Letter By Charles Garnier From Paris To The Riba 10 December 1867

Acknowledges his election as an Honorary & Corresponding Member of the Institute.

A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.

Sir Kenneth Clark wrote in the Architectural Review, that the first result of this book was "to dispose, once and for all, of the hedonist, or purely aesthetic, theory of Renaissance architecture, ' and this defines Wittkower's intention in a nutshell.

The first guide to the single most comprehensive source of unpublished documentary material on the history of architecture, this major reference work will be essential for anyone seeking source material for the study of architectural history and practice and for the conservation and restoration of the architectural heritage. The British Architectural Library's manuscript and archives collection at the Royal Institute of British Architects is unrivalled in the breadth and extent of its holdings of unpublished material relating to the theory and practice of architecture. The collection, which started soon after the founding of the RIBA in 1834, includes material dating from the early seventeenth century to the present day, ranging from an account of charges for the repair of Richmond Palace supervised by Inigo Jones in 1621-22, to the papers of Berthold Lubetkin. Architecture in Manuscript provides a practical guide to the contents and use of this large and important collection, and will enable researchers, librarians and archivists to locate original source material whose existence has hitherto been very little known. The guide consi

Early shows and sales of Islamic antiques in Paris -- Expanding trades in late Ottoman Cairo and Damascus -- Conflicted commodification in Cairo -- Fashioning immersive displays in Egypt and beyond -- Guise and disguise before and during the Tanzimat.

Sir Ernest George (1839-1922) was one of England's greatest architects of the late 19th and early 20th centuries. He specialised in domestic work and was responsible for beautiful and imaginative houses in both town and country, and with his three successive partners, he carried out over 200 works both in Britain and abroad. He was also a watercolourist of considerable stature whose work in the medium was acclaimed in his own time. This richly illustrated book is the first study of the man and his work and will establish him as one of the major names in his profession. His life and career is fully documented, the buildings are described and a full catalogue of works is provided. A special feature is a study of pupils and assistants who passed through George's office, including several who went on to be famous and successful - Edwin Lutyens, Guy Dawber, J. J. Joass, R. Weir Schultz - and also the first woman to be become a member of the Royal Institute of British Architects, Ethel Mary Charles. Hilary Grainger is a dean at the London College of Fashion and is the recognised expert on George and his architecture. She is also a leading authority on the architecture of cremation and is the chair of the Victorian Society.

This is the first in-depth study of how the architectural profession emerged in early American history. Mary Woods dispels the prevailing notion that the profession developed under the leadership of men formally schooled in architecture as an art during the late nineteenth century. Instead, she cites several instances in the early 1800s of craftsmen-builders who shifted their identity to that of professional architects. While struggling to survive as designers and supervisors of construction projects, these men organized professional societies and worked for architectural education, appropriate compensation, and accreditation. In such leading architectural practitioners as B. Henry Latrobe, Alexander J. Davis, H. H. Richardson, Louis Sullivan, and Stanford White, Woods sees collaborators, partners, merchandisers, educators, and lobbyists rather than inspired creators. She documents their contributions as well as those, far less familiar, of women architects and people of color in the profession's early days. Woods's extensive research yields a remarkable range of archival materials: correspondence among carpenters; 200-year-old lawsuits; architect-client spats; the organization of craft guilds, apprenticeships, university programs, and correspondence schools; and the structure of architectural practices, labor unions, and the building industry. In presenting a more accurate composite of the architectural profession's history, Woods lays a foundation for reclaiming the profession's past and recasting its future. Her study will appeal not only to architects, but also to historians, sociologists, and readers with an interest in architecture's place in America today. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1999. This is the first in-depth study of how the architectural profession emerged in early American history. Mary Woods dispels the prevailing notion that the profession developed under the leadership of men formally schooled in architecture as an art during t