Love In The Anthropocene

“Dale Jamieson and Bonnie Nadzam cause us to think—and to feel—what life will be like in a future where nothing is left that is spontaneous, accidental, or uncontrolled. A beautiful—and frightening—book.” —Naomi Oreskes, professor, history of science, Harvard; author, Merchants of Doubt “Nadzam's prose is just gorgeous—she writes about people and skies and mountains and landscapes with incredible precision and appreciation of beauty. A reader can swim in these sentences and soak up the landscape via the prose with great pleasure.” —Aimee Bender on Bonnie Nadzam's Lamb “I started reading [Jamieson's prose] and couldn't stop... Part of what’s mesmerizing about climate change is its vastness across both space and time. Jamieson, by elucidating our past failures and casting doubt on whether we’ll ever do any better, situates it within a humanely scaled context.” —Jonathan Franzen on Dale Jamieson's Reason in a Dark Time An audacious collaboration between an award-winning novelist and a leading environmental philosopher, Love in the Anthropocene taps into one of the hottest topics of the day, literally and figuratively—our corrupted environment—to deliver five related stories (“Flyfishing,” “Carbon,” “Holiday,” “Shanghai,” and “Zoo”) that investigate a future bereft of natural environments, introduced with a discussion on the Anthropocene—the Age of Humanity—and concluding with an essay on love. The “love” these writer/philosophers investigate and celebrate is as much a constant as is human despoliation of the planet; it is what defines us, and it is what may save us. Science fiction, literary fiction, philosophical meditation, manifesto? All the above. This unique work is destined to become an essential companion—a primer, really—to life in the 21st century.

Goodreads Choice winner for Nonfiction 2021 and instant #1 bestseller! A deeply moving collection of personal essays from John Green, the author of The Fault in Our Stars and Turtles All the Way Down. “The perfect book for right now.” –People “The Anthropocene Reviewed is essential to the human conversation.” –Library Journal, starred review The Anthropocene is the current geologic age, in which humans have profoundly reshaped the planet and its biodiversity. In this remarkable symphony of essays adapted and expanded from his groundbreaking podcast, bestselling author John Green reviews different facets of the human-centered planet on a five-star scale—from the QWERTY keyboard and sunsets to Canada geese and Penguins of Madagascar. Funny, complex, and rich with detail, the reviews chart the contradictions of contemporary humanity. As a species, we are both far too powerful and not nearly powerful enough, a paradox that came into sharp focus as we faced a global pandemic that both separated us and bound us together. John Green’s gift for storytelling shines throughout this masterful collection. The Anthropocene Reviewed is an open-hearted exploration of the paths we forge and an unironic celebration of falling in love with the world.

An Artforum Best Book of the Year A Legal Theory Bookworm Book of the Year Nature no longer exists apart from humanity. Henceforth, the world we will inhabit is the one we have made. Geologists have called this new planetary epoch the Anthropocene, the Age of Humans. The geological strata we are now creating record industrial emissions, industrial-scale crop pollens, and the disappearance of species driven to extinction. Climate change is planetary engineering without design. These facts of the Anthropocene are scientific, but its shape and meaning are questions for politics—a politics that does not yet exist. After Nature develops a politics for this post-natural world. “After Nature argues that we will deserve the future only because it will be the one we made. We will live, or die, by our mistakes.” —Christine Smallwood, Harper’s “Dazzling...Purdy hopes that climate change might spur yet another change in how we think about the natural world, but he insists that such a shift will be inescapably political... For a relatively slim volume, this book distills an incredible amount of scholarship—about Americans’ changing attitudes toward the natural world, and about how those attitudes might change in the future.” —Ross Andersen, The Atlantic

Australia — and the world — is changing. On the Great Barrier Reef corals bleach white, across the inland farmers struggle with declining rainfall, birds and insects disappear from our gardens and plastic waste chokes our shores. The 2019–20 summer saw bushfires ravage the country like never before and young and old alike are rightly anxious. Human activity is transforming the places we live in and love. In this extraordinarily powerful and moving book, some of Australia's best-known writers and thinkers — as well as ecologists, walkers, farmers, historians, ornithologists, artists and community activists — come together to reflect on what it is like to be alive during an ecological crisis. They build a picture of a collective endeavour towards a culture of care, respect, and attention as the physical world changes around us. How do we hold onto hope? Personal and urgent, this is a literary anthology for our age, the age of humans. Contributors include: Michael Adams — Nadia Bailey — Saskia Beudel — Tony Birch — James Bradley — Jo Chandler — Adrienne Corradini — Sophie Cunningham — John Dargavel — Penny Dunstan — Delia Falconer — Laura Fisher — Suzy Freeman-Greene — Andrea Gaynor — Joëlle Gergis — Billy Griffiths — Ashley Hay — Justine Hyde — Lucas Ihlein — Jennifer Lavers — Ian Lunt — George Main — Cameron Allan Mckean — Gretchen Miller — Ruth A. Morgan — Stephen Muecke — Cameron Muir — Jenny Newell — Emily O'gorman — Kate Phillips — Alison Pouliot — Jane Rawson — Annalise Rees — Lauren Rickards — David Ritter — Libby Robin — John Charles Ryan — Katrina Schlunke — Ray Thompson — Angela Tiatia — Ellen Van Neerven — Adriana Vergés — Kirsten Wehner — Gib Wettenhall — Josh Wodak — Kate Wright 'Living with the Anthropocene is an illuminating deep-dive in this 'storm of our own making'. With such a diverse and expansive collection of voices, what makes this book stand out is its unity. Thinking about climate change can be lonely and devastating but here you can be assured of being held, not only in thrall, but in great company.' — Anna Krien 'An important book that speaks to our time.' — Tim Flannery 'With this marvellous book the term Anthropocene loses its academic tinge to become a pervasive and pressing reality. A pantheon of Australia's finest environmental writers reveals the haunting personal costs of living in a world that humans have already turned upside down.' — Iain McCalman 'Scientists originated the term and concept of the Anthropocene. But this work takes a much deeper dive into what the Anthropocene really means for us humans now and into the future, and – importantly – what the Anthropocene means for the rest of life with which we share this planet.' — Will Steffen 'The beauty of this collection is that it walks a tightrope over this chasm of self-disgust and dread without toppling into it...From James Bradley on cuttlefish to Saskia Beudel on the changing soundscape of her mother's garden, the quality of writing in these pieces, their delight in nature and their determination not to give in to despair make for stirring reading despite the grim truths they confront.' — Fiona Capp, Sydney Morning Herald Non-Fiction Pick of the Week 'Stomach-churning figures cast shadows of profound anguish across many of the unexpectedly intimate stories shared by the collection's contributors, an impressive array of scientists, novelists, journalists and essayists...Mostly written prior to both the late 2019–20 bush fires and the Covid-19 pandemic, this anthology is perhaps even more relevant, timely and important now...the writing in each essay is almost without exception heartfelt, thoughtful and compelling. Living With the Anthropocene is both acknowledgment that change is here as well as a quiet warning of the dangerous uncertainty to come.' — Warren Bonett, Books+Publishing

From the 1992 Rio Earth Summit to the 2009 Copenhagen Climate Conference there was a concerted international effort to stop climate change. Yet greenhouse gas emissions increased, atmospheric concentrations grew, and global warming became an observable fact of life. In this book, philosopher Dale Jamieson explains what climate change is, why we have failed to stop it, and why it still matters what we do. Centered in philosophy, the volume also treats the scientific, historical, economic, and political dimensions of climate change. Our failure to prevent or even to respond significantly to climate change, Jamieson argues, reflects the impoverishment of our systems of practical reason, the paralysis of our politics, and the limits of our cognitive and affective capacities. The climate change that is underway is remaking the world in such a way that familiar comforts, places, and ways of life will disappear in years or decades rather than centuries. Climate change also threatens our sense of meaning, since it is difficult to believe that our individual actions matter. The challenges that climate change presents go beyond the resources of common sense morality -- it can be hard to view such everyday acts as driving and flying as presenting moral problems. Yet there is much that we can do to slow climate change, to adapt to it and restore a sense of agency while living meaningful lives in a changing world.

More than a decade ago, Nobel Prize-winning atmospheric chemist Paul Crutzen first suggested that we were now living in the Anthropocene, a new geological epoch in which human dominance of biological, chemical and geological processes on Earth was already an undeniable reality. Crutzen's ideas inspired Christian Schwagerl to do further documentation and to write this stimulating book. Well-equipped to take on such a task, Schwagerl has been a political, science and environmental journalist for more than 20 years. He first studied biology at the University of Berlin, completing his Master of Science degree at the University of Reading (UK). He is a past winner of the Georg von Holtzbrinck Prize for Science Journalism, the IUCN-Reuters Media Awards for excellence in Environmental Reporting (Category Europe, together with Philip Bethge and Rafaela von Bredow) and the Econsense Journalism Award for sustainability.

From Ducks, Newburyport to zombie movies and the Fast and Furious franchise, how climate anxiety permeates our culture The art and literature of our time is pregnant with catastrophe, with weather and water, wildness and weirdness. The Anthropocene - the term given to this geological epoch in which humans, anthropos, are wreaking havoc on the earth - is to be found bubbling away everywhere in contemporary cultural production. Typically, discussions of how culture registers, figures and mediates climate change focus on 'climate fiction' or 'cli-fi', but The Anthropocene Unconscious is more interested in how the Anthropocene and especially anthropogenic climate destabilisation manifests in texts that are not overtly about climate change - that is, unconsciously. The Anthropocene, Mark Bould argues, constitutes the unconscious of 'the art and literature of our time'. Tracing the outlines of the Anthropocene unconscious in a range of film, television and literature - across a range of genres and with utter disregard for high-low culture distinctions - this playful and riveting book draws out some of the things that are repressed and obscured by the term 'the Anthropocene', including capital, class, imperialism, inequality, alienation, violence, commodification, patriarchy and racial formations. The Anthropocene Unconscious is about a kind of rewriting. It asks: what happens when we stop assuming that the text is not about the anthropogenic biosphere crises engulfing us? What if all the stories we tell are stories about the Anthropocene? About climate change?

Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.

Scholars of ecocriticism have long tried to articulate emotional relationships to environments. Only recently, however, have they begun to draw on the complex interdisciplinary body of research known as affect theory. Affective Ecocriticism takes as its premise that ecocritical scholarship has much to gain from the rich work on affect and emotion happening within social and cultural theory, geography, psychology, philosophy, queer theory, feminist theory, narratology, and neuroscience, among others. This vibrant and important volume imagines a more affective—and consequently more effective—ecocriticism, as well as a more environmentally attuned affect studies. These interdisciplinary essays model a range of approaches to emotion and affect in considering a variety of primary texts, including short story collections, films, poetry, curricular programs, and contentious geopolitical locales such as Canada’s Tar Sands. Several chapters deal skeptically with familiar environmentalist affects like love, hope, resilience, and optimism; others consider what are often understood as negative emotions, such as anxiety, disappointment, and homesickness—all with an eye toward reinvigorating or reconsidering their utility for the environmental humanities and environmentalism. Affective Ecocriticism offers an accessible approach to this theoretical intersection that will speak to readers across multiple disciplinary and geographic locations.

A book of love stories from a combination of new work and work from the Orion archive, that will include both poetry and prose.