Louis Agassiz

A provocative new life restoring Agassiz--America's most famous natural scientist of the 19th century, inventor of the Ice Age, stubborn anti-Darwinist--to his glorious, troubling place in science and culture.

A major influence on the development of American scientific culture, Swiss-born Louis Agassiz (1807–73) was one of the great scientists of his day. A student of anatomist Georges Cuvier, Agassiz adapted his teacher's pioneering techniques of comparative anatomy to paleontology, and he rose to prominence as a distinguished systematist, paleontologist, and educator. Agassiz introduced science to ordinary citizens to an unprecedented degree; people around the world read his books, sent him specimens, and consulted his opinion. Agassiz was also a staunch opponent of the theory of evolution, and he was among the last of the reputable scientists who continued to reject the concept after the publication of The Origin of the Species. All of nature bore testimony to a divine plan, Agassiz believed, and he could not reconcile himself to a theory that did not invoke God's design. Ironically, his 1851 Essay on Classification provided Darwin and other evolutionists with evidence from the fossil record to support the theory of natural selection. A treasure of historically valuable insights that contributed to the development of evolutionary biology, this volume introduced the landmark contention that paleontology, embryology, ecology, and biogeography are inextricably linked in classifications that reveal the true relationships between organisms. Its emphasis on advanced and original work gave major impetus to the study of science directly from nature, and it remains a classic of American scientific literature.

The revolutionary glacial theory, proposed in this work of 1840, contributed to the demise of the myth of the great biblical flood.

“This book is not just about a man of science but also about a scientific culture in the making—warts and all.” —The New York Times Book Review Charismatic and controversial Swiss immigrant Louis Agassiz took America by storm in the early nineteenth century, becoming a defining force in American science. Yet today, many don’t know the complex story behind this revolutionary figure. At a young age, Agassiz—zoologist, glaciologist, and paleontologist—was invited to deliver a series of lectures in Boston, and he never left. An obsessive pioneer in field research, Agassiz enlisted the American public in a vast campaign to send him natural specimens, dead or alive, for his ingeniously conceived museum of comparative zoology. As an educator of enduring impact, he trained a generation of American scientists and science teachers, men and women alike—and entered into collaboration with his brilliant wife, Elizabeth, a science writer in her own right and first president of Radcliffe College. But there was a dark side to his reputation as well. Biographer Christoph Irmscher reveals unflinching evidence of Agassiz’s racist impulses and shows how avidly Americans at the time looked to men of science to mediate race policy. He also explores Agassiz’s stubborn resistance to evolution, his battles with a student—renowned naturalist Henry James Clark—and how he became a source of endless bemusement for Charles Darwin and esteemed botanist Asa Gray. “A wonderful . . . biography,” both inspiring and cautionary, it is for anyone interested in the history of American ideas (The Christian Science Monitor). “A model of what a talented and erudite literary scholar can do with a scientific subject.” —Los Angeles Review of Books

Reading the Shape of Nature vividly recounts the turbulent early history of the Museum of Comparative Zoology at Harvard and the contrasting careers of its founder Louis Agassiz and his son Alexander. Through the story of this institution and the individuals who formed it, Mary P. Winsor explores the conflicting forces that shaped systematics in the second half of the nineteenth century. Debates over the philosophical foundations of classification, details of taxonomic research, the young institution's financial struggles, and the personalities of the men most deeply involved are all brought to life. In 1859, Louis Agassiz established the Museum of Comparative Zoology to house research on the ideal types that he believed were embodied in all living forms. Agassiz's vision arose from his insistence that the order inherent in the diversity of life reflected divine creation, not organic evolution. But the mortar of the new museum had scarcely dried when Darwin's Origin was published. By Louis Agassiz's death in 1873, even his former students, including his son Alexander, had defected to the evolutionist camp. Alexander, a self-made millionaire, succeeded his father as director and introduced a significantly different agenda for the museum. To trace Louis and Alexander's arguments and the style of science they established at the museum, Winsor uses many fascinating examples that even zoologists may find unfamiliar. The locus of all this activity, the museum building itself, tells its own story through a wonderful series of archival photographs.

Explores the century-long controversy over the orgins of coral reefs, a debate that split the world of nineteenth-century science, looking at the diverse roles of Louis Agassiz, his son Alexander, and Charles Darwin and reflecting on how the search for the truth shed new light on the formation of Earth and its natural wonders.