Louisiana Lament

Allyson Brown---the Girl Gatsby, they called her. A woman of wealth, hostess of fabled parties, patron of the arts, especially of poets. Found floating in her own swimming pool, shot to death. Poet and fledgling detective Talba Wallis gets an urgent call from the sister she barely knows, Janessa. The Girl Gatsby was Janessa's close friend. But this call isn't an invitation to an elegant literary salon. Janessa wants off the hook as the principal murder suspect. Investigating, Talba and her perpetually irascible boss, Eddie, find the reality behind the Gatsby glamour. Allyson Brown was widely hated, a con artist who neglected her children, failed to pay her bills, and lied to everyone. The one person she loved may have ushered her to her death. The case takes Talba and Eddie from literary parties to Gulf Coast bait shops, from biker bars to abandoned wharves, and finally to the story of another Gatsby, which may yield answers, or greater mysteries. Louisiana Lament is Talba's journey through the not-so-genteel Southern literary scene, where backbiting and petty jealousies abound and mint juleps are served with canapés of carnage. At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

From ancient cultures to flashpoints in our own world, the rhythms and lyrics of an ancient art form, the lament, have provide an indispensable vehicle for women and men to give voice to their grief and protest. Nancy C. Lee surveys lament in the Abrahamic sacred texts of Judaism, Christianity, and Islam; examples of the people's lament in poetry and song from over thirty cultures worldwide; and practices for recovering lamentation as a vital expression for faith today. Book jacket.

Increasingly disturbed by her inability to uncover the true identity of an old friend, New Orleans private investigator and poet Talba Wallis takes on a suspicious new client and encounters an ugly secret in the small town of Clayton, Louisiana.

The Dictionary of Louisiana French (DLF) provides the richest inventory of French vocabulary in Louisiana and reflects precisely the speech of the period from 1930 to the present. This dictionary describes the current usage of French-speaking peoples in the five broad regions of South Louisiana: the coastal marshes, the banks of the Mississippi River, the central area, the north, and the western prairie. Data were collected during interviews from at least five persons in each of twenty-four areas in these regions. In addition to the data collected from fieldwork, the dictionary contains material compiled from existing lexical inventories, from texts published after 1930, and from archival recordings. The new authoritative resource, the DLF not only contains the largest number of words and expressions but also provides the most complete information available for each entry. Entries include the word in the conventional French spelling, the pronunciation (including attested variants), the part of speech classification, the English equivalent, and the word's use in common phrases. The DLF features a wealth of illustrative examples derived from fieldwork and textual sources and identification of the parish where the entry was collected or the source from which it was compiled. An English-to-Louisiana French index enables readers to find out how particular notions would be expressed in la Louisiane.

The importance of New Orleans in American culture has made the city's place in the American imagination a crucial topic for literary scholars and cultural historians. While databases of bibliographical information on New Orleans-centered fiction are available, they are of little use to scholars researching works written before the 1980s. In The New Orleans of Fiction: A Research Guide, James A. Kaser provides detailed synopses for more than 500 works of fiction significantly set in New Orleans and published between 1836 and 1980. The synopses include plot summaries, names of major characters, and an indication of physical settings. An appendix provides bibliographical information for works dating from 1981 well into the 21st century, while a biographical section provides basic information about the authors, some of whom are obscure and would be difficult to find in other sources. Written to assist researchers in locating works of fiction for analysis, the plot summaries highlight ways in which the works touch on major aspects of social history and cultural studies (i.e., class, ethnicity, gender, immigrant experience, and race). The book is also a useful reader advisory tool for librarians and readers who want to identify materials for leisure reading, particularly since genre, juvenile, and young adult fiction—as well as literary fiction—are included.

Having chased corrupt evangelist and dangerous presidential hopeful Errol Jacomine for years, New Orleans detective Skip Langdon finds her loved ones targeted and realizes that Jacomine is so carefully disguised that nobody recognizes him.

Alan Lomax's prolific sixty-four-year career as a folklorist and musicologist began with a trip across the South and into the heart of Louisiana's Cajun country during the height of the Great Depression. In 1934, his father John, then curator of the Library of Congress's Archive of American Folk Song, took an eighteen-year-old Alan and a 300-pound aluminum disk recorder into the rice fields of Jennings, along the waterways of New Iberia, and behind the gates of Angola State Penitentiary to collect vestiges of African American and Acadian musical tradition. These recordings now serve as the foundational document of indigenous Louisiana music. Although widely recognized by scholars as a key artifact in the understanding of American vernacular music, most of the recordings by John and Alan Lomax during their expedition across the central-southern fringe of Louisiana were never transcribed or translated, much less studied in depth. This volume presents, for the first time, a comprehensive examination of the 1934 corpus and unveils a multifaceted story of traditional song in one of the country's most culturally dynamic regions. Through his textual and comparative study of the songs contained in the Lomax collection, Joshua Clegg Caffery provides a musical history of Louisiana that extends beyond Cajun music and zydeco to the rural blues, Irish and English folk songs, play-party songs, slave spirituals, and traditional French folk songs that thrived at the time of these recordings. Intimate in its presentation of Louisiana folklife and broad in its historical scope, Traditional Music in Coastal Louisiana honors the legacy of John and Alan Lomax by retrieving these musical relics from obscurity and ensuring their understanding and appreciation for generations to come. Includes: Complete transcriptions of the 1934 Lomax field recordings in southwestern Louisiana Side-by-side translations from French to English Photographs from the 1934 field trip and biographical details about the performers

Louisiana has been home, by birth or adoption, to numerous literary greats. But among that talent, there's an under-celebrated cohort: Black women. Due to lack of education and opportunity, their record is fairly brief, but over the past century they have been responsible for a flowering of literature that portrays the Black experience through poetry, fiction, plays, essays and journalism. The writers profiled here have not gone wholly unrecognized though--far from it. Some have been honored with prestigious awards and have found a readership large enough to put them at the forefront of the national literary scene. Beginning with Alice Ruth Dunbar Nelson--a fiery activist, columnist and storyteller in the late nineteenth century--the work extends to Fatima Shaik, named 2021 Louisiana Writer of the Year. Join Ann B. Dobie on this celebration of Louisiana literary talent.