Libraries In Literature

Susan Orlean’s bestseller and New York Times Notable Book is “a sheer delight…as rich in insight and as varied as the treasures contained on the shelves in any local library” (USA TODAY)—a dazzling love letter to a beloved institution and an investigation into one of its greatest mysteries. “Everybody who loves books should check out The Library Book” (The Washington Post). On the morning of April 28, 1986, a fire alarm sounded in the Los Angeles Public Library. The fire was disastrous: it reached two thousand degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who? Weaving her lifelong love of books and reading into an investigation of the fire, award-winning New Yorker reporter and New York Times bestselling author Susan Orlean delivers a “delightful…reflection on the past, present, and future of libraries in America” (New York magazine) that manages to tell the broader story of libraries and librarians in a way that has never been done before. In the “exquisitely written, consistently entertaining” (The New York Times) The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries; brings each department of the library to vivid life; studies arson and attempts to burn a copy of a book herself; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago. “A book lover’s dream…an ambitiously researched, elegantly written book that serves as a portal into a place of history, drama, culture, and stories” (Star Tribune, Minneapolis), Susan Orlean’s thrilling journey through the stacks reveals how these beloved institutions provide much more than just books—and why they remain an essential part of the heart, mind, and soul of our country.

Fiona Sweeney wants to do something that matters, and she chooses to make her mark in the arid bush of northeastern Kenya. By helping to start a traveling library, she hopes to bring the words of Homer, Hemingway, and Dr. Seuss to far-flung tiny communities where people live daily with drought, hunger, and disease. Her intentions are honorable, and her rules are firm: due to the limited number of donated books, if any one of them is not returned, the bookmobile will not return. But, encumbered by her Western values, Fi does not understand the people she seeks to help. And in the impoverished small community of Mididima, she finds herself caught in the middle of a volatile local struggle when the bookmobile's presence sparks a dangerous feud between the proponents of modernization and those who fear the loss of traditional ways.

Unashamedly a book for the bookish, yet accessible and frequently entertaining, this is the first book devoted to how libraries are depicted in imaginative writing. Covering fiction, poetry, and drama from the late Middle Ages to the present, it runs the gamut of British and American literature, as well as examining a range of fiction in other languages—from Rabelais and Cervantes to modern and contemporary French, Italian, Japanese, and Russian writing. While the tropes of the complex catalogue and the bibliomaniacal reader persist throughout the centuries, libraries also emerge as societal battle-sites where issues of personality, gender, cultural power, and national identity are contested repeatedly and often in surprising ways. As well as examining how libraries were deployed in their work by canonical authors from Cervantes, Shakespeare, and Swift to Jane Austen, George Eliot, and Jorge Luis Borges, the volume also examines in detail the haunted libraries of Margaret Oliphant and M. R. James, and a range of much less familiar historic and contemporary authors. Alert to the depiction of librarians as well as of book-rooms and institutional readers, this book will inform, entertain, and delight. At a time when traditional libraries are under pressure, Libraries in Literature shows the power of their lasting fascination.

Almost as old as the idea of the library is the urge to destroy it. Author Lucien X. Polastron traces the history of this destruction, examining the causes for these disasters, the treasures that have been lost, and where the surviving books, if any, have ended up. Books on Fire received the 2004 Societe des Gens de Lettres Prize for Nonfiction/History in Paris.

What are the books that helped shape and define the last hundred years? This was the question put to the librarians of The New York Public Library as part of the Library's 100th anniversary celebration. Which books had influenced the course of events for good or ill? Which interpreted new worlds? Or delighted millions of readers? Their answers to these questions formed "Books of the Century," a highly popular exhibit during the Library's centennial celebration (1895 to 1995), highlighting an exhilarating collection of important works by some of the greatest writers of our times. Now, the companion volume, The New York Public Library's Books of the Century takes readers on a thought-provoking tour of the last hundred years, through the medium of the printed word. Here readers will find over 150 pivotal works organized into topical categories, reflecting themes that have informed the century, among them "Mind & Spirit," "Protest & Progress," "Women Rise," or "Nature's Realm." Each is introduced with a brief commentary illuminating the themes and issues the books in that section address, followed by an annotation for each title offering a brief description and a key to its significance. The range of books is remarkable, embracing Chekhov's Three Sisters and Bram Stoker's Dracula, as well as Galbraith's The Affluent Society and Durkheim's Suicide, or Timothy Leary's The Politics of Ecstasy and W.E.B. Du Bois's The Souls of Black Folk. Readers will find many illuminating juxtapositions. In "Utopias & Dystopias," for instance, The Wonderful Wizard of Oz, Peter Pan, and Lost Horizon are in the unexpected company of Nineteen Eighty-four, A Clockwork Orange, Brave New World, and The Time Machine. The century's darkest moments are mirrored in "War, Holocaust, Totalitarianism," where we find Koestler's Darkness at Noon, Hersey's Hiroshima, Anne Frank's Diary, and Dee Brown's Bury My Heart at Wounded Knee. But the volume ends on a happier note, with "Optimism, Joy, Gentility," and such wonderful works as Helen Keller's The Story of My Life, Shaw's Pygmalion, Margaret Wise Brown's Goodnight Moon, and Harper Lee's To Kill a Mockingbird. Illustrated throughout with imaginative paper cut-out murals by artist Diana Bryan, The New York Public Library's Books of the Century is a reflection of our times, featuring both the books we love--whether The Cat in the Hat or Ulysses--and books like The Surgeon General's Report or Mein Kampf that, for better or worse, have been an inescapable part of our century. "For 100 years, the librarians of The New York Public Library have shared our passion for books with a diverse and literate public," said curator and editor Elizabeth Diefendorf. "That experience has given us a unique perspective in making our choices for the books of the century. We hoped that visitors to the exhibition, and now the readers of this book, will be drawn into our choices and reflect on what their own selections would be."

This reference contains the addresses of US institutions, listed by collection and by subject, which presents children's literature holdings listed in various formats. A directory of international collections describing the holdings of 119 institutions in 40 countries is also included.