Lipstick Ghetto

Is it possible to think outside the box while working in one? Yes. This easy to read guide will show you how. Whether your '9-to-5' earns you six-figures or $7 per hour, if you'd rather be doing something else, you're working in the Lipstick Ghetto (a career path of confinement and limitation). Filled with self-assessments, questionnaires, and resources, Lipstick Ghetto is the ultimate how-to guide for women who want to create a life that works. In 10 Steps over 4-weeks you'll learn how to: Overcome self-defeating and self-sabotaging thinking and behaviors Get to know the real you Honor your commitment to yourself Dream Again Uncover your passions Turn your passions into profit If you feel like you're stuck between a dream and a job, then the Lipstick Ghetto is for you. Learn how to put down the baggage that's keeping you from living your dreams.

False Papers is the story of a Jewish family who survived the Holocaust by living in the open. By sheer chutzpah and bravado, Robert Melson's mother acquired the identity papers that would disguise herself, her husband, and her son for the duration of the war. Always operating under the theory that one needed to be seen in order not to be noticed, the Mendelsohns became not just ordinary Polish Catholics, but the Zamojskis, a Polish family of noble lineage. Armed with their new lives and their new pasts, the Count and Countess Zamojski and their son, Count Bobi, took shelter in the very shadow of the Nazi machine, hiding day after day in plain sight behind a facade of elegant good manners and cultivated self-assurance, even arrogance: "You had to shout [the Gestapo] down or they would kill you". Melson's father took advantage of his flawless German to build a lucrative business career while working for a German businessman of the Schindler type. The Zamojskis acquired beautiful homes in the German quarter of Krakow and in Prague, where they had maids and entertained Nazi officials. Their masquerade enabled them to save not only themselves and their son but also an uncle and three Jewish women, one of whom became part of the family. False Papers is a candid, sometimes even humorous account of a stylish family who dazzled the Nazis with flamboyant theatrics then gradually, tragically fell apart after the war. Particularly arresting is Melson himself, who was just a child when his family embarked on their grand charade. A resilient boy who had to negotiate bewildering shifts of identity -- now Catholic, now Jewish; now European aristocrat, now penniless refugee who becomes an Americancollege student -- Melson closes each chapter of his parents' recollections with his childhood perceptions of the same events. Against the totalizing, flattening, unrelenting Nazi behemoth, Melson says, "I wished to pit our very bodies, our quirky, sexy, funny, wicked, frail, ordinary selves". By balancing the adults' maneuvering with the perspective of a child, Melson crafts an account of the Holocaust that is at once poignant, entertaining, and troubling.

We've all had those moments. The ones where you look in the mirror and nothing feels ok. For Anita Bhagwandas, this started when she was a child and it created an enduring internal torment about her looks. We're all told that this is just part of growing up, but it stays with us, evolving as we age. The internet tells us we should love ourselves, whilst bombarding us with images of airbrushed perfection, upholding centuries-old beauty standards which we can't always see. Our beauty rituals are so often based around things we think we need to fix, grow and develop - sometimes tipping into dangerous obsession. So, what seismic shift does it take to break free from this mentality? In Ugly, Anita uncovers where these beauty standards started, unpicks why they've been perpetuated and unmasks the structures that continue to support them. From the ever-growing cosmetic surgery industry, to the hidden pitfalls of 'pretty privilege', it is time to finally break free from those limiting beauty standards, because feeling ugly should have nothing to do with how we look, and everything to do with who wants us to feel lacking.

The first comprehensive biography of one of the most admired public figures of our time, by the most widely read biographer of our era. Anyone who is a fan of Oprah Winfrey or who has followed her extraordinary life and career will be fascinated by this exhaustively researched book.

"A cinematic narrative of glamour, grit, luxury, and luck, Fashion Killa draws on exclusive interviews with the leaders of the fashion world to tell the story of the hip-hop artists, designers, stylists, and unsung heroes who fought the power and reinvented style around the world over the last fifty years. Set in the sartorial scenes of New York, Paris, and Milan, journalist Sowmya Krishnamurthy's reporting on the intersecting histories of hip-hop and contemporary fashion focuses on the risk takers and rebels-the artists, designers, stylists, models, and tastemakers-who challenged a systemic power structure and historically reinvented the world of haute couture. Fashion Killa is a classic tale of a modern renaissance; of an exclusionary industry gate-crashed by innovators; of impresarios-Sean "Diddy" Combs, Dapper Dan, Virgil Abloh-hoisting hip-hop from the streets to the stratosphere; of supernovas-Lil' Kim, Cardi B, and Megan Thee Stallion-allying with kingmakers-Anna Wintour, Donatella Versace, and Ralph Lauren; of traditionalist fashion houses-Louis Vuitton, Fendi, and Saint Laurent-transformed into temples of rap gods like Kanye West, Nicki Minaj, and Travis Scott. Krishnamurthy explores the connections between the DIY hip-hop scene and the exclusive upper-echelons of high fashion. She tracks the influence of music and streetwear on the most exclusive (and exclusionary) luxury brands. At the intersection of cultural commentary and oral history, Fashion Killa commemorates the contributions of hip-hop to music, fashion, and our culture at large"--

Amid the flurry of debates about immigration, poverty, and education in the United States, the stories in Mi Voz, Mi Vida allow us to reflect on how young people who might be most affected by the results of these debates actually navigate through American society. The fifteen Latino college students who tell their stories in this book come from a variety of socioeconomic, regional, and family backgrounds—they are young men and women of Mexican, Puerto Rican, Cuban, Dominican, Central American, and South American descent. Their insights are both balanced and frank, blending personal, anecdotal, political, and cultural viewpoints. Their engaging stories detail the students' personal struggles with issues such as identity and biculturalism, family dynamics, religion, poverty, stereotypes, and the value of education. Throughout, they provide insights into issues of racial identity in contemporary America among a minority population that is very much in the news. This book gives educators, students, and their families a clear view of the experience of Latino students adapting to a challenging educational environment and a cultural context—Dartmouth College—often very different from their childhood ones.

This book is an essential resource for anyone who wants to understand race in America, drawing on research from a variety of fields to answer frequently asked questions regarding race relations, systemic racism, and racial inequality. This work is part of a series that uses evidence-based documentation to examine the veracity of claims and beliefs about high-profile issues in American culture and politics. This particular volume examines the true state of race relations and racial inequality in the United States, drawing on empirical research in the hard sciences and social sciences to answer frequently asked questions regarding race and inequality. The book refutes falsehoods, misunderstandings, and exaggerations surrounding these topics and confirms the validity of other assertions. Assembling this empirical research into one accessible place allows readers to better understand the scholarly evidence on such high-interest topics as white privilege, racial bias in criminal justice, media bias, housing segregation, educational inequality, disparities in employment, racial stereotypes, and personal attitudes about race and ethnicity in America. The authors draw from scholarly research in biology, genetics, medicine, sociology, psychology, anthropology, and economics (among many other fields) to answer these questions, and in doing so they provide readers with the information to enter any conversation about American race relations in the 21st century as informed citizens.

More information to be announced soon on this forthcoming title from Penguin USA

"The gripping story of Richard Williams, the father who raised and trained two of the greatest women in sports, Venus and Serena. He achieved greatness in spite of hardship and disadvantages to become a successful businessman, family man and tennis coach"--

There are no direct records of the original Indo-European speech. By comparing the vocabularies of its various descendants, however, it is possible to reconstruct the basic Indo-European roots with considerable confidence. In The Origins of English Words, Shipley catalogues these proposed roots and follows the often devious, always fascinating, process by which some of their offshoots have grown. Anecdotal, eclectic, and always enthusiastic, The Origins of English Words is a diverting expedition beyond linguistics into literature, history, folklore, anthropology, philosophy, and science.