Make Believe Murder

From USA Today bestselling author Leslie Langtry comes a former CIA agent turned Girl Scout troop leader and a laugh-out-loud mystery! Merry Wrath’s summer plans didn’t originally include an unexpected visit from her old friend, Hilly—a quirky CIA assassin who’s been forced by HR to take her first vacation in…forever. The fact that Hilly chose a small town in Iowa for vacation doesn’t bother Merry or her scout troop (especially since Hilly’s teaching them how to kill a man with one punch), but her former handler, Riley, believes something sinister is afoot. After all Lana, Merry’s arch-nemesis, is sighted all over town, and when a Chinese operative ends up murdered in her backyard, Merry starts to wonder if Riley is right and Hilly is secretly on the job. It doesn’t help that a group of cosplaying teenage druids have targeted Merry for a misguided ritual sacrifice, or that Medea Jones, cub reporter, constantly harasses Merry, seeing the former spy as her Pulitzer Prize winning vehicle out of Who’s There, Iowa. Merry wonders if her strange friend really is on vacation, or if she's after another target? Is it Lana? Was it the Chinese operative? Or is it Merry Wrath? Merry Wrath Mysteries: Merit Badge Murder – book #1 Mint Cookie Murder – book #2 Scout Camp Mystery – short story in the "Killer Beach Reads" collection Marshmallow S'More Murder – book #3 Movie Night Murder – book #4 Mud Run Murder – book #5 Fishing Badge Murder – short story in the "Pushing Up Daisies" collection Motto for Murder – book #6 Map Skills Murder – book #7 Mean Girl Murder – book #8 Marriage Vow Murder – book #9 Mystery Night Murder – book #10 Meerkats and Murder– book #11 Make Believe Murder – book #12 Maltese Vulture Murder – book #13 What critics are saying about Leslie Langtry's books: "I laughed so hard I cried on multiple occasions while reading MARSHMALLOW S'MORE MURDER! Girl Scouts, the CIA, and the Yakuza... what could possibly go wrong?" ~ Fresh Fiction "Darkly funny and wildly over the top, this mystery answers the burning question, 'Do assassin skills and Girl Scout merit badges mix…" ~ RT BOOKreviews "Mixing a deadly sense of humor and plenty of sexy sizzle, Leslie Langtry creates a brilliantly original, laughter-rich mix of contemporary romance and suspense." ~ Chicago Tribune "Langtry gets the fun started from page one with a myriad of clever details." ~ Publisher's Weekly

Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.

"A vivid, atmospheric mystery about 1951 Hollywood...this is a winner." —David Morrell, New York Times bestselling author In June 1951, Edna Ferber heads to Hollywood to support her friend Max Jeffries who has found himself blacklisted after the McCarthy hearings in Washington rattled Hollywood with allegations of Communist-leaning sympathies. Edna first met Max when he worked on the 1927 Broadway production of Show Boat, and now he's brought his magic to a new production starring Ava Gardner. Walked off the Metro lot, shunned by friends, Max is "uncredited" on the film because of his political leanings. Edna's visit is one of friendship—nothing more. But all that changes when Max is murdered. Edna begins socializing with Ava Gardner, currently scandalizing Hollywood with her affair with Frank Sinatra. Edna finds the hard-as-nails temptress a vulnerable, insecure woman whom she comes to like. Max was killed right after a public brawl with Sinatra, and Ava fears her lover will be arrested. Edna plays sleuth quietly, uncovering dark layers of greed, envy, and desire. Against the backdrop of the new Show Boat is the tawdry romance of dream-street Hollywood itself—both parts of the world of "Make Believe."

Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.

Shakespeare’s plays abound with kings and leaders who crave a public stage and seize every opportunity to make their lives a performance: Antony, Cleopatra, Richard III, Othello, and many others. Such self-dramatizing characters appear in the work of other playwrights of the era as well, Marlowe’s Edward II and Tamburlaine among them. But Elizabethan playwrights were not alone in realizing that a sense of theater was essential to the exercise of power. Real rulers knew it, too, and none better than Queen Elizabeth. In this fascinating study of political stagecraft in the Elizabethan era, Garry Wills explores a period of vast cultural and political change during which the power of make-believe to make power real was not just a theory but an essential truth. Wills examines English culture as Catholic Christianity’s rituals were being overturned and a Protestant queen took the throne. New iconographies of power were necessary for the new Renaissance liturgy to displace the medieval church-state. The author illuminates the extensive imaginative constructions that went into Elizabeth’s reign and the explosion of great Tudor and Stuart drama that provided the imaginative power to support her long and successful rule.

I will tell you a story that will make you believe in God." No story can guarantee being able to do this. Yet novelists can tell stories that make us think about what we believe about God and why. Despite repeated predictions of the death of the novel, thousands of works of fiction are published and read in Britain each year. Although Western society is less religiously observant than it was, many 21st-century novelists persist in pursuing theological, religious and spiritual themes. Make-Believe seeks to explain why. With chapters offering analyses of novels from several genres - so-called literary fiction, historical fiction, science fiction, fantasy and dystopia - David Dickinson discusses a wide spectrum of novelists. Authors who are avowedly atheistic and authors who have a vested interest in perpetuating biblical stories are both featured. Well-known writers such as Rushdie, McEwan, McCarthy and Martell rub shoulders with some you may be meeting for the first time. Appealing to literature students and people who simply enjoy reading, whether Christian or not, this study of God in novels invites us to open our minds and allow aspects of our culture to shape our understanding of God and to change our ways of talking about the divine.

This is the first collection of essays focused on the many-faceted work of Kendall L. Walton. Walton has shaped debate about the arts for the last 50 years. He provides a comprehensive framework for understanding arts in terms of the human capacity of make-believe that shows how different arts – visual, photographic, musical, literary, or poetic – can be explained in terms of complex structures of pretense, perception, imagining, empathy, and emotion. His groundbreaking work has been taken beyond aesthetics to address foundational issues concerning linguistic and scientific representations – for example, about the nature of scientific modelling or to explain how much of what we say is quite different from the literal meanings of our words. Contributions from a diverse group of philosophers probe Walton’s detailed proposals and the themes for research they open. The essays provide an overview of important debates that have Walton’s work at their core. This book will be of interest to scholars and graduate students working on aesthetics across the humanities, as well as those interested in the topic of representation and its intersection with perception, language, science, and metaphysics.

In Make Believe, Diana Athill, acclaimed author of Instead of a Letter and Stet, remembers her turbulent friendship with Hakim Jamal, a young black convert to the teachings of Malcolm X, whom she met in London in the late 1960s. Despite a desperately troubled youth, he became an eloquent spokesman for the black underclass, was Jean Seberg's lover and published a book about Malcolm X, before descending into a mania that had him believing he was God. A witness to his struggles, Diana Athill writes with her characteristic honesty about her entanglement with Jamal, Jamal's relationship with the daughter of a British MP, Gail Benson, and Jamal's, and separately Gail's, eventual murders.