Live At The Fillmore East And West

From the Allman Brothers Band to Frank Zappa, and through the interweaving lives of Bill Graham, Janis Joplin, Grace Slick, and Carlos Santana, author John Glatt chronicles the story of the 1960s’ rock music Colossus that stood astride the East and West Coasts—Graham’s twin temples of rock, the Fillmore East and Fillmore West.

From 1968 to 1971 Bill Graham's Fillmore East in New York City was the East coast Mecca for the music that shaped a generation. Not only that: thanks to a visionary technical staff and unsurpassed psychedelic light shows, the Fillmore East stage was the place where rock music became rock theater. Now available in paperback, the highly acclaimed Live at the Fillmore East tells the story of its heyday with more than 200 black and white behind-the-scenes photographs and exclusive interviews. Included here are photos of the Who's premiere of Tommy in 1969; John and Yoko's surprise encore to a Frank Zappa concert; the jam between the Allman Brothers, the Grateful Dead, and Mick Fleetwood in 1970; Janis Joplin's first performance after singing with CBS records; Jimi Hendrix's New Year's Eve concerts; Van Morrison during the first-ever television taping of a rock concert in 1970; and many other defining moments of rock history "Amalie R. Rothschild's pictures bring back the entire Fillmore East experience in vivid detail. Rock and Roll was a baby back then and Bill Graham was it's midwife - he birthed the modern version of a rock and roll concert." -- Mickey Hart

The national best-selling autobiography of Bill Graham, the colorful, larger-than-life architect of the modern concert industry

Harlem of the West reveals a forgotten slice of San Francisco history and the African-American experience on the West Coast: the thriving jazz scene of the Fillmore in the 1940s and 1950s. With archival photographs and oral accounts from the residents and musicians who experienced it, this vividly illustrated tour will delight jazz fans and history aficionados.

From 1968-1971, New York's Fillmore East was the greatest rock palace in the world. Kostelanetz, who attended the Fillmore religiously, has assembled a collection of his original program notes and memories on the performances and performers, including The Who, Grateful Dead, The Byrds, and Janis Joplin, to create this definitive history.

A portrait of the legendary American rock-and-roll band draws on exclusive interviews to track their career from 1969 to the present and is complemented by previously unpublished photographs and memorabilia.

The most successful and influential rock band to emerge from San Francisco during the 1960s, Jefferson Airplane created the sound of a generation. Their smash hits "Somebody to Love" and "White Rabbit" virtually invented the era's signature pulsating psychedelic music and, during one of the most tumultuous times in American history, came to personify the decade's radical counterculture. In this groundbreaking biography of the band, veteran music writer and historian Jeff Tamarkin produces a portrait of the band like none that has come before it. Having worked closely with Jefferson Airplane for more than a decade, Tamarkin had unprecedented access to the band members, their families, friends, lovers, crew members, fellow musicians, cultural luminaries, even the highest-ranking politicians of the time. More than just a definitive history, Got a Revolution! is a rock legend unto itself. Jann Wenner, editor-in-chief and publisher of Rolling Stone, wrote, "The classic [Jefferson] Airplane lineup were both architects and messengers of a psychedelic age, a liberation of mind and body that profoundly changed American art, politics, and spirituality. It was a renaissance that could only have been born in San Francisco, and the Airplane, more than any other band in town, spread the good news nationwide."

Legendary impresario Bill Graham began in January 1966 to commission posters to promote the concerts he was putting on at San Francisco’s Fillmore auditorium. The poster artists followed the revolutionary mandate of the sixties consciousness, creating vivid, irreverent banners that reflected their own sense of poetics, style, and wit. What resulted were signature juxtapositions of design, lettering, and color that spawned a brand new art form. Their muse was the cosmic synergy that then abounded, fueled in part by LSD. These posters have since come to occupy a place in art history while surviving priceless artifacts of rock archeology. Published in cooperation with Bill Graham Presents, this is an intoxicating compendium of the funkiest posters of the century. Highlighted in this unique, lavishly printed full-color volume are the original numbered and unnumbered series created exclusively for the San Francisco and New York Fillmore dance concerts. The more than 400 hand-drawn posters, handbills, tickets, and photographs feature art by Wes Wilson, Bonnie MacLean, Stanley Mouse, Alton Kelley, Rick Griffin, Lee Conklin, Greg Irons, Randy Tuten, David Byrd, David Singer, and Norman Orr.

Since their humble beginnings in the folk clubs and bars of Ireland in the early '60s, The Chieftains have built a worldwide reputation and following based on their brilliant musicianship, their rediscovery and reinvention of traditional Irish music, and their own original music and Oscar-winning soundtracks. Based on exclusive interviews with all the band's members, their families and friends, this is the intimate and comprehensive history of one of the most acclaimed Irish bands of all time. photos.

A rock 'n roll classic back in print updated and revised. One of the funniest rock memoirs ever Al Kooper's legendary Backstage Passes is available again] Al's quirkly life from would'be teenage rocker to crashing Bob Dylan's recording session an