Lost Childhood

* The wonderful 3D world of Leon Keer * This Dutch street artist conquers the world * Keer explains his working method and allows you a glimpse into his creative mind * With a unique 3D cover Leon Keer is the master of optical illusion. The 'Dutch JR' plays with perspectives and creates a whole new world. One in which Snow White is stuck under a door. Or a world in which you unexpectedly enter a seventies living room. This is his first monograph. He allows the reader an exclusive look into his world and imagination. How does he work? And how does a wild idea develop into a gigantic 3D artwork?

My Lost Childhood is a memoir describing immeasurable suffering the author went through in his early childhood. In the late 1980s, the Islamic government began to systematically torture and kill Southern Sudanese families, burn their villages, and enslave young boys and girls. As a result, an approximately, as numbers are largely unknown and only an estimate, 27,000 plus boys from Southern tribes were forced to flee from their homes. Traveling naked and barefoot, they sought refuge in neighboring Fugnido, Ethiopia, where a few years later they were forced to flee yet another civil war. Returning to Sudan, the Islamic government forced them to travel for another five months, ultimately arriving in Kakuma, Kenya, after four years of unthinkable hardship and walking over thousands of miles naked, barefoot, and ailing from starvation, dehydration, and diseases. Many boys perished along the way and their numbers shrank into few thousands. Abraham Deng Ater, separated from his family in 1987, is one of approximately 3,800 boys now known as the Lost Boys of Sudan. He left Kakuma Refugee Camp in Kenya after several years of massive suffering and was granted refuge in the U.S. in 2001. Many Lost Boys including Abraham have since become U.S. citizens and have continued to pursue their education. Thousands more have also been granted refuge elsewhere and are scattered around the globe.

A story of a young Jewish girl's coming-of-age during the tragic years of the Holocaust.

The author recounts her childhood experiences as a Japanese prisoner during World War II.

God's plan for her from the beginning was beyond her wildest dreams and imagination In Lynda Williams' first-ever public discussion of her early life and growing up with career criminals, the worst of it all came in 1978. Her brother, Gary Tison, escaped from Arizona State Prison, and her family had to endure the largest manhunt ever in the southwestern United States. She recounts the fear she faced during those 11 days, an event that spawned two books and a pair of movies. Lynda tells about the abuse she suffered growing up in a family where her father and brothers were routinely in and out of prisons, and how her family name, rather than her character, led to many shunning and ridiculing her. Lynda also offers a stirring message of hope for survivors like her: That one can overcome adversity by learning to love yourself and faith in God. LYNDA WILLIAMS is retired after many years of working with abused children, as well as owning and operating other businesses, including a ranch.

People of our generation, in the age bracket of 40 to 60, are the last of the generation who had a childhood which would never come back. It was simple and had a lot of happiness around small things. It was carefree and adventurous in contrast to today’s generations who will never experience the childhood which we did despite the advancement of technology and the improvement in the standard of living. The small joys in life are no longer there, and even after having everything in life, it does not seem enough. The idea of this book is to bring forth the childhood which many of our generations would be able to relate to and savour. The book also highlights, to today’s generation, as to what they are missing in their childhood. It may bring out some of those aspects in their childhood. This book is not a simple memoir of childhood. It is an attempt to capture the childhood of a child of a middle-class family who travelled through 8 cities, lived in around 10 houses and studied in around 8 schools. It is also about the various incidents, cities and its foods.

Lost Childhood explores the everyday lives of street children in India. It presents insights on their life on the streets to provide a comprehensive understanding of why they are driven to extreme means of livelihoods. This volume, · Inquiries into the histories of street children, and discusses their socio-economic and socio-demographic characteristics to provide a sense of their living conditions; · Sheds light on the social injustice experienced by these children, their health and hygiene, and also looks at the insecurities faced by the children in their interactions with the society; · Uses detailed field research data to highlight issues that affect the lives of street children such as education, gender discrimination, and their social networks; · Suggests a way forward that would not only benefit street children but will also be of use to the community in understanding their lives, problems, and help explore this issue in further detail. The book will be useful to scholars and researchers of human geography, development studies, child development, urban poverty, and social justice. It will also be of interest to policymakers, social workers, and field workers who work with street children.

In the Retro Hugo Award–nominated novel that inspired the Syfy miniseries, alien invaders bring peace to Earth—at a grave price: “A first-rate tour de force” (The New York Times). In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development. Their purpose is to dominate Earth. Their demands, however, are surprisingly benevolent: end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age . . . or so it seems. Without conflict, human culture and progress stagnate. As the years pass, it becomes clear that the Overlords have a hidden agenda for the evolution of the human race that may not be as benevolent as it seems. “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.” —Los Angeles Times

The story of six years in the life of a Polish Jewish boy, who along with his mother and sister, survived World War II through cunning and guile.

NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family’s crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but getting detained—or lost in the desert along the way. A breath-taking feat of literary virtuosity, Lost Children Archive is timely, compassionate, subtly hilarious, and formally inventive—a powerful, urgent story about what it is to be human in an inhuman world.