London Eyes

"London Eyes provides paths through the city, chancing upon those stories that ultimately have the potential to change London, to see it with new eyes, casting new shadows and seeing new stories open up at many turns. This collection has at its heart a joyous fascination with the city and the texts, images and films that have contributed to our ideas about London. It was a wonderful opportunity to stumble upon some new panoramas." Film Philosophy London incessantly generates and incites cultural responses, pre-eminently in the interconnected domains of literature and film. This book demonstrates that those responses have been sustained as vital experiments and engagements in configuring the city and its inhabitants. Including essays by prominent cultural, literary and film historians this volume forms an original and incisive contribution to ongoing debates about the city's intricate cultural history and its construction through both language and image, as a crucial site of identity, desire, exile and displacement. Gail Cunningham is Professor of English and Dean of the Faculty of Arts and Social Sciences at Kingston University. Her recent publications include Houses in Between (CUP, 2004) Anna Lombard (Birmingham University Press, 2002) and He-Notes: Reconstructing Masculinity (Palgrave, 2000). Stephen Barber is a Professor of Media Arts at Kingston University. His most recent publications include The Vanishing Map (Berg, 2006), Hijikata (Creation, 2006) and The Art of Destruction (Creation 2004). He has been awarded international prizes and awards for his work by the Rockefeller Foundation, the Getty Program, the Ford Foundation, the DAAD Berlin Artists and Writers Programme, the Annenberg Foundation, the Leverhulme Trust, the Japan Foundation, the British Academy, the Daiwa Foundation, the Saison Foundation, and the London Arts Board.

German Popular Cinema and the Rialto Krimi Phenomenon: Dark Eyes of London examines the Kriminalfilme—or Krimis—based on the novels of English author Edgar Wallace, released by Rialto Film between 1959 and 1972 as part of the post-World War II era of German popular cinema that enjoyed extraordinary popularity with the German public. Nicholas G. Schlegel analyzes how this group of West German thrillers not only nurtured a convalescing film industry, but also provided unequaled national entertainment while canonizing Rialto’s Krimi productions in terms of their historical genesis, aesthetic characteristics, and social reception. Schlegel surveys the Krimi’s enduring legacy, calculable global influence, inevitable decline, and eventual migration to television in the 1970s, where it thrived but ultimately took on a more somber tone. Scholars of film, television, history, and German culture will find this book particularly useful.

Listen carefully and you will hear the wild, untamed music of Gray Wolf as he races along icy ridges, howls at the moon, fiercely defends his territory against an unknown pack, and, finally, settles with a new mate. The simple, poetic text follows the restless Gray Wolf as he wanders through the northern winter night and the spectacular illustrations present a dramatic look at a beautiful, endangered animal. An afterword that adults will want to share with children is also included and offers detailed information on wolves and their range throughout the world.