Little Lulu The Little Girl Who Could Talk To Trees

The hijinks of a bold and brash little girl make these timeless comics laugh-out-loud funny Forget trying to break into the boys club, Lulu Moppet would rather tear it down! In this volume of Drawn & Quarterly’s landmark reprints of Marge’s Little Lulu, our heroine plays pranks on her male counterparts, beating them at their own game and having a lot more fun because of it. Many of the strips in Little Lulu: The Little Girl Who Could Talk to Trees are farcical retellings of classic nursery rhymes and fairy tales—stories Lulu is telling Alvin, the boy she babysits. Only, when Lulu’s running the show, she casts herself as the main character, much to Alvin’s dismay! And rather than barreling straight toward a simple moralistic ending about the importance of sharing or kindness, her yarns veer sideways for a rollicking punch line every time. Lulu also ventures into the supernatural—encouraging a ghost who isn’t bold enough to scare those around him, flying above her neighbourhood on a magic rocking horse, and entering a haunted house alone, covered in a white sheet, when Tubby and the rest of the boys say she can’t come with them because she’s a girl. This is the third in Drawn & Quarterly’s best-of reprintings of one of the greatest comics of all time, penned by John Stanley. Younger readers will appreciate the audacity of these kids's pranks, while Stanley’s hilariously true-to-life portrayals of wacky children make these comics extra funny for older readers.

One of the best comic books of all time, now in full color and just as funny as ever! Lulu Moppet is back with even more outlandish adventures and misadventures, as cartoonist John Stanley settles into kooky and entertaining suburban storylines starring Lulu, Tubby, Alvin, and the rest of the gang. Lulu is a strong, assertive young girl who is both entertaining and empowering to girls and women of all ages—even if she sometimes finds herself in hot water. In Little Lulu: The Hooky Team, she outsmarts criminals who mistake her for a wealthy young girl, gets into hijinks during a day at the beach, and plays hooky—but only by accident! Over the course of these stories, Stanley excels at visual gags, from Lulu using a pencil sharpener on lipstick to a disgruntled Alvin being flocked by girls after trying his mother’s perfume. This is the second installment in Drawn & Quarterly’s landmark reprint series of the classic John Stanley comic strip that was first published by Dell Comics in the 1940s and ’50s. Little Lulu: The Hooky Team will delight longtime fans of the series and new readers alike.

The first in a five-volume best-of series, featuring an introduction from Margaret Atwood! Lulu Moppet is an outspoken and brazen young girl who doesn’t follow any rules—whether they’ve been set by her parents, the neighborhood boys, or society itself. In 2019 D+Q begins a landmark full-color reissue series collecting five volumes of Lulu’s funniest suburban hijinks: she goes on picnics, babysits, and attempts to break into the boys’ clubhouse again and again. Cartoonist John Stanley’s expert timing and constant gags made these stories unbelievably enjoyable, ensuring that Marge’s Little Lulu was a defining comic of the post-war period. First released in the 1940s and 1950s as Dell comics, Little Lulu as helmed by Stanley remains one of the most entertaining works in the medium. In this first volume, Little Lulu: Working Girl, we meet the series’ mainstay characters: Lulu, Tubby, Alvin, and oodles more neighbourhood kids. Little Lulu’s comedy lies in the hilarious dynamic between its cast of characters. Lulu’s assertiveness, individuality, and creativity is empowering to witness—the series is powerfully feminist despite the decades in which the stories were created. It’s the character’s strong personality that made her beloved by such feminist icons as Patti Smith, Eileen Myles, and more. Lovingly restored to its original full color, complete with knee-slapping humor and an introduction by Margaret Atwood that explains the vitality of Lulu herself, Little Lulu: Working Girl is a delight for classic comics fans and the uninitiated.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

Tells a story about the strange relationship of two migrant workers who are able to realize their dreams of an easy life until one of them succumbs to his weakness for soft, helpless creatures and strangles a farmer's wife.

"A debut story collection offering a kaleidoscopic portrait of life for contemporary Chinese people, set between China and the United States"--

Orphaned Rose Campbell finds it difficult to fit in when she goes to live with her six aunts and seven mischievous boy cousins.

In this time of ecological crisis, all that is holy calls us into a more intimate partnership with the diverse and beautiful beings of this earth. In Finding Our Way Home, Myke Johnson reflects on her personal journey into such a partnership and offers a guide for others to begin this path. Lyrically expressed, it weaves together lessons from a chamomile flower, a small bird, a copper beech tree, a garden slug, and a forest fern, along with insights from Indigenous philosophy, environmental science, fractal geometry, childhood Catholic mysticism, the prophet Elijah, fairy tales, and permaculture design. This eco-spiritual journey also wrestles with the history of our society's destruction of the natural world, and its roots in the original theft of the land from Indigenous peoples. Exploring the spiritual dimensions of our brokenness, it offers tools to create healing. Finding Our Way Home is a ceremony to remember our essential unity with all of life.

The Little Girl Who Talks to Trees, a picture book for 4-7-year-old girls, is a universal story about a little girl who loves something so much she will do anything to save it. Determined to protect the trees she loves, Harper goes on a quest to find the mayor and his council, a group of men her dad calls wizards. When she follows her heart and gets lost in the woods, she encounters the "I AM" presence within her favorite tree who teaches her there is magic you cannot see unless you ask and believe. Armed with her parent's teaching about proper decision making and her newfound understanding of possibility thinking, she approaches the skeptical mayor and wizards with a request to save her trees. Will she succeed in changing their minds?

In her acclaimed novels, Susan Vreeland has given us portraits of painting and life that are as dazzling as their artistic subjects. Now, in The Forest Lover, she traces the courageous life and career of Emily Carr, who—more than Georgia O'Keeffe or Frida Kahlo—blazed a path for modern women artists. Overcoming the confines of Victorian culture, Carr became a major force in modern art by capturing an untamed British Columbia and its indigenous peoples just before industrialization changed them forever. From illegal potlatches in tribal communities to artists' studios in pre-World War I Paris, Vreeland tells her story with gusto and suspense, giving us a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction.