Lorca Bunuel Dali

This volume of essays commemorates and celebrates the creative works of Frederico Garcia Lorca, Salvador Dali, and Luis Bunel, three contemporaries and friends. The essays suggest that the artistic creations of Lorca, Dali, and Bunel feature theoretical ideas on (their) contemporary art in general, as well as on the particualr art form cultivated by each- ideas that help us to better understand their work as it relates to a wide rane of aesthetic theories.

Lorca, Bunuel and Dali were, in their respective fields of poetry and theatre, cinema, and painting; their impact was felt far beyond the boundaries of their native Spain. But if individually they have been examined by many, their connected lives have rarely been considered. This work focuses on the ties that bind them

Lorca, Bunuel and Dali were, in their respective fields of poetry and theatre, cinema, and painting, three of the most imaginative creative artists of the twentieth century; their impact was felt far beyond the boundaries of their native Spain. But if individually they have been examined by many, their connected lives have rarely been considered. It is these, the ties that bind them, that constitute the subject of this illuminating book. They were born within six years of each other and, as Gwynne Edwards reveals, their childhood circumstances were very similar. Each was affected by a narrow-minded society and an intolerant religious background which equated sex with sin and led all three to experience sexual problems of different kinds: Lorca the guilt and anguish associated with his homosexuality; Bunuel feelings of sexual inhibition; and, Dali virtual impotence. Having met during the 1920s at the Residencia de Estudiantes in Madrid, they developed intense personal relationships and channelled their respective obsessions into the cultural forms then prevalent in Europe, in particular Surrealism. Rooted in emotional turmoil, their work - from Lorca's dramatic characters in search of sexual fulfilment, to Bunuel's frustrated men and women, and Dali's potent images of shame and guilt - is highly autobiographical. Their left-wing outrage directed at bourgeois values and the Catholic Church was strongly felt, and in the case of Lorca in particular, was sharpened by the catastrophic Civil War of 1936-9, during the first months of which he was murdered by Franco's fascists. The war hastened Bunuel's departure to France and Mexico and Dali's to New York. Edwards describes how, for the rest of his life, Bunuel clung to his left-wing ideals and made outstanding films, while the increasingly eccentric and money-obsessed Dali embraced Fascism and the Catholic Church, and saw his art go into rapid decline.

This volume of essays commemorates and celebrates the creative works of Frederico Garcia Lorca, Salvador Dali, and Luis Bunel, three contemporaries and friends. The essays suggest that the artistic creations of Lorca, Dali, and Bunel feature theoretical ideas on (their) contemporary art in general, as well as on the particular art form cultivated by each -- ideas that help us to better understand their work as it relates to a wide range of aesthetic theories.

UN CHIEN ANDALOU (1929) is the first classic of underground cinema, a ferocious assault of mutilation, madness and multiple manias set in the fractured framework of a nightmare. Ants, rotting donkeys, severed hands, and ocular destruction are just some of the film’s provocative motifs, drawn from the world of Surrealism. This special ebook study of UN CHIEN ANDALOU provides an in-depth analysis and history of this seminal Surrealist film, accompanied by the original film scenario by Buñuel and Dalí, and a gallery of photographic illustrations.

ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • A provocative memoir from Luis Buñuel, the Academy Award winning creator of some of modern cinema's most important films, from Un Chien Andalou to The Discreet Charm of the Bourgeoisie. Luis Buñuel’s films have the power to shock, inspire, and reinvent our world. Now, in a memoir that carries all the surrealism and subversion of his cinema, Buñuel turns his artistic gaze inward. In swift and generous prose, Buñuel traces the surprising contours of his life, from the Good Friday drumbeats of his childhood to the dreams that inspired his most famous films to his turbulent friendships with Federico García Lorca and Salvador Dalí. His personal narratives also encompass the pressing political issues of his time, many of which still haunt us today—the specter of fascism, the culture wars, the nuclear bomb. Filled with film trivia, framed by Buñuel’s intellect and wit, this is essential reading for fans of cinema and for anyone who has ever wanted to see the world through a surrealist’s eyes.

The only novel by the twentieth century's most acclaimed surrealist painter, a richly visual depiction of a group of eccentric aristocrats in the years preceding World War II “The book is so full of visual invention, so witty, so charged with an almost Dickensian energy that it's difficult not to accept its author's own arrogant evaluation of himself as a genius.” — Observer In swirling, surreal prose, the iconic artist Salvador Dalí portrays the intrigues and love affairs of a group of eccentric aristocrats who, in their luxury and extravagance, symbolize decadent Europe in the 1930s. In the shadow of encroaching war, their tangled lives provide a thrilling vehicle for Dalí's uniquely spirited imagination and artistic vision. Hidden Faces beckons readers to enter the bizarre world already familiar to us from Dali's paintings. The story unfolds in vividly visual terms, beginning in the Paris riots of February 1934. The journey leading to the closing days of the Second World War constitutes a brilliant and dramatic vehicle for Dali's unique vision. “Start the first page and you are in the presence of an old-fashioned baroque novel, intelligent, extravagant, as photographically precise as his paintings but not so silly ... Dali notices everything ...” — Guardian

Surrealist cinema, as epitomised by Un Chien Andalou and L'Age D'Or, was a knife through the very heart of the establishment - a scorpionic, scatological black joke galvanised by the irrational, the uncanny and the spectre of de Sade. Author Robert Short revisits these two seminal films and documents the experimental cinematic theories of Antonin Artaud and the filming of his Surrealist scenario The Seashell and the Clergyman. Short also looks at the work of Hans Richter, Jean Cocteau, Marcel Duchamp and Man Ray.

A provocative memoir from Luis Buñuel, the Academy Award winning creator of some of modern cinema's most important films, from Un Chien Andalou to The Discreet Charm of the Bourgeoisie. Luis Buñuel’s films have the power to shock, inspire, and reinvent our world. Now, in a memoir that carries all the surrealism and subversion of his cinema, Buñuel turns his artistic gaze inward. In swift and generous prose, Buñuel traces the surprising contours of his life, from the Good Friday drumbeats of his childhood to the dreams that inspired his most famous films to his turbulent friendships with Federico García Lorca and Salvador Dalí. His personal narratives also encompass the pressing political issues of his time, many of which still haunt us today—the specter of fascism, the culture wars, the nuclear bomb. Filled with film trivia, framed by Buñuel’s intellect and wit, this is essential reading for fans of cinema and for anyone who has ever wanted to see the world through a surrealist’s eyes.

Painter, designer, creator of bizarre objects, author and film maker, Dalí became the most famous of the Surrealists. Buñuel, Lorca, Picasso and Breton all had a great influence on his career. Dalí's film, An Andalusian Dog, produced with Buñuel, marked his official entry into the tightly-knit group of Parisian Surrealists, where he met Gala, the woman who became his lifelong companion and his source of inspiration. But his relationship soon deteriorated until his final rift with André Breton in 1939. Nevertheless Dalí's art remained surrealist in its philosophy and expression and a prime example of his freshness, humour and exploration of the subconscious mind. Throughout his life, Dalí was a genius at self-promotion, creating and maintaining his reputation as a mythical figure.