Looking Like What You Are

Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.

As heard on NPR's "Science Friday," discover the book recommended by Malcolm Gladwell, Susan Cain, Daniel Pink, and Adam Grant: an "accessible, informative, and hilarious" introduction to the weird and wonderful world of artificial intelligence (Ryan North). "You look like a thing and I love you" is one of the best pickup lines ever . . . according to an artificial intelligence trained by scientist Janelle Shane, creator of the popular blog AI Weirdness. She creates silly AIs that learn how to name paint colors, create the best recipes, and even flirt (badly) with humans—all to understand the technology that governs so much of our daily lives. We rely on AI every day for recommendations, for translations, and to put cat ears on our selfie videos. We also trust AI with matters of life and death, on the road and in our hospitals. But how smart is AI really... and how does it solve problems, understand humans, and even drive self-driving cars? Shane delivers the answers to every AI question you've ever asked, and some you definitely haven't. Like, how can a computer design the perfect sandwich? What does robot-generated Harry Potter fan-fiction look like? And is the world's best Halloween costume really "Vampire Hog Bride"? In this smart, often hilarious introduction to the most interesting science of our time, Shane shows how these programs learn, fail, and adapt—and how they reflect the best and worst of humanity. You Look Like a Thing and I Love You is the perfect book for anyone curious about what the robots in our lives are thinking. "I can't think of a better way to learn about artificial intelligence, and I've never had so much fun along the way." —Adam Grant, New York Times bestselling author of Originals

Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.

"Dion Graham's confident, enthusiastic narration powerfully depicts a young African-American boy who is beginning to identify who he is in the world. Quincy Tyler Bernstine adds a dynamic array of female voices. No detail is overlooked in this production.... Realistic sound effects link the audio to the pictures and reflect the story's urban setting."-AudioFile

At the age of twenty-two, Lisa Jakub had what she was supposed to want: she was a working actor in Los Angeles. She had more than forty movies and TV shows to her name, she had been in blockbusters like Mrs. Doubtfire and Independence Day, she walked the red carpet and lived in the house she bought when she was fifteen. But something was missing. Passion. Purpose. Happiness.Lisa had been working since the age of four, after a man approached her parents at a farmer’s market and asked her to audition for a commercial. That chance encounter dictated the next eighteen years of her unusual— and frequently awkward—life. She met Princess Diana... and almost fell on her while attempting to curtsy. She filmed in exciting locations... and her high school asked her not to come back. She went to fancy parties... and got kind of kidnapped that one time. Success was complicated.Making movies, traveling the world, and meeting intriguing people was fun for a while, but Lisa eventually realized she was living a life based on momentum and definitions of success that were not her own. She battled severe anxiety and panic attacks while feeling like she was living someone else’s dream. Not wanting to become a child actor stereotype, Lisa retired from acting and left L.A. in search of a path that felt more authentic to her.In this funny and insightful book, Lisa chronicles the adventures of growing up in the film industry and her difficult decision to leave behind the only life she had ever known, to examine her priorities, and write the script for her own life. She explores the universal question we all ask ourselves: what do I want to be when I grow up?

Twenty-six lesbian grassroots activists -- some of them household names nationally, others known only within their local communities -- help us focus on the future of our lesbian lives as we move into the next century. Written with both heart and smarts, in language that speaks to the dailiness of personal experience and larger political questions, This Is What Lesbian Looks Like is the kind of reading that helps to shape a movement. If any disenfranchised group is only as strong as its weakest members, how do we think about lesbians who are not white, able-bodied, and middle class? What is lost in the gap that exists between the first generation to age having lived their adult lives out of the closet and the young dykes for whom out feels like a been there/done that kind of thing?Where does fighting the Right fit into the rainbow rush toward assimilation? How will lesbian identity be defined within the multiplicity of gender expressions becoming increasingly visible? Not easy, but essential nonetheless -- these are some of the critical issues tackled in This Is What Lesbian Looks Like's two dozen essays.

“A high-speed story that will draw teens in and keep them turning pages until they reach the unpredictable and thrilling ending. A must for YA collections.” (School Library Journal) A 2022 NAACP Image Award for Outstanding Literary Work nominee and a 2022 Edgar Award nominee, this timely, gripping teen novel is about a boy who must take up the search for his sister when she goes missing from a neighborhood where Black girls’ disappearances are too often overlooked, from debut author Pamela Harris. Perfect for fans of Jason Reynolds and Tiffany D. Jackson. When you look like us—brown skin, brown eyes, black braids or fades—everyone else thinks you’re trouble. No one even blinks twice over a missing Black girl from public housing because she must’ve brought whatever happened to her upon herself. I, Jay Murphy, can admit that, for a minute, I thought my sister Nicole just got caught up with her boyfriend—a drug dealer—and his friends. But she’s been gone too long. Nic, where are you? If I hadn’t hung up on her that night, she would be at our house, spending time with Grandma. If I was a better brother, she’d be finishing senior year instead of being another name on a missing persons list. It’s time to step up, to do what the Newport News police department won’t. Bring her home. Also a 2022 ALA Notable Book for a Global Society Award winner!

Divided into five chapters and illustrated by kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of life said my mother as she held me in her arms as i wept think of those flowers you plant in the garden each year they will teach you that people too must wilt fall root rise in order to bloom

After ten years of talking about having children, two years of trying (and failing) to conceive, and one shot of donor sperm for her partner, Amie Miller was about to become a mother. Or something like that. Over the next nine months, as her partner became the biological mom-to-be, Miller became . . . what? Mommy’s little helper? A faux dad? As a midwestern, station wagon–driving, stay-at-home mom—and as a nonbiological lesbian mother—Miller both defines and defies the norm. Like new parents everywhere, she wrestled with the anxieties and challenges of first-time parenthood but experienced pregnancy and birth only vicariously. Part love story, part comedy, part quest, Miller’s candid and often humorous memoir is a much-needed cultural roadmap for becoming a parent, even when the usual categories do not fit.

Why DO people look like their dogs? Is it shared personality traits, an expression of self-love, or do they grow together over time like old married couples? This book explores the intense bonds we develop with our dogs, which are far from only skin, or even fur, deep. 50 photos by renowned animal photographer Gerrard Gethings present insightful and fun depictions of dogs and their humans, and humorous texts are included in the booklet to provide clues about these 25 people and their furry best friends. The book also includes behind the scenes photos and an interview with the photographer.