Little Lion Shares

Little Lion does not like to share, but he must learn so he can share something extra special with his mom.

Ant is honored to receive an invitation to lion's annual dinner party, but is shocked when the other guests behave rudely and then accuse her of thinking only of herself.

Little Lion does not like to share, but he must learn so he can share something extra special with his mom.

Lionel the lion does NOT like to share. After all, he’s learned that lions always get the lion's share. He gets all the best instruments from the music shop, all the handsomest hats from the hat shop, and all the brightest balloons from the balloon cart. But at Chloe’s birthday party Lionel goes too far, eating ALL the cake. If Lionel’s not careful, he’ll have the best of everything . . . except friends. Can he turn things around in time?

As well as presenting a lively narrative of events, Bernard Porter explores a number of broad analytical themes, challenging more conventional and popular interpretations. He sees imperialism as a symptom not of Britain's strength in the world, but of her decline; and he argues that the empire itself both aggravated and obscured deep-seated malaise in the British economy.

This is about an heiress who goes to Paris and gets into an upper class social circle, returns to England to help with the suffrage movement and then goes back to Paris. --Phil at Amazon.com.

First published in the year 1916, Arnold Bennett's novel 'The Lion's Share' is one of his fictional works that carries the theme of thriller and mystery.

This is the most in-depth analysis of inequality and social polarization ever attempted for a preindustrial society. Using data from the archives of the Venetian Terraferma, and compared with information available for elsewhere in Europe, Guido Alfani and Matteo Di Tullio demonstrate that the rise of the fiscal-military state served to increase economic inequality in the early modern period. Preindustrial fiscal systems tended to be regressive in nature, and increased post-tax inequality compared to pre-tax - in contrast to what we would assume is the case in contemporary societies. This led to greater and greater disparities in wealth, which were made worse still as taxes were collected almost entirely to fund war and defence rather than social welfare. Though focused on Old Regime Europe, Alfani and Di Tullio's findings speak to contemporary debates about the roots of inequality and social stratification.

This eBook features the unabridged text of ‘The Lion’s Share by Arnold Bennett - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Arnold Bennett’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Bennett includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Lion’s Share by Arnold Bennett - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Bennett’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion’s Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its postapartheid agenda of redistributive justice and a turn to a postindustrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from antipiracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda’s song "Mbube" for its hit “The Lion Sleeps Tonight” from The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society.