Lets Make America America Again

Are you frustrated with the way you are being represented? Well, you are not alone and our founding fathers nor the God they decided to lead and trust are probably not pleased either. I hope you embrace this book and see how the events that are taking place parallel Biblical prophecy.

Here, for the first time, is a complete collection of Langston Hughes's poetry - 860 poems that sound the heartbeat of black life in America during five turbulent decades, from the 1920s through the 1960s.

The Book That Launched MAGA Nation The media scoffed at Trump’s vision and the people who supported him; they were blinded by the Clinton machine. But their eyes were opened after Trump won sixty-two million votes and the Oval Office in 2016. Even Republican House Speaker Paul Ryan said, “Donald Trump heard a voice in this country that no one else heard.” He still does. Donald Trump puts “America’s interests first—and that means doing what’s right for our economy, our national security, and our public safety.” He made the biggest deals of his life as President of the United States, but there are more deals to be made. From ending the border crisis to enacting policies to eliminate regulations that restrict small businesses, Donald Trump understands that America “doesn’t need cowardice, it needs courage.” It is Time to Get Tough

Immediately celebrated as a tour de force upon its release, Langston Hughes's first published collection of poems still offers a powerful reflection of the Black experience. From "The Weary Blues" to "Dream Variation," Hughes writes clearly and colorfully, and his words remain prophetic.

The 2010 candidate for Senate—and established political "troublemaker"*--voices the quiet anger in America today: where it comes from, what it's asking for, and where it's going from here *Time Magazine From the moment she upset a heavily-favored incumbent in the primary for the special election to fill the Senate seat vacated by Joe Biden, Christine O'Donnell made headlines. Though she didn't win the general election, O'Donnell did win the designation of 2010's Most Covered Candidate. And what people were talking about wasn't just gossip: they responded to a fresh, unencumbered voice that appealed to voter frustration with politics—and politicians—as usual. America's strength lies in its government "by the people, for the people", but too many of those people feel they are now just labeled featureless residents of "flyover country", told what to think and what they can and cannot do by an entrenched, reigning class of elites. O'Donnell's candidacy gave hope that the voices of real people—the people—not only can be heard but can also become a force. Part of this hope is invested in the nascent Tea Party, but most of it is invested in individual voters who are willing to work hard and make sacrifices for what they believe in, not what backroom dealing and a bloated federal government has mandated is good for them. Troublemaker is about where O'Donnell comes from—the Philadelphia suburbs with five kids to a room—and what she weathered in the 2010 election. But the core of the book is a clear, straightforward discussion of an America that yearns to embrace freedom and opportunity through personal responsibility, and how it is hamstrung and stymied by excessive regulation, taxation, and the sanctimony of a "nanny state." And Troublemaker will deliver an important, rousing message about what we do with the quiet anger in America today: where we can go, and how strong we can be, from here. Warning readers that challenging the status quo makes the political establishment push back, O'Donnell wants to build a movement that will continue to goad it. It's practical, too, since O'Donnell believes in power through participation: it's not enough to grumble about how things are going; pitch in and try to change things if you care. O'Donnell details how she participated by running for high office as an everywoman, but also shows how attending town council meetings, organizing a petition drive, making an effort to meet a staffer in your local representative's office, or simply reading the minutes from your community board can make a difference.

Horror films have traditionally sunk their teeth into straitened times, reflecting, expressing and validating the spirit of the epoch, and capitalising on the political and cultural climate in which they are made. This book shows how the horror genre has adapted itself to the transformation of contemporary American politics and the mutating role of traditional and new media in the era of Donald Trump’s Presidency of the United States. Exploring horror’s renewed potential for political engagement in a socio-political climate characterised by the angst of civil conflict, the deception of ‘alternative facts’ and the threat of nuclear or biological conflict and global warming, Make America Hate Again examines the intersection of film, politics, and American culture and society through a bold critical analysis of popular horror (films, television shows, podcasts and online parodies), such as 10 Cloverfield Lane, American Horror Story, Don’t Breathe, Get Out, Hotel Transylvania 2, Hush, It, It Comes at Night, South Park, The Babadook, The Walking Dead, The Woman, The Witch and Twin Peaks: The Return. The first major exploration of the horror genre through the lens of the Trump era, it investigates the correlations between recent, culturally meaningful horror texts, and the broader culture within which they have become gravely significant. Offering a rejuvenating, optimistic, and positive perspective on popular culture as a site of cultural politics, Make America Hate Again will appeal to scholars and students of American studies, film and media studies, and cultural studies.

Winner of the Coretta Scott King illustrator award, I, Too, Am America blends the poetic wisdom of Langston Hughes with visionary illustrations from Bryan Collier in this inspirational picture book that carries the promise of equality. I, too, sing America. I am the darker brother. They send me to eat in the kitchen When company comes, But I laugh, And eat well, And grow strong. Langston Hughes was a courageous voice of his time, and his authentic call for equality still rings true today. Beautiful paintings from Barack Obama illustrator Bryan Collier accompany and reinvent the celebrated lines of the poem "I, Too," creating a breathtaking reminder to all Americans that we are united despite our differences. This picture book of Langston Hughes’s celebrated poem, "I, Too, Am America," is also a Common Core Text Exemplar for Poetry.

A sobering account of a disenfranchised American working class and important policy solutions to the nation’s economic inequalities One of the country’s leading scholars on economics and social policy, Isabel Sawhill addresses the enormous divisions in American society—economic, cultural, and political—and what might be done to bridge them. Widening inequality and the loss of jobs to trade and technology has left a significant portion of the American workforce disenfranchised and skeptical of governments and corporations alike. And yet both have a role to play in improving the country for all. Sawhill argues for a policy agenda based on mainstream values, such as family, education, and work. While many have lost faith in government programs designed to help them, there are still trusted institutions on both the local and federal level that can deliver better job opportunities and higher wages to those who have been left behind. At the same time, the private sector needs to reexamine how it trains and rewards employees. This book provides a clear-headed and middle-way path to a better-functioning society in which personal responsibility is honored and inclusive capitalism and more broadly shared growth are once more the norm.

The eighteen essays and speeches in Take Hold of Our History render a manifesto – a call to remember, redeem, and embrace the American radical story and tradition in favor of cultivating American historical memory and imagination and making America radical once again. For too long we have allowed the right to hijack the past and suppress, efface, lie about, and/or appropriate the essentially radical story of America from the struggles of the Revolution to those of the Age of Roosevelt and the 1960s. And no less tragically, we on the left, apparently haunted by the worst of our national experience, have turned our back on our own story and deferred to the tales of conservatives and reactionaries. Fleeing from the past, we merely compound the tragedies and ironies of American history, for we turn our backs on both the nation’s democratic creed and radical imperative, but also the struggles from the bottom up, the struggles in which working people and others have laid hold of America’s revolutionary promise and succeeded in making the United States freer, more equal and more democratic, at times, radically so. As Bill Moyers put it in 2008: “Here in the first decade of the twenty-first century the story that becomes America’s dominant narrative will shape our collective imagination and our politics for a long time.” The time has come for us to advance that narrative.