Lucifers Child

On a chilly, gray autumn afternoon in 1984, a patrolman was dispatched to an inner-city tenement in Auburn, Maine to investigate the report of a possible fire. What he found inside the building's smoke-filled, second-story apartment was not a fire but something far more horrifying -- the charred body of a 4-year-old girl, Angela Palmer, who had been stuffed into the oven of a kitchen stove and cooked to death. The discovery traumatized the community and shocked the country. The ensuing murder prosecution of the youngster's mother, Cynthia Palmer, and her boyfriend, John Lane, cast a searching light into the shadows of a secret world in which children and women suffer violence and sexual predation at the hands of those who are supposed to love and protect them.

From the skilled author of The Belle of Amherst and Barrymore. Julie Harris starred on Broadway and in the national tour as Baroness Karen Blixen, aka Isak Dinesen, author of Out of Africa and Seven Gothic Tales. Preparing for a trip to America, the flamboyant author tells of how she traveled to Africa, married a baron, and suffered his neglect and faithlessness while contracting syphillis in the bargain. In Act Two, she reveal

Good vs Evil. The angels of dark faces the angels of light. Mankind faces Lucifer and his temptations. Who will survive?

Satanism adopts Satan, the Judeo-Christian representative of evil, as an object of veneration. This work explores the historical origins of this extraordinary 'antireligion.'

On a chilly, gray autumn afternoon in 1984, a patrolman was dispatched to an inner-city tenement in Auburn, Maine to investigate the report of a possible fire. What he found inside the building's smoke-filled, second-story apartment was not a fire but something far more horrifying -- the charred body of a 4-year-old girl, Angela Palmer, who had been stuffed into the oven of a kitchen stove and cooked to death. The discovery traumatized the community and shocked the country. The ensuing murder prosecution of the youngster's mother, Cynthia Palmer, and her boyfriend, John Lane, cast a searching light into the shadows of a secret world in which children and women suffer violence and sexual predation at the hands of those who are supposed to love and protect them.

From the acclaimed author of Snow Angels comes a new novel featuring Inspector Vaara. Inspector Kari Vaara has left the Arctic Circle and returned- reluctantly-to Helsinki, where headaches and sleeplessness plague him. But he must work through the pain. He has two cases on his plate: the brutal murder of a Russian businessman's wife, and-more secretively-an investigation into an elderly Finnish national hero who may have played a darker role in World War II than the public knows. Vaara's past has turned him into a haunted man. The questions he's asking now may turn him into a hunted man as well...

Christopher Plummer won a Tony for his portrayal of John Barrymore in the acclaimed Broadway production of this work by the master of one-character biographies for the stage.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

The myth of light and progress has blinded us. In our electric world, we are everywhere surrounded by effortlessly glowing lights that simply exist, as they should, seemingly clear and comforting proof that human genius means the present will always be better than the past, and the future better still. At best, this is half the story. At worst, it is a lie. From whale oil to kerosene, from the colonial period to the end of the U.S. Civil War, modern, industrial lights brought wonderful improvements and incredible wealth to some. But for most workers, free and unfree, human and nonhuman, these lights were catastrophes. This book tells their stories. The surprisingly violent struggle to produce, control, and consume the changing means of illumination over the eighteenth and nineteenth centuries transformed slavery, industrial capitalism, and urban families in profound, often hidden ways. Only by taking the lives of whalers and enslaved turpentine makers, match-manufacturing children and coal miners, night-working seamstresses and the streetlamp-lit poor—those American lucifers—as seriously as those of inventors and businessmen can the full significance of the revolution of artificial light be understood.