Libya Antiqua Nuova Serie

The volume presents all the data collected during the cycle of research conducted by the Italian Archaeological Mission in the Farafra Oasis between 1990 and 2005. The 29 multidisciplinary essays contained in this book provide a detailed picture of the population of the Farafra Oasis, hitherto one of the least well known within the Western Desert. Farafra became particularly important during the middle Holocene, the period when climate conditions were most favourable, with later brief humid episodes even in the historic periods. The results of the long-term research cycle presented here, combined with data from the survey of the whole Wadi el Obeiyid still in progress, allow the authors to identify changes in the peopling of the oasis and to define various occupation phases. The new chronology for the Wadi el Obeiyid is one of the main achievements of the book and, as demonstrated in the final chapter, is in complete agreement with the main cultural units of other territories in the Western Desert. On this chronological basis, the contacts between the latter and the populations established on the Nile are brought into sharper focus. The importance of the archaeological documents discovered at Farafra and, at the same time their fragility due to the deterioration of the physical environment and the uncontrolled human activities, make us fear for their conservation. We hope that this book, with its complete documentation of the precious nature of the Farafra Oasis landscape and its archaeological heritage, may help to promote more effective policies for its safeguard.

Conference proceedings

Ontologies of Rock Art is the first publication to explore a wide range of ontological approaches to rock art interpretation, constituting the basis for groundbreaking studies on Indigenous knowledges, relational metaphysics, and rock imageries. The book contributes to the growing body of research on the ontology of images by focusing on five main topics: ontology as a theoretical framework; the development of new concepts and methods for an ontological approach to rock art; the examination of the relationships between ontology, images, and Indigenous knowledges; the development of relational models for the analysis of rock images; and the impact of ontological approaches on different rock art traditions across the world. Generating new avenues of research in ontological theory, political ontology, and rock art research, this collection will be relevant to archaeologists, anthropologists, and philosophers. In the context of an increasing interest in Indigenous ontologies, the volume will also be of interest to scholars in Indigenous studies. Chapter 14 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9780429321863/ontologies-rock-art-oscar-moro-abad%C3%ADa-martin-porr?context=ubx&refId=3766b051-4754-4339-925c-2a262a505074

The purpose of this book is to draw attention to the sites of life, politics and culture where current and past generations of the Islamic world have made their mark. Unlike many previous volumes dealing with the city in the Islamic world, this one has been expanded not only to include snapshots of historical fabric, but also to deal with the transformation of this fabric into modern and contemporary urban entities. Salma Khadra Jayyusi was awarded Cultural Personality of the Year by the Sheikh Zayed Book Award for her profound contribution to Arabic literature and culture in 2020. The paperback edition of The City in the Islamic World was published to celebrate the occasion.