Life In Sing Sing State Prison As Seen In A Twelve Years Chaplaincy

Excerpt from Life in Sing Sing State Prison, as Seen in a Twelve Years' Chaplaincy And when he enters again upon society he should have aid and encouragement enough tosave him from an idle and vagabond life, hat he may not become desperate, and compelled to beg, steal or starve. To accomplish this great work, the author of this volume has devoted thirteen years of his life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Troy, New York, 1853. Two Irish immigrants—a man and a woman—die shortly after drinking beer poured by a neighbor. Was it poisoned? And if so, was their slayer the beautiful mistress of an important Democratic politician? Many Trojans soon answer yes to both questions, but others question the guilt of the glamorous accused. Rumored to be the once-respectable Miss Charlotte Wood, a former student at Emma Willard's elite Troy Female Seminary and the runaway wife of a British lord, her identity remains in doubt, and the air of mystery is only heightened by her decision to remain hidden behind a veil during her trial, which earns her the nickname "The Veiled Murderess." As the affair widens to include the antebellum social and political worlds of Troy and Albany, the blossoming scandal threatens important people on both sides of the Atlantic. Drawing on newspapers, court documents, and other records of the time, Jeanne Winston Adler attempts to come to an understanding of the truth behind the strange affair of the veiled murderess. In the process, she addresses a number of topics important to our understanding of nineteenth-century life in New York State, including the changing roles of women, the marginal position of the Irish, and the contentious political firmament of the time.

A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s. She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison.

Based on extensive research with original sources, Brian's narrative covers every period of the prison's checkered history, from the awful conditions of the 19th century to the relative improvements of the 20th century to today.

Campaigns against Corporal Punishment explores the theory and practice of punishment in Antebellum America from a broad, comparative perspective. It probes the concerns underlying the naval, prison, domestic, and educational reform campaigns which occurred in New England and New York from the late 1820s to the late 1850s. Focusing on the common forms of physical punishment inflicted on seamen, prisoners, women, and children, the book reveals the effect of these campaigns on actual disciplinary practices. Myra C. Glenn also places the crusade against corporal punishment in the context of various other contemporary reform movements such as the crusade against intemperance and that against slavery. She shows how regional and political differences affected discussions of punishment and discipline.