Love Is A Sad Song

From the publisher of the beloved Water Bugs and Dragonflies comes a new picture book to support grieving children: My Heart Sings a Sad Song. The heart-warming artwork holds the reader tenderly through the ache of grief, as a young rabbit remembers a loved one who has died. Hospice chaplain Jennifer Fargo Lathrop says of My Heart Sings a Sad Song: "The illustration of talking to 'my heart' is especially meaningful, offering children a model of how to engage their emotions and their memories."

Happiness is Classic Peanuts! These collector’s editions perfectly recreate the original look and feel of the best-loved Peanuts books—their paper, their ink, even their lamination. And of course, the heartwarming content that charmed the world, sold millions, and launched the career of Charles M. Schulz remains untouched. On every spread there’s a tiny tidbit of wisdom from one of the gang, along with one of Schulz’s irresistible drawings. It’s a trip down memory lane that every Peanuts fan will cherish.

Ruskin Bond, b. 1934, Indo-English litterateur.

This Will End in Tears is the first ever and definitive guide to melancholy music. Author Adam Brent Houghtaling leads music fans across genres, beyond the enclaves of emo and mope-rock, and through time to celebrate the albums and artists that make up the miserabilist landscape. In essence a book about the saddest songs ever sung, This Will End in Tears is an encyclopedic guide to the masters of melancholy—from Robert Johnson to Radiohead, from Edith Piaf to Joy Division, from Patsy Cline to The Cure—an insightful, exceedingly engaging exploration into why sad songs make us so happy.

Few American entertainers have had the explosive impact, wide-ranging appeal, and continuing popularity of country music star Hank Williams. Such Williams standards as "Your Cheatin' Heart," "I'm So Lonesome I Could Cry," "Jambalaya," and "I Saw the Light" have all entered the pantheon of great American song. Roger Williams recounts the story of Hank's rise from impoverished Southern roots, his coming of age during and after World War II, his meteoric climb to national acclaim and star status on the Grand Ole Opry, his chronic bouts with alcoholism and the alienation it created in those he loved and sang for, and finally his tragic death at twenty-nine and subsequent emergence as a folk hero. The book also features a thorough discography compiled by Bob Pinson of the Country Music Foundation.

In Take a Sad Song: The Emotional Currency of "Hey Jude," James Campion dives deeply into the song's origins, recording, visual presentation, impact, and eventual influence, while also discovering what makes "Hey Jude" a classic musical expression of personal comfort and societal unity conceived by a master songwriter, Paul McCartney. Within its melodic brilliance and lyrical touchstones of empathy and nostalgia resides McCartney's personal and professional relationship with his childhood friend and songwriting partner, John Lennon, and their simultaneous pursuit of the women who would complete them. There are also clues to the growing turmoil within the Beatles and their splintering generation scarred by war, assassination, and virulent protest. Campion's journey into the song includes the insights of academic experts and professors in the field of musicology, sociology, philosophy, psychology, and history. Campion also reveals commentary from noted Beatles authors, biographers, music historians, and journalists and, finally, a peek into the craft of songwriting from a host of talented composers across several generations. Take a Sad Song is a tribute to how a song can define, inspire, and affect us in ways we do not always fully comprehend, as well as a celebration of a truly amazing track in the Beatles canon that reveals one band's genius and underscores its lasting voice in our cultural and musical landscape.

THE HOTLY ANTICIPATED SEQUEL TO THE NO. 1 BESTSELLER CARRY ON Simon Snow is back and he's coming to America! The story is supposed to be over. Simon Snow did everything he was supposed to do. He beat the villain. He won the war. He even fell in love. Now comes the good part, right? Now comes the happily ever after... So why can’t Simon Snow get off the couch? What he needs, according to his best friend, is a change of scenery. He just needs to see himself in a new light. That’s how Simon and Penny and Baz end up in a vintage convertible, tearing across the American West. They find trouble, of course. (Dragons, vampires, skunk-headed things with shotguns.) And they get lost. They get so lost, they start to wonder whether they ever knew where they were headed in the first place. With Wayward Son, Rainbow Rowell has written a book for everyone who ever wondered what happened to the Chosen One after he saved the day. And a book for everyone who was ever more curious about the second kiss than the first. It’s another helping of sour cherry scones with an absolutely decadent amount of butter. Come on, Simon Snow. Your hero’s journey might be over – but your life has just begun.

This book is fiction and could fill several niches in the marketplace. Reluctant readers, those learning English as a second language, trivia buffs, and fans of Beatles spring to mind. This Is as Big as It Gets tells the story of two boys who meet and pair up with two girls. The four of them then banter as they try to put the world to rights while coping with stepparents, sexism, abused parents, sick parents, a plague of rats, death, suicide, and a terrorist attackbut not necessarily in that order. Interspersed with these dramas is an offbeat modern fairy tale told by one of the boys; it is so well received that he decides to write a book. His friends try to help him with ideas, and they get sidetracked by idioms, song lyrics, jokes, palindromes, and trivia. However, the book is never penned, not in this story anyway. The entire text of the story is told using no words longer than four letters because it began life as a teaching exercise for primary school children in Australia. The language is not your average American English, and for that reason, a glossary is attached by way of a translation from the Australian and English idioms and vocabulary that the story is punctuated with. This Is as Big as It Gets will, hopefully, be followed by A Bit of This and a Bit of That and then, to complete the trilogy, Amen to All That. The pattern of using no words longer than four letters in the telling of the story will continue.

Simon had always expected love to feel different than this. Whether it was his Catholic upbringing or the poetry he'd read - Simon had thought that true love would be uplifting, fulfilling, that it would give a meaning to his loitering, and add joy to his leisure. But not this kind of love. This love was a flesh-eating monster, sharp-clawed and evil-eyed, ravishing his mind with medieval cruelty. Dr Simon Mráz is a respected specialist and lecturer at the Charles University in Prague. He is a serious man, responsible. His students call him The Cruel Doctor Frost not because he's unkind, but because of his unwavering, ice-cold composure. As a psychiatrist, he values sanity. And sanity can be found in work, restraint, and self-control. Not many know of that one time in the past when The Cruel Doctor Frost lost his cool. His ill-advised, secret affair with a student left Simon deeply wounded. Since that day, every minute of Simon's life has been a struggle to remain sane, functioning. He's managed so far - as long as he is needed, as long as his work makes a difference, Simon can scrape together enough strength to get up in the morning and run off the nightmares. But when his friends begin drifting away, his beloved protégé becomes independent, and the man who bereaved Simon of his precious sanity might return... Simon's mind and body stop responding to his impressive willpower.