Looking Through Stained Glass

Have you wondered how to survive the storms of life, remain standing afterwards, and feel the peace that surpasses all understanding that God speaks of? This book is about life circumstances that seem destined to destroy us and freeze us in pain. It is about some of my own experiences through which I have been able to see beyond the pain, and find that peace described in Philippians 4:68. We have a choice. We can either look at life through the pain, darkness, and filth of the world and what it has dealt us or we can choose to stay in the peace God calls the secret place, viewing the world and its events through the stained glass of His love and peace.

Instructions on basic copper-foil and leaded-glass techniques, selecting and cutting glass, safety tips, and other illuminating topics.

Finely rendered line drawings, based on photographs of authentic Victorian and Edwardian era designs, depict lovely floral and foliate motifs, a remarkable array of geometrics, transitional designs showing Art Nouveau influence, and much more — all in a wide range of sizes and shapes.

A fresh, unstuffy guide to the stained-glass windows of England's churches, including a list of the top 50 places to see outstanding examples. The magical qualities of stained glass have an enduring appeal, but church windows tend to be ignored as a form of creative and artistic expression. Yet churches are accessible treasure trove of history, art and craftsmanship. No other set of historic buildings with such superb and important architectural and artists assets is as easy to visit. How to Look at Stained Glass is the companion guide that's needed to make sense of and enjoy the vast array of stained-glass windows in the churches of England. This fresh, unstuffy guide: - Uses an A-Z format to reveal a multitude of fascinating details - all the way from apples to zig-zags - Explores stained glass by themes, patterns, designs and effects - Requires no previous historical, artistic or religious knowledge - Covers all the major periods and styles, from medieval to modern, Victorian to postwar, eighteenth century to Arts and Crafts, figurative to abstract - Examines the fascinating and evolving iconography of stained glass - Makes looking at gloriously colourful, artistically important windows both entertaining and rewarding - Features a list of the top 50 places to see outstanding examples - Offers a useful index of churches by county

The great artists of cathedral windows began it. Louis Comfort Tiffany perfected it And now you can explore it -- the look of stained glass. Almost any glass surface can glow with brilliant color. With glass paint -- not real stained glass -- these simple instructions and imaginative designs turn any window in your home into a work of art. Or paint a glass art border to frame an outdoor view. You can paint a piece of glass or plastic and hang it in a window for amazingly versatile moods, for holidays, for parties, or simply for your own pleasure. Besides these vertical techniques, you'll find complete instructions for three-dimensional projects, ranging from jars and display plates to self-adhering sun-catchers for windows or patio doors. The materials you need are inexpensive, and you get dozens of patterns, many full-sized, appropriate for every type of project. Best of all, the photo gallery of finished designs will stir your imagination and show you all the places in your home where glass art can charm and inspire.

A book about the stained glass windows in the Presbyterian, Methodist, and Baptist churches in McGraw, NY

The collection of images in this book is a selected overview from her portfolio of work. You will find over 65 colour photographs, 43 detailed line drawings and 15 grayscale images chronicling her diverse styles. Much of Leslie's work is fabricated in traditional lead or foil technique but she likes to add details using blown, etched, painted and fused glass components. Leslie takes her inspiration form the ocean in her signature 'sea-form' pieces as she explores the relationship of bold flowing curves, stark straight lines, and bright energetic colours to produce an exuberant visual experience. This book will inspire and excite the creative spirit in everyone who enjoys and appreciates elegant glass with an exceptional vision.

Stained glass can be thought of as a decorative adjunct to architecture or as fine art productive of a wide variety of rich and deep experiences in the beholder. Although both aspects are covered in this book, it is glass as fine art that concerns the author - from the unique wondrous beauty of the windows of Europe's great cathedrals to the much later masterpieces of Tiffany, LaFarge and today's artists. Treating the subject chronologically, he explores the chronological background to each period in order to establish the motivation of the society and the intentions of the artists who caused a particular kind of stained glass to come into being. There are enquiries into the changing meaning of colour, the influence of other contemporary arts (architecture, painting, tapestry, ceramics, illuminated manuscripts), the origin of glass and the manner in which, in early times, ideas travelled from one region to another. There are also accounts of how stained glass windows are made and descriptive analyses of the beauty of individual works. Patrick Reyntiens considers late developments in the 20th century. Among these is the rise of the studio panel of stained glass or glass emancipated from the constraints of modern architecture, of which he himself is a practitioner.