Lovers Of Cinema

Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell.

Picking your perfect flick can be an overwhelming experience. But fear not! Cinemastrology answers a question that has stumped even the most avid film buff for over a century: "What movie should I watch?" From contemporary comedies to Hollywood classics, from date movies to adrenaline fests, Cinemastrology is your guide to the art of selecting viewing based on your astrological sign. It includes profiles of all the sun signs and offers an extensive list of movie recommendations for each, complete with descriptions, behind-the-scenes stories, and insights into the unique qualities of each sign, from Aries to Pisces. Sections covering the stars that light up the screen and sign-compatible suggestions based on the sign of your partner or film-viewing friend round out Cinemastrology. Getting started is easy! All you need is a birthday and a passion for movies.

Watching movies every night at home with his cats, film scholar and cat lover Daisuke Miyao noticed how frequently cats turned up on screen. They made brief appearances (think of Mafia boss Marlon Brando gently stroking a cat in a scene from The Godfather); their looks provided inspiration to film creators (Avatar); they even held major roles (The Lion King). In Cinema Is a Cat, Miyao uses the fascinating relationship between cats and cinema to offer a uniquely appealing introduction to film studies. Cats are representational subjects in the nine films explored in this book, and each chapter juxtaposes a feline characteristic—their love of dark places, their “star” quality—with discussion of the theories and histories of cinema. The opening chapters explore three basic elements of the language of cinema: framing, lighting, and editing. Subsequent chapters examine the contexts in which films are made, exhibited, and viewed. Miyao covers the major theoretical and methodological concepts of film studies—auteurism, realism, genre, feminist film theory, stardom, national cinema, and modernity theory—exploring fundamental questions. Who is the author of a film? How does a film connect to reality? What connections does one film have to other films? Who is represented in a film and how? How is a film viewed differently by people of different cultural and social backgrounds? How is a film located in history? His focus on the innate qualities of cats—acting like prima donnas, born of mixed blood, devoted to the chase—offers a memorable and appealing approach to the study of film. How to read audio-visual materials aesthetically and culturally is of limitless value in a world where we are constantly surrounded by moving images—television, video, YouTube, streaming, GPS, and virtual reality. Cinema Is a Cat offers an accessible, user-friendly approach that will deepen viewers’ appreciation of movies, from Hollywood classics like Breakfast at Tiffany’s and To Catch a Thief, to Japanese period dramas like Samurai Cat. The book will be attractive to a wide audience of students and scholars, movie devotees, and cat lovers.

The Story of Film presents the history of the movies in a way never told before. Weaving personalities, technology, and production with engaging descriptions of groundbreaking scenes, Mark Cousins uses his experience as film historian, producer, and director to capture the shifting trends of movie history without recourse to jargon. We learn how filmmakers influenced each other; how contemporary events influenced them; how they challenged established techniques and developed new technologies to enhance their medium. Striking images reinforce the reader's understanding of cinematic innovation both stylistic and technical. Presenting three epochs — Silent (1885–1928); Sound (1928–1990) and Digital (1990–Present) — The Story of Film spans the birth of the moving image; the establishment of Hollywood; the European avant-garde movements; personal filmmaking; world cinema and recent phenomena such as Computer Generated Imagery and the ever-more "real" realizations of the wildest of imaginations. Here are mainstream entertainment films and maverick talents, breathtaking moments and technical revolutions, blockbuster movies and art-house gems, icons of the screen and the hard workers behind the scenes. It is a powerful story of the world's most popular artistic medium.

Movies are more than entertainment... They’re couples therapy! If you’ve ever wondered how to meet Mr. Right, boot Mr. Wrong, inspire Mr. Reluctant to propose, or ignite youthful passion in a middle-aged romance, then we’ve got some good news for you. The help you need is no farther away than your remote control. Sink into your sofa and discover the healing power of movies. From the bestselling duo who brought you Cinematherapy, Advanced Cinematherapy, and Bibliotherapy comes Cinematherapy for Lovers, a video guide guaranteed to help you find the perfect movie prescription to cure all your relationship woes. Trouble in your couple’s paradise? Watch a Rediscovering Your Dream movie like Pollock and rise above. Looking for the key to your guy’s psyche? Crack the code with an Understanding Your Man movie like Austin Powers: The Spy Who Shagged Me and unlock the secrets of your own international man of mystery! Ready to hear those magic words but your summer lover is terminally tongue-tied? Loosen his lips with a Hook, Line, and Sinker movie like All That Heaven Allows, then find the shortcut to his heart through his stomach with Bev’s Culinarytherapy recipe for meat loaf and mashed potatoes just like Mom used to make, and seal the deal. Feeling like a solo singer in a world full of duets? Discover a new happily-ever-after with a Make Your Own Music movie like Ghost World. Jam-packed with over 150 new reviews of classic and contemporary movies--and warnings about Happily Never After love stories that are recipes for relationship disasters--Cinematherapy for Lovers gives you the tools you’ll need to become your own couple’s cinematherapist. PLUS: Nancy’s Momentous Minutiae, Best Bodice-Ripping Lines, I Do I Do and Elvis Too, Always a Bridesmaid Never a Bride movies, Bods We Don’t Buy, the Shirley MacLaine Trilogy of Terror, Bev’s Culinarytherapy, and much, much more... From the Trade Paperback edition.

'A welcome book.' Includes index.

Large screen TVs and full-line DVD services have liberated movie lovers from fear of parking and stale popcorn. Across the country, movie lovers are staying in and creating their own version of book clubs — but without the homework. The Movie Lovers’ Club — the only guide for movie nights with friends — motivates readers to form their own Lovers’ Club clubs to explore the more than 100 excellent film suggestions, summaries, critical reviews, and insider anecdotes. Author Cathleen Rountree offers a year’s worth of must-see classic, contemporary, independent, and foreign films and provocative discussion questions to keep the cinematic conversation lively. With everything readers need to know to start a Movie Lovers’ Club, the book’s selections run the gamut and include powerful films such as To Kill a Mockingbird, Henry and June, and Real Women Have Curves. Whether you need advice for a political group, a girls’ night out party, or a band of indie film devotees, movie watching reaches new depths with ideas on where, when, and how to launch a film group.

HOW TO BECOME RICH AND MARRY YOUR MATCHING ZODIAC SIGNS. The story of "Cinema Lovers" starts from India where people loved cinema and worship stars. It is a story of three friends me, Shahnawaz Khan and Rajesh Srivastwa who were in the same St. Xavier school where film of Hollywood was shown every Saturday. We are in so much love with cinema that we had to walk four miles in scorching heat of 110F in the afternoon with hot wind blowing on our face or sometimes in freezing cold night show covering us with woolen blanket due to lack of money as many people die every year due to extensive heat and shivering cold. When we grew up we promised that we meet only next when we achieved some name and fame in our life. Rajesh wanted to become an actor and Shahnwaz Khan wanted to complete Indian police service. I wanted to do post graduate in science. Shahnawaz who was a student of an engineering college in Ranch University barely saved his life in Hindu Muslim communal riot. Rajesh Srivastwa travelled to Mumbai to get a degree in acting from Film Institute of Pune which he completed. I landed in New York at J.F.K. Airport with an immigration visa in my hand. My friend was not there. I could not return to India as I had a one way airline ticket. I had no woolen cloths. I had just eight dollars in my pocket and a big dream. Shahzad Khan son of Shahnawaz Khan who wanted to be an actor was given another life in 2002 gujrat communal riots. When he become an actor, he accidentally met a bar dancer Padmani. He fell in love with her. She ignored him thinking that he was just a street Romeo. How three friends met again and how Shahzad married Padmani. You have to read my interesting novel and let you to turn the pages quickly.

Destined to be the classic illustrated survey of Lucas's career, the book is sure to fascinate not only die-hard fans but also general film and popular culture enthusiasts.

In what ways do films influence and interact with society? What social forces determine the kinds of movies that get made? How do movies reinforce—and sometimes overturn—social norms? As societies evolve, do the films that were once considered ‘great’ slip into obscurity? Which ones? Why? These questions, and many others like them, represent the mainstream of scholarly film studies today. In Engaging Cinema, Bill Nichols offers the first book for introductory film students that tackles these topics head-on. Published in a handy 'trade paperback' format, Engaging Cinema is inexpensive and utterly unique in the field—a perfect complement to or replacement for standard film texts.