Listen Whitey

In Listen, Whitey! The Sounds of Black Power 1965-1975 author Pat Thomas examines rare recordings of speeches, interviews, and music from the Black Power Party, by noted activists Huey Newton, Bobby Seale, Eldridge Cleaver, Elaine Brown, The Lumpen and many others. He also chronicles the forgotten history of Motown Records: from 1970 to 1973, Motown's Black Power subsidiary label, Black Forum, released politically charged albums by Stokely Carmichael, Amiri Baraka, Langston Hughes, Bill Cosby & Ossie Davis, and many others. Listen, Whitey! also spotlights obscure recordings produced by SNCC, Ron Karenga's US, the Tribe and other African-American sociopolitical organizations of the late 1960s and early '70s, Black Consciousness poetry, and inspired religious recordings that infused god and Black Nationalism.

From the bestselling authors of Black Mass comes the definitive biography of Whitey Bulger, the most brutal and sadistic crime boss since Al Capone. Drawing on a trove of sealed files and previously classified material, Whitey digs deep into the mind of James J. “Whitey” Bulger, the crime boss and killer who brought the FBI to its knees. He is an American original --a psychopath who fostered a following with a frightening mix of terror, deadly intimidation and the deft touch of a politician who often helped a family in need meet their monthly rent. But the history shows that despite the early false myths portraying him as a Robin Hood figure, Whitey was a supreme narcissist, and everything--every interaction with family and his politician brother Bill Bulger, with underworld cohorts, with law enforcement, with his South Boston neighbors, and with his victims--was always about him. In an Irish-American neighborhood where loyalty has always been rule one, the Bulger brand was loyalty to oneself. Whitey deconstructs Bulger's insatiable hunger for power and control. Building on their years of reporting and uncovering new Bulger family records, letters and prison files, Dick Lehr and Gerard O'Neill examine and reveal the factors and forces that created the monster. It's a deeply rendered portrait of evil that spans nearly a century, taking Whitey from the streets of his boyhood Southie in the 1940s to his cell in Alcatraz in the 1950s to his cunning, corrupt pact with the FBI in the 1970s and, finally, to Santa Monica, California where for fifteen years he was hiding in plain sight as one of the FBI's Ten Most Wanted. In a lifetime of crime and murder that ended with his arrest in June 2011, Whitey Bulger became one of the most powerful and deadly crime bosses of the twentieth century. This is his story.

"This is the definitive story of Whitey Bulger…a masterwork of reporting." —Michael Connelly, best-selling author of The Wrong Side of Goodbye A New York Times Bestseller A #1 Boston Globe Bestseller An instant classic, this unforgettable narrative, rich with family ties and intrigue, follows the astonishing career of a gangster whose life was more sensational than fiction. Cullen and Murphy have broken more Bulger stories than anyone, and Whitey Bulger became front-page news, revealing the mobster's secret letters written from Plymouth Jail after the sixteen-year manhunt that led to his capture and offering unparalleled insight into his contradictions and complex personality. The afterword covering the results of the dramatic and emotional trial provides a riveting denouement to this "eminently fair and thorough telling of a life, which makes it all the more damning" (Boston Globe).

The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.

This is a coffee table art book and biography of Yippie Jerry Rubin. This overstuffed coffee table book is not only the first biography of the infamous and ubiquitous Jerry Rubin―co-founder of the Yippies, Anti-Vietnam War activist, Chicago 8 defendant, social-networking pioneer, and a proponent of the Yuppie era―but a visual retrospective, with countless candid photos, personal diaries, and lost newspaper clippings. It includes correspondence with Abbie Hoffman, Norman Mailer, John Lennon & Yoko Ono, Eldridge Cleaver, the Weathermen, and interviews with more than 75 of Rubin’s friends, foes, and comrades. It reveals Rubins' and the Yippies’ historical-and-bizarre personal interactions with the likes of Allen Ginsberg, Bob Dylan, Charles Manson, Mick Jagger, and other iconic figures of the era.

When the FBI turned an Irish mobster into an informant, they corrupted the entire judicial system and sanctioned the worst crime spree Boston has ever seen. This is the true story behind the major motion picture. James "Whitey" Bulger became one of the most ruthless gangsters in US history, and all because of an unholy deal he made with a childhood friend. John Connolly a rising star in the Boston FBI office, offered Bulger protection in return for helping the Feds eliminate Boston's Italian mafia. But no one offered Boston protection from Whitey Bulger, who, in a blizzard of gangland killings, took over the city's drug trade. Whitey's deal with Connolly's FBI spiraled out of control to become the biggest informant scandal in FBI history. Black Mass is a New York Times and Boston Globe bestseller, written by two former reporters who were on the case from the beginning. It is an epic story of violence, double-cross, and corruption at the center of which are the black hearts of two old friends whose lives unfolded in the darkness of permanent midnight.

Once upon a time three little horses grazed together in a meadow full of lovely, thick grass. Wherever one went, the other two followed. One day they met an artist named Peter, who was so happy to have found them. "We shall have good times together, you'll see," he told the three little horses. First introduced in 1958, these dear characters were Piet Worm's neighbors. The three little horses played all day long in a meadow near his house. Watching them and learning to know and love them sparked the idea for this book.

After receiving a call from the newly appointed chief of the New Mexico State Police, ex-Santa Fe chief of detectives Kevin Kerney is thrown into an investigation of a small-town cop-killing no one has been able to solve. His only lead: a homeless schizophrenic's ramblings about rape and an uncharted place called Serpent Gate. Meanwhile, back in Santa Fe, priceless art is stolen from the governor's offices and a beautiful young blonde is murdered in a millionaire's mansion. Kerney follows a trail of clues to Mexico, where he faces off against an old nemesis with powerful government connections. Unwilling to back down, Kerney must use all of his tenacity, raw courage, and knowledge of the criminal mind in a bloody showdown that may cost him his life.

'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak' The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE NO.1 SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD

The anti-busing riots of 1974 forever changed Southie, Boston's working class Irish community, branding it as a violent, racist enclave. Michael Patrick MacDonald grew up in Southie's Old Colony housing project. He describes the way this world within a world felt to the troubled yet keenly gifted observer he was even as a child: "[as if] we were protected, as if the whole neighborhood was watching our backs for threats, watching for all the enemies we could never really define." But the threats-poverty, drugs, a shadowy gangster world-were real. MacDonald lost four of his siblings to violence and poverty. All Souls is heart-breaking testimony to lives lost too early, and the story of how a place so filled with pain could still be "the best place in the world." We meet Ma, Michael's mini-skirted, accordian-playing, usually single mother who cares for her children—there are eventually eleven—through a combination of high spirits and inspired "getting over." And there are Michael's older siblings—Davey, sweet artist-dreamer; Kevin, child genius of scam; and Frankie, Golden Gloves boxer and neighborhood hero—whose lives are high-wire acts played out in a world of poverty and pride. But too soon Southie becomes a place controlled by resident gangster Whitey Bulger, later revealed to be an FBI informant even as he ran the drug culture that Southie supposedly never had. It was a world primed for the escalation of class violence-and then, with deadly and sickening inevitability, of racial violence that swirled around forced busing. MacDonald, eight years old when the riots hit, gives an explosive account of the asphalt warfare. He tells of feeling "part of it all, part of something bigger than I'd ever imagined, part of something that was on the national news every night." Within a few years-a sequence laid out in All Souls with mesmerizing urgency-the neighborhood's collapse is echoed by the MacDonald family's tragedies. All but destroyed by grief and by the Southie code that doesn't allow him to feel it, MacDonald gets out. His work as a peace activist, first in the all-Black neighborhoods of nearby Roxbury, then back to the Southie he can't help but love, is the powerfully redemptive close to a story that will leave readers utterly shaken and changed.