Manacles Of The Mind

'Imaginative, authentic, and evocative.'- Gerard Kelly, author There is a dark presence in Phin's life. His step-father is a drunk and his malevolence poisons their home. One evening the violence gets out of control and as Phin's mother drags his broken body away, she can only think of one place to take him: to the local healer. But this healer deals in more than medicinal remedies and at her insistence he calls on the spirits to ensure Phin is never harmed again. However, his words are more than a call, they are invitation - one that the spirits welcome as a legion descend and take root within Phin. Phin awakens to discover he is no longer in control of his mind or his body, and something is certainly inhabiting his soul. He possesses super-human strength and immediately takes revenge on his step-father. This would have sated Phin, but the spirits have other ideas - they drive him into the wilderness and all who go to him quickly rue the day. As he terrorises the village, soldiers come to remove him - but how do you restrain a man who can break the strongest of manacles. And is there any hope for one who has been overcome by darkness?

Most simply, the Romantic poets came to recognize political solutions as inevitable failures, and political poetry as not poetry at all, but versified propaganda that does not endure beyond timely or contemporary events and that cannot explore motives of deeper significance about the human condition. Meanwhile, radicals viewed concern for black slaves as a fanciful distraction obfuscating wage slavery, the oppression of the English working class, and the hellish life of the laboring masses during the Industrial Revolution. Following the Abolition of the Slave Trade (1807) the plight of the fettered African slaves in the West Indies faded into the larger concern over the "enslaved" masses in England.

"[This] magnificent critical survey, with its inherent respect for both the 'Westt's mainstream high culture' and the 'radically changing world' of the 1990s, offers a new breakthrough for lay and scholarly readers alike....Allows readers to grasp the big picture of Western culture for the first time." SAN FRANCISCO CHRONICLE Here are the great minds of Western civilization and their pivotal ideas, from Plato to Hegel, from Augustine to Nietzsche, from Copernicus to Freud. Richard Tarnas performs the near-miracle of describing profound philosophical concepts simply but without simplifying them. Ten years in the making and already hailed as a classic, THE PASSION OF THE WESERN MIND is truly a complete liberal education in a single volume.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

Sixteen-year-old Jacques Rebière is living a humble life in rural France, studying butterflies and frogs by candlelight in his bedroom. Across the Channel, in England, the playful Thomas Midwinter, also sixteen, is enjoying a life of ease-and is resigned to follow his father's wishes and pursue a career in medicine. A fateful seaside meeting four years later sets the two young men on a profound course of friendship and discovery; they will become pioneers in the burgeoning field of psychiatry. But when a female patient at the doctors' Austrian sanatorium becomes dangerously ill, the two men's conflicting diagnosis threatens to divide them--and to undermine all their professional achievements. From the bestselling author of Birdsong comes this masterful novel that ventures to answer challenging questions of consciousness and science, and what it means to be human.

As visiting physician to Bethlem Hospital, the archetypal "Bedlam" and Britain's first and (for hundreds of years) only public institution for the insane, Dr. John Monro (1715–1791) was a celebrity in his own day. Jonathan Andrews and Andrew Scull call him a "connoisseur of insanity, this high priest of the trade in lunacy." Although the basics of his life and career are well known, this study is the first to explore in depth Monro's colorful and contentious milieu. Mad-doctoring grew into a recognized, if not entirely respectable, profession during the eighteenth century, and besides being affiliated with public hospitals, Monro and other mad-doctors became entrepreneurs and owners of private madhouses and were consulted by the rich and famous. Monro's close social connections with members of the aristocracy and gentry, as well as with medical professionals, politicians, and divines, guaranteed him a significant place in the social, political, cultural, and intellectual worlds of his time. Andrews and Scull draw on an astonishing array of visual materials and verbal sources that include the diaries, family papers, and correspondence of some of England's wealthiest and best-connected citizens. The book is also distinctive in the coverage it affords to individual case histories of Monro's patients, including such prominent contemporary figures as the Earls Ferrers and Orford, the religious "enthusiast" Alexander Cruden, and the "mad" King George III, as well as his crazy would-be assassin, Margaret Nicholson. What the authors make clear is that Monro, a serious physician neither reactionary nor enlightened in his methods, was the outright epitome of the mad-trade as it existed then, esteemed in some quarters and ridiculed in others. The fifty illustrations, expertly annotated and integrated with the text, will be a revelation to many readers.

For William Blake, the idea of slavery was fundamental to his art and writing. Containing over 60 reproductions from Blake's illuminated books, watercolours and engravings, this book includes essays by curator and leading Blake scholar David Bindman, and novelist and literary critic Darryl Pinckney.