Literature And Party Politics At The Accession Of Queen Anne

Literature and Party Politics at the Accession of Queen Anne is the first detailed study of the final Stuart succession crisis. It demonstrates for the first time the centrality of debates about royal succession to the literature and political culture of the early eighteenth century. Using previously neglected, misunderstood, and newly discovered material, Joseph Hone shows that arguments about Anne's right to the throne were crucial to the construction of nascent party political identities. Literary texts were the principal vehicle through which contemporaries debated the new queen's legitimacy. This book sheds fresh light on canonical authors such as Daniel Defoe, Alexander Pope, and Joseph Addison by setting their writing alongside the work of lesser known but nonetheless important figures such as John Tutchin, William Pittis, Nahum Tate, John Dennis, Henry Sacheverell, Charles Leslie, and other anonymous and pseudonymous authors. Through close historical analysis, it shows how this new generation of poets, preachers, and pamphleteers transformed older models of succession writing by Milton, Dryden, and others, and imbued conventional genres such as panegyric and satire with their own distinctive poetics. By immersing the major authors in their milieu, and reconstructing the political and material contexts in which those authors wrote, Literature and Party Politics demonstrates the vitality of debates about royal succession in early eighteenth-century culture.

She ascended the thrones of England, Scotland and Ireland in 1702, at age thirty-seven, Britain’s last Stuart monarch, and five years later united two of her realms, England and Scotland, as a sovereign state, creating the Kingdom of Great Britain. She had a history of personal misfortune, overcoming ill health (she suffered from crippling arthritis; by the time she became Queen she was a virtual invalid) and living through seventeen miscarriages, stillbirths, and premature births in seventeen years. By the end of her comparatively short twelve-year reign, Britain had emerged as a great power; the succession of outstanding victories won by her general, John Churchill, the Duke of Marlborough, had humbled France and laid the foundations for Britain’s future naval and colonial supremacy. While the Queen’s military was performing dazzling exploits on the continent, her own attention—indeed her realm—rested on a more intimate conflict: the female friendship on which her happiness had for decades depended and which became for her a source of utter torment. At the core of Anne Somerset’s riveting new biography, published to great acclaim in England (“Definitive”—London Evening Standard; “Wonderfully pacy and absorbing”—Daily Mail), is a portrait of this deeply emotional, complex bond between two very different women: Queen Anne—reserved, stolid, shrewd; and Sarah Churchill, Duchess of Marlborough, wife of the Queen’s great general—beautiful, willful, outspoken, whose acerbic wit was equally matched by her fearsome temper. Against a fraught background—the revolution that deposed Anne’s father, James II, and brought her to power . . . religious differences (she was born Protestant—her parents’ conversion to Catholicism had grave implications—and she grew up so suspicious of the Roman church that she considered its doctrines “wicked and dangerous”) . . . violently partisan politics (Whigs versus Tories) . . . a war with France that lasted for almost her entire reign . . . the constant threat of foreign invasion and civil war—the much-admired historian, author of Elizabeth I (“Exhilarating”—The Spectator; “Ample, stylish, eloquent”—The Washington Post Book World), tells the extraordinary story of how Sarah goaded and provoked the Queen beyond endurance, and, after the withdrawal of Anne’s favor, how her replacement, Sarah’s cousin, the feline Abigail Masham, became the ubiquitous royal confidante and, so Sarah whispered to growing scandal, the object of the Queen's sexual infatuation. To write this remarkably rich and passionate biography, Somerset, winner of the Elizabeth Longford Prize for Historical Biography, has made use of royal archives, parliamentary records, personal correspondence and previously unpublished material. Queen Anne is history on a large scale—a revelation of a centuries-overlooked monarch.

Explores Alexander Pope's early career as a literary author, and provides a transformative account of the eighteenth century poet.

Part of The Oxford Illustrated History of Britain, this book spans from the aftermath of the Revolution of 1688 to Pitt the Younger's defeat at attempted parliamentary reform.

Longlisted for the HWA Non-Fiction Crown 'A remarkable achievement' Spectator In the summer of 1705, a masked woman knocked on the door of a London printer's workshop. She did not leave her name, only a package and the promise of protection. Soon after, an anonymous pamphlet was quietly distributed in the backstreets of the city. Entitled The Memorial of the Church of England, the argument it proposed threatened to topple the government. Fearing insurrection, parliament was in turmoil and government minister Robert Harley launched a hunt for all of those involved. The printer was eventually named, but could not be found... In this breakneck political adventure, Joseph Hone shows us a nation in crisis through the story of a single incendiary document. 'An elegant blend of scholarship and detection' Peter Moore, author of Endeavour 'Enthralling' London Review of Books 'An exciting story told with vigour' Adrian Tinniswood, Literary Review

In the decades before the Revolution, Americans and Britons shared an imperial approach to helping those in need during times of disaster and hardship. They worked together on charitable ventures designed to strengthen the British empire, and ordinary men and women made donations for faraway members of the British community. Growing up in this world of connections, future activists from the British Isles, North America, and the West Indies developed expansive outlooks and transatlantic ties. The schism created by the Revolution fractured the community that nurtured this generation of philanthropists. In From Empire to Humanity, Amanda Moniz tells the story of a generation of American and British activists who transformed humanitarianism as they adjusted to being foreigners. American independence put an end to their common imperial humanitarianism, but not their friendships, their far-reaching visions, or their belief that philanthropy was a tool of statecraft. In the postwar years, these philanthropists, led by doctor-activists, collaborated on the anti-drowning cause, spread new medical charities, combatted the slave trade, reformed penal practices, and experimented with relieving needy strangers. The nature of their cooperation, however, had changed. No longer members of the same polity, they adopted a universal approach to their benevolence, working together for the good of humanity, rather than empire. Making the care of suffering strangers routine, these British and American activists laid the groundwork for later generations' global undertakings. From Empire to Humanity offers new perspectives on the history of philanthropy, as well as the Atlantic world and colonial and postcolonial history.

This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.