Malayalam Literary Survey

This book presents a comprehensive study of nearly 100 of Kaaroor’s short stories. Kaaroor Neelakanta Pillai is one among the Big Six of the ‘new wave’ in Malayalam literature which began in the mid-1940s. The Big Six and their immediate followers wrote about the common man, peasants, pavement-dwellers, fishermen, rickshaw-pullers, underpaid school teachers — their lives, aspirations and vulnerabilities. By treating Kaaroor’s stories as case studies, the book takes a sociological approach to understanding the representation of a wide array of themes: romantic overtones, erotic pursuits, marital episodes, issues of family, lives of children, behavioural patterns, shades of greed, the idea of spirituality and politics in Malayalam literature. With its annotated transcreation and detailed commentary, this book brings Kaaroor’s works to the general reader, and will be useful to scholars and researchers of South Asian literature, English literature, linguistics, cultural studies, besides those interested in Malayalam literature and the Malayali/Indian diaspora across the world.

This Is The First Of Three-Volume Anthology Of Writings In Twenty-Two Indian Languages, Including English, That Intends To Present The Wonderful Diversities Of Themes And Genres Of Indian Literature. This Volume Comprises Representative Specimens Of Poems From Different Languages In English Translation, Along With Perceptive Surveys Of Each Literature During The Period Between 1850 And 1975.

The ultimate anthology of Indian poetry from the Vedas to the present in all the major Indian languages These My Words is an anthology of magnificent breadth, ranging from Valmiki to Agha Shahid Ali, Aurobindo to Vikram Seth, Andal to Tagore, spanning Indian poetry in its myriad forms, styles and languages. The poems speak for themselves and to each other, as folk songs and tribal epics sit alongside classical Sanskrit and formal Tamil verse is a companion to contemporary Bengali or Dogri. There is Ghalib in praise of love, Tukaram on religious bigotry, Ksetrayya on divine love through the erotic, Gieve Patel on identity. In Eunice de Souza and Melanie Silgardo’s carefully curated selection, each poem illumines exquisitely the tradition of Indian poetry.