Lullaby

NATIONAL BESTSELLER • From the author of the New York Times bestseller Choke and the cult classic Fight Club, a cunningly plotted novel about the ultimate verbal weapon, one that reinvents the apocalyptic thriller for our times. "A harrowing and hilarious glimpse into the future of civilization.” —Minneapolis Star-Tribune Ever heard of a culling song? It’s a lullaby sung in Africa to give a painless death to the old or infirm. The lyrics of a culling song kill, whether spoken or even just thought. You can find one on page 27 of Poems and Rhymes from Around the World, an anthology that is sitting on the shelves of libraries across the country, waiting to be picked up by unsuspecting readers. Reporter Carl Streator discovers the song’s lethal nature while researching Sudden Infant Death Syndrome, and before he knows it, he’s reciting the poem to anyone who bothers him. As the body count rises, Streator glimpses the potential catastrophe if someone truly malicious finds out about the song. The only answer is to find and destroy every copy of the book in the country. Accompanied by a shady real-estate agent, her Wiccan assistant, and the assistant’s truly annoying ecoterrorist boyfriend, Streator begins a desperate cross-country quest to put the culling song to rest.

A young bunny goes to sleep and dreams of the soothing colors, shapes, sights and sounds of nature.

This lyrical bedtime picture book is a must-have for every brown baby's bookshelf. Come, my sweet brown baby... From sunset to bedtime, two parents lovingly care for their beautiful baby: first, they play outside, then it is time for dinner and a bath, and finally a warm snuggle before bed. Precious and heartfelt, this story is a true celebration of the love shared between parent and child -- and the actions that say "I love you." With gorgeous text by Tameka Fryer Brown and featuring warm art by New York Times–bestselling and NAACP-Award–winning illustrator AG Ford, Brown Baby Lullaby is the perfect new baby or baby shower gift.

Against the backdrop of a beautiful Hawaiian landscape, a young girl cuddles and sleeps in her mother's lap.

From the award-winning and New York Times bestselling author of Once and for All She’s got it all figured out. Or does she? When it comes to relationships, Remy’s got a whole set of rules. Never get too serious. Never let him break your heart. And never, ever date a musician. But then Remy meets Dexter, and the rules don’t seem to apply anymore. Could it be that she’s starting to understand what all those love songs are about? “Remy and Dexter jump off the pages into the hearts of readers, who will wish for a romance like this of their own.” —Booklist Sarah Dessen is the winner of the Margaret A. Edwards Award for her contributions to YA literature, as well as the Romantic Times Career Achievement Award. Books by Sarah Dessen: That Summer Someone Like You Keeping the Moon Dreamland This Lullaby The Truth About Forever Just Listen Lock and Key Along for the Ride What Happened to Goodbye The Moon and More Saint Anything Once and for All

Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.

What’s the best way to say good night? With a silly bedtime lullaby from the beloved and bestselling Sandra Boynton. Curl up with your favorite little person and this charmingly unpredictable go-to-sleep book. Whether you are a parent, child, or just another snoozing chicken in the bathtub, Silly Lullaby is truly a sweet dream surprise. The sneakers in the freezer heartily concur. Your pajamas are on. There’s a duck on your head. I think that this means you are ready for bed.

A soft and soothing good night journey through an ocean filled with sleepy sea creatures, perfect for bedtime in the summer or year-round. The sun is setting. The waves are gently lapping at the shore. It's time for all the ocean creatures to rest. Whales, turtles, dolphins, and more drift and doze. And as the tide pools catch the light of the moon and the stars glowing above, a mother and her baby listen to the soft sounds of the ocean lullaby . . . Shhh, hush. Shhh, hush. The ocean's soothing song. Shhh, hush. Shhh, hush. We can sing along. Praise for Ocean Lullaby: "A delightful winding-down story after a busy day at the beach—or anywhere." --Kirkus Reviews "This dreamy paean to the ocean’s mesmerizing influence [is] guaranteed to soothe little ones at bedtime." --Booklist

"When Myriam, a French-Moroccan lawyer, decides to return to work after having children, she and her husband look for the perfect caretaker for their two young children. They never dreamed they would find Louise: a quiet, polite and devoted woman who sings to their children, cleans the family's chic apartment in Paris's upscale 10th arrondissement, stays late without complaint and is able to host enviable birthday parties. The couple and nanny become more dependent on each other. But as jealousy, resentment and suspicions increase, Myriam and Paul's idyllic tableau is shattered." -- Publisher's description.

Dr. Suzuki questioned why all vocalists vocalize every day to improve their voices, but instrumentalists do not do so every day with their instruments. He believes that on any instrument, one needs to practice to make a more beautiful tone. First he talks about playing a beautiful resonant tone with the bow while plucking the string with a finger. When a pizzicato is played, the resonance goes on for a long time. Students should listen to that resonance and play the same kind of clear beautiful sound. He talks about how to make a difference in the tone by using a different bow speed, how to practice to find the resonance point, how to change the weight of the arm on the bow to produce a different kind of tone, and how to change tone color. This book includes all of Dr. Suzuki's basic ideas about tone.