the rogue CIA program. They want to infiltrate it, and Mac Smith's client, the accused killer, seems to be their perfect spy. But the assassin is programmed to kill anyone who threatens him or his organization, which includes Mac and his wife, Annabel.

When a Washington psychiatrist is found dead in his office, Mackenzie Smith is called in to defend one of his patients who has become a suspect. Then information emerges that links the slain shrink to a highly secret CIA mind control project. A programmed assassin strikes and kills the wildly popular frontrunner in the presidential race. As a result of the assassination, the other government agencies have become aware of the rogue CIA program. They want to infiltrate it, and Mac Smith's client, the accused killer, seems to be their perfect spy. But the assassin is programmed to kill anyone who threatens him or his organization, which includes Mac and his wife, Annabel.

After a suicide bomber kills his youngest daughter at an outdoor cafe in Washington, D.C., private investigator Robert Brixton seeks revenge and answers.

Donald Bain continues the beloved Capital Crimes series with Margaret Truman’s Deadly Medicine, a gripping tale of greed, betrayal—and murder. If someone in the pharmaceutical industry came upon a cheaper, non-addictive, and more effective painkiller, would he kill for it? Washington D.C. private detective Robert "Don't call me Bobby" Brixton, along with his mentors, attorneys Mac and Annabel Smith, discover that the answer is a resounding "Yes," as they try to help Jayla King, a medical researcher at a small D.C. pharmaceutical firm, carry on the work of her father. His experiments in the jungles of Papua New Guinea in search of such a breakthrough product led to his brutal murder and the theft of his papers. Did Jayla's father's lab assistant kill the doctor and steal his research? Is this shadowy figure prepared to kill again to keep Jayla from profiting from her father's work? Does her recent paramour's romantic interest reflect his true feelings--or will he sell her out and reap the rewards for himself? And to what lengths would Big Pharma's leading lobbyist go to cover up his involvement, and to protect a leading champion of the pharmaceutical industry--a Georgia senator with a shady past? As Mac, Annabel, and Brixton soon realize, no pill can ease the pain that the answers to these questions inflict on everyone in this tale of greed, betrayal--and murder. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In this mystery in the USA Today bestselling Murder, She Wrote series, Jessica Fletcher visits New York City during fashion week, only to discover someone has rather fatal designs... Jessica is in Manhattan to attend the debut of a new designer. Formerly Sandy Black of Cabot Cove, the young man has reinvented himself as Xandr Ebon, and is introducing his evening wear collection to the public and—more important—to the industry’s powers-that-be: the stylists, the magazine editors, the buyers, and the wealthy clientele who can make or break him. At the show, the glitz and glamour are dazzling until a young model—a novice, taking her first walk down the runway—shockingly collapses and dies. Natural causes? Perhaps. But when another model is found dead, a famous cover girl and darling of the paparazzi, the fashion world gets nervous. Two models. Two deaths. Their only connection? Xandr Ebon. Jessica’s crime-solving instincts are put to the test as she sorts through the egos, the conflicts of interest, the spiteful accusations, and the secrets, all the while keeping an amorous detective at arm’s length. But she’ll have to dig deep to uncover a killer. A designer’s career is on the line. And another model could perish in a New York minute.

Over twenty-two months in 1979 and 1981 nearly two dozen children were unspeakably murdered in Atlanta despite national attention and outcry; they were all Black. James Baldwin investigated these murders, the Black administration in Atlanta, and Wayne Williams, the Black man tried for the crimes. Because there was only evidence to convict Williams for the murders of two men, the children's cases were closed, offering no justice to the families or the country. Baldwin's incisive analysis implicates the failures of integration as the guilt party, arguing, "There could be no more devastating proof of this assault than the slaughter of the children." As Stacey Abrams writes in her foreword, "The humanity of black children, of black men and women, of black lives, has ever been a conundrum for America. Forty years on, Baldwin's writing reminds us that we have never resolved the core query: Do black lives matter? Unequivocally, the moral answer is yes, but James Baldwin refuses such rhetorical comfort." In this, his last book, by excavating American race relations Baldwin exposes the hard-to-face ingrained issues and demands that we all reckon with them.

Laura is a young intern in Washington, D.C., working for handsome and likable Congressman Hal Gannon. Laura falls for the charming Gannon, but when she catches a stewardess at Gannon's apartment, she vows to destroy him. Private investigator Robert Brixton is a former cop who has also worked for the FBI. When Laura goes missing, Brixton is hired by Laura's family to gain insight into the case that the police might have missed. Brixton tracks down rumors about Gannon—a staunchly moral "family advocate" according to his political position, but a womanizer according to gossip—but the congressman vehemently denies having anything untoward to do with Laura. Then Laura is found dead in the congressional cemetery, and many more questions are raised. . . Donald Bain thrills again with Margaret Truman's Internship in Murder, the riveting next installment in the Margaret Truman's beloved Capital Crimes series.

This “standard text of the defining era of gay literati” tells the cultural history of the interconnected lives of the 20th century's most influential gay writers (Philadelphia Inquirer). In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.

CMH Pub 50-1-1. Defense Studies Series. Discusses the evolution of the services' racial policies and practices between World War II and 1965 during the period when black servicemen and women were integrated into the Nation's military units.