Lucknow Imprints

The book Lucknow Imprints: A Poetic and Historical Account of the Golden City of the East is about Lucknow – the history of Lucknow, the lineage of Nawabs, the Revolt, the cuisines, the poetry, the monuments and the experiences of people of Lucknow in the city. The book is unique as it is rendered in dialogue form by two women (the two authors) hailing from Lucknow, who talk about the city in their own style, reminiscing over memories and gradually unfolding their feelings for the city. Dr. Sanobar Haider discusses the history of the city, while Dr. Shweta Mishra “shawryaa” indulges in Shayari and poetry which are naturally inspired by the city. The book blends literary and historical facets to create a peculiar feel, which talks about Lucknow with all its smells, tastes and sounds.

The book Lucknow Imprints: A Poetic and Historical Account of the Golden City of the East is about Lucknow - the history of Lucknow, the lineage of Nawabs, the Revolt, the cuisines, the poetry, the monuments and the experiences of people of Lucknow in the city. The book is unique as it is rendered in dialogue form by two women (the two authors) hailing from Lucknow, who talk about the city in their own style, reminiscing over memories and gradually unfolding their feelings for the city. Dr. Sanobar Haider discusses the history of the city, while Dr. Shweta Mishra "shawryaa" indulges in Shayari and poetry which are naturally inspired by the city. The book blends literary and historical facets to create a peculiar feel, which talks about Lucknow with all its smells, tastes and sounds.

The History of the Book in South Asia covers not only the various modern states that make up South Asia today but also a multitude of languages and scripts. For centuries it was manuscripts that dominated book production and circulation, and printing technology only began to make an impact in the late eighteenth century. Print flourished in the colonial period and in particular lithographic printing proved particularly popular in South Asia both because it was economical and because it enabled multi-script printing. There are now vibrant publishing cultures in the nation states of South Asia, and the essays in this volume cover the whole range from palm-leaf manuscripts to contemporary print culture.

This volume offers a thematic exploration of the migrant artist’s experience in Europe and its colonies from the early modern period through to the Industrial Revolution. The influence of the transient artist, both on their adoptive country as well as their own oeuvre and native culture, is considered through a collection of essays arranged according to geographic location. The contributions here examine the impetuses behind artistic migrations and the status of the foreign artist at home and abroad through the patterns of patronage, contemporary responses to their work and the preservation of their artistic legacy in domestic and foreign settings. Objects and sites from across the visual arts are considered as evidence of the migrant artist’s experience; talismans of cultural exchange that yielded hybrid artistic styles and disseminated foreign tastes and workshop practices across the globe.