Literature Of The Cherokees

Table of contents: "Folk lore. Nomenclature. Spanish influences. The Law. Parchment. The book. Prayers. Symbols. Moravian influences. Oratory. Numerals. Visions. Songs. Annals of Victory. Boon's record. The challenge. First Cherokee hymn. Influences of the A.B.C.F.M. Pickering alphabet. Scotch element. White element. Baptist influences. Native adaptability. Sequoyahn era. Government growth. Birth of journalism. Vinita journalism. Union Press. Baptist Mission press. Park Hill press. Dwight Mission press. Territory press."

From the author of the Pulitzer Prize finalist Maud's Line, an epic novel that follows a web of complex family alliances and culture clashes in the Cherokee Nation during the aftermath of the Civil War, and the unforgettable woman at its center. It's the early spring of 1875 in the Cherokee Nation West. A baby, a black hired hand, a bay horse, a gun, a gold stash, and a preacher have all gone missing. Cherokee America Singer, known as "Check," a wealthy farmer, mother of five boys, and soon-to-be widow, is not amused. In this epic of the American frontier, several plots intertwine around the heroic and resolute Check: her son is caught in a compromising position that results in murder; a neighbor disappears; another man is killed. The tension mounts and the violence escalates as Check's mixed race family, friends, and neighbors come together to protect their community--and painfully expel one of their own. Cherokee America vividly, and often with humor, explores the bonds--of blood and place, of buried histories and half-told tales, of past grief and present injury--that connect a colorful, eclectic cast of characters, anchored by the clever, determined, and unforgettable Check.

It is June first and twelve-year-old Mary does not really understand what is happening: she does not understand the hatred and greed of the white men who are forcing her Cherokee family out of their home in New Echota, Georgia, capital of the Cherokee Nation, and trying to steal what few things they are allowed to take with them, she does not understand why a soldier killed her grandfather--and she certainly does not understand how she, her sister, and her mother, are going to survive the 1000 mile trip to the lands west of the Mississippi.

Traditional and modern stories by the Cherokee Indians of North Carolina reflect the tribe's religious beliefs and values, observations of animals and nature, and knowledge of history.

A sixth-generation North Carolinian, highly-acclaimed author John Ehle grew up on former Cherokee hunting grounds. His experience as an accomplished novelist, combined with his extensive, meticulous research, culminates in this moving tragedy rich with historical detail. The Cherokee are a proud, ancient civilization. For hundreds of years they believed themselves to be the "Principle People" residing at the center of the earth. But by the 18th century, some of their leaders believed it was necessary to adapt to European ways in order to survive. Those chiefs sealed the fate of their tribes in 1875 when they signed a treaty relinquishing their land east of the Mississippi in return for promises of wealth and better land. The U.S. government used the treaty to justify the eviction of the Cherokee nation in an exodus that the Cherokee will forever remember as the “trail where they cried.” The heroism and nobility of the Cherokee shine through this intricate story of American politics, ambition, and greed. B & W photographs

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1889 edition. Excerpt: ... $400 per annum for his services, and like the editor, is subject to removal by the Principal Chief for improper conduct, or failure to perform prescribed duties. Though the Advocate is an eight wide column folio, it is furnished by the order of the nation at one dollar per annum, payable in money, national warrants or certificates, but is sent free to subscribers who read only Cherokee. The present Cherokee Advocate is destined to be a permanent institution among them, or should, at least, until the great majority of them have an English education, though the reasons why the nation should have an organ will be as strong then as now, should the Cherokees continue to hold their country in common. The paper is ably conducted by Cornelius Boudinot, who is a grandson of Elias Boudinot, the first Cherokee editor, and has J. L. Springston as translator. 28. VINITA JOURNALISM. Several attempts have been made at Vinita toward journalism. The earliest paper was the "Vidett," which was followed by the "Herald." The "Indian Chieftain was started by Ivy & Rogers, Sep. 22, 1882. On Feb. 9, 1883, the paper went into the hands of R. L. Owen and Wm. Hollensworth. May nth of the same year, it changed hands again, the firm being Owen & Sweasy. Sept. 14. 1883, Wm. P. Ross and Rev. J. W. Scroggs were announced as publishers; July 1st, 1884, S. J. Thompson and M. E. Milford took the paper; Jan. 1st, 1886, John L. Adair became editor, and with Mr. Milford is making an excellent paper. 29. UNION PRESS. As time passed on, it appeared best to abandon the Ossage mission buildings at Union, and it was decided to fit up a portion of them for a printing establishment, where they might print tracts and books, in Cherokee, Choctaw, Creek and Ossage...

Champions of the Cherokees is the story of two extraordinary Northern Baptist missionaries, father and son, who lived with the Cherokee Indians from 1821 to 1876. Told largely in the words of these outspoken and compassionate men, this is also a narrative of the Cherokees' sufferings at the hands of the United States government and white frontier dwellers. In addition, it is an analysis of the complexity of interracial relations in the United States, for the Cherokees adopted the white man's custom of black chattel slavery. This fascinating biography reveals the unusual extent to which Evan and John B. Jones challenged prevailing federal Indian policies: unlike most other missionaries, they supported the Indians' right to retain their own identity and national autonomy. William McLoughlin vividly describes the "trail of tears" over which the Cherokees and Evan Jones traveled eight hundred miles through the dead of winter--from Georgia, Alabama, Tennessee, and North Carolina to a new home in Oklahoma. He examines the difficulties that Jones encountered when, alone among all the missionaries, he expelled Cherokee slaveholders from his mission churches. This book depicts the Joneses' experiences during the Civil War, including their chaplaincy of two Cherokee regiments who fought with the Northern side. Finally, McLoughlin tells how these "champions of the Cherokees" were adopted into the Cherokee nation and helped them fight detribalization. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Three women uncover the secrets of a Georgia plantation that embodies the intertwined histories of Indigenous and enslaved Black communities—the fascinating debut novel, inspired by a true story, of the National Book Award-winning and New York Times bestselling author of All That She Carried, now featuring a new introduction and discussion guide. “The Cherokee Rose is a mic drop—an instant classic. An invitation to listen to the urgent, sweet choruses of past and present.”—Honorée Fanonne Jeffers, author of The Love Songs of W.E.B. Du Bois LAMBDA LITERARY AWARD FINALIST Conducting research for her weekly history column, Jinx, a free-spirited Muscogee (Creek) historian, travels to Hold House, a Georgia plantation originally owned by Cherokee chief James Hold, to uncover the mystery of what happened to a tribal member who stayed behind after Indian removal, when Native Americans were forcibly displaced from their ancestral homelands in the nineteenth century. At Hold House, she meets Ruth, a magazine writer visiting on assignment, and Cheyenne, a Southern Black debutante seeking to purchase the estate. Hovering above them all is the spirit of Mary Ann Battis, the young Indigenous woman who remained in Georgia more than a century earlier. When they discover a diary left on the property that reveals even more about the house’s dark history, the three women’s connections to the place grow deeper. Over a long holiday weekend, Cheyenne is forced to reconsider the property’s rightful ownership, Jinx reexamines assumptions about her tribe’s racial history, and Ruth confronts her own family’s past traumas before surprising herself by falling into a new romance. Imbued with a nuanced understanding of history, The Cherokee Rose brings the past to life as Jinx, Ruth, and Cheyenne unravel mysteries with powerful consequences for them all.

The years between Oklahoma statehood in 1907 and the 1971 reemergence of the Cherokee Nation are often seen as an intellectual, political, and literary “dark age” in Cherokee history. In Stoking the Fire, Kirby Brown brings to light a rich array of writing that counters this view. A critical reading of the work of several twentieth-century Cherokee writers, this book reveals the complicated ways their writings reimagined, enacted, and bore witness to Cherokee nationhood in the absence of a functioning Cherokee state. Historian Rachel Caroline Eaton (1869–1938), novelist John Milton Oskison (1874–1947), educator Ruth Muskrat Bronson (1897–1982), and playwright Rollie Lynn Riggs (1899–1954) are among the writers Brown considers within the Cherokee national and transnational contexts that informed their lives and work. Facing the devastating effects on Cherokee communities of allotment and assimilation policies that ultimately dissolved the Cherokee government, these writers turned to tribal histories and biographies, novels and plays, and editorials and public addresses as alternative sites for resistance, critique, and the ongoing cultivation of Cherokee nationhood. Stoking the Fire shows how these writers—through fiction, drama, historiography, or Cherokee diplomacy—inscribed a Cherokee national presence in the twentieth century within popular and academic discourses that have often understood the “Indian nation” as a contradiction in terms. Avoiding the pitfalls of both assimilationist resignation and accommodationist ambivalence, Stoking the Fire recovers this period as a rich archive of Cherokee national memory. More broadly, the book expands how we think today about Indigenous nationhood and identity, our relationships with writers and texts from previous eras, and the paradigms that shape the fields of American Indian and Indigenous studies.