Literary History In The Parian Marble

Inscribed after 264 BCE, the Parian Marble gives a chronological list of events, emphasizing literary matters. It has not been the subject of a comprehensive study for almost a century. Andrea Rotstein offers new analysis and updated information about the inscription, including a revision of Felix Jacoby's Greek text and a complete translation.

This book, Lectures On The Formation Of Character, Temptations And Mission Of Young Men (1853), by Rufus Wheelwright Clark, is a replication of a book originally published before 1861. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.

Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.

The first study of ancient Greek and Roman literary history as a phenomenon on its own terms.

In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of early Greek literature, above all of elegiac poetry and its relation to fifth-century prose historiography, but also of early Greek epic, iambic, melic and epigrammatic poetry. Many chapters have become seminal, e.g. that which first proposed the importance of now-lost long narrative elegies, and others exploring their performance contexts when papyri published in 1992 and 2005 yielded fragments of such long poems by Simonides and Archilochus. Another chapter argues against the widespread view that Sappho composed and performed chiefly for audiences of young girls, suggesting instead that she was a virtuoso singer and lyre-player, entertaining men in the elite symposia whose verbal and musical components are explored in several other chapters of the book. Two more volumes of collected papers will follow devoted to later Greek literature and culture.

"Burstein’s The Essential Greek Historians is an excellent collection of texts representing the development of historiography in the ancient Greek world. Each text is presented in an engaging and readable translation, with an insightful introduction exploring the purposes behind its composition, the significance of its contribution to the growth of historiography as a literary genre, and the context in which its author thought and wrote. These texts include not only familiar favorites like Herodotus and Thucydides, but also sources such as The Parian Marble and Memnon’s History of Heracleia, which give a broader and richer view of the ways in which Greeks engaged with history. In one economical volume, Burstein has created an indispensable introduction to the historical thought of the ancient Greeks. No student of Greek historiography should be without it." —Erik Jensen, Salem State University Includes an introduction, maps, and selections from Herodotus' The Histories, Thucydides' History of the Peloponnesian War, Xenophon's The Hellenica, Aristotle's The Constitution of Athens, The Parian Marble, Polybius' The Histories, Memnon's History of Heracleia, Plutarch's Life of Alexander. See the full Table of Contents on the www.hackettpublishing.com book title page.

Tombs of the Ancient Poets explores the ways in which the tombs of the ancient poets - real or imagined - act as crucial sites for the reception of Greek and Latin poetry. Drawing together a range of examples, it makes a distinctive contribution to the study of literary reception by focusing on the materiality of the body and the tomb, and the ways in which they mediate the relationship between classical poetry and its readers. From the tomb of the boy poet Quintus Sulpicius Maximus, which preserves his prize-winning poetry carved on the tombstone itself, to the modern votive offerings left at the so-called 'Tomb of Virgil'; from the doomed tomb-hunting of long-lost poets' graves, to the 'graveyard of the imagination' constructed in Hellenistic poetry collections, the essays collected here explore the position of ancient poets' tombs in the cultural imagination and demonstrate the rich variety of ways in which they exemplify an essential mode of the reception of ancient poetry, poised as they are between literary reception and material culture.

Bringing together scholars from a broad range of theoretical perspectives, The Language of Argumentation offers a unique overview of research at the crossroads of linguistics and theories of argumentation. In addition to theoretical and methodological reflections by leading scholars in their fields, the book contains studies of the relationship between language and argumentation from two different viewpoints. While some chapters take a specific argumentative move as their point of departure and investigate the ways in which it is linguistically manifested in discourse, other chapters start off from a linguistic construction, trying to determine its argumentative function and rhetorical potential. The Language of Argumentation documents the currently prominent research on stylistic aspects of argumentation and illustrates how the study of argumentation benefits from insights from linguistic models, ranging from theoretical pragmatics, politeness theory and metaphor studies to models of discourse coherence and construction grammar.

Tense is at its most interesting when it behaves badly. In this book Arjan Nijk investigates the variation between the past and present tenses to refer to past events in Classical Greek and beyond. Adopting a cognitive approach to the issue, he argues that the use of the present for preterite depends on the activation of implicit conceptual scenarios in which the gap between the past and the present is bridged. The book is distinguished from previous accounts by its precision in describing these conceptual scenarios, the combination of linguistic theorising with philological and statistical methods, the size of the corpus under investigation and the explicitly cross-linguistic scope. It provides a complete overview of the phenomenon of tense switching in Classical Greek, as well as new theoretical perspectives on deixis and viewpoint, and is important for classicists, narratologists and linguists of every stamp. This title is also available as Open Access on Cambridge Core.