Les Fleurs Du Mal The Undead Wildside Double 4

In the tradition of the old "Ace Doubles," two-in-one books (flip one over to read the second title)--here is the fourth Wildside Double. "Les Fleurs du Mal: A Tale of the Biotech Revolution," by Brian Stableford. In the year 2550, where premediated murder is supposedly impossible, a serial killer begins attacking very old men with specially bred plants that eat them from the inside out, creating the bizarre "flowers of evil" ("les fleurs du mal"). Biotech artist Oscar Wilde teams with UN detectives Charlotte Holmes and Hal Watson to unravel this futuristic nightmare. A Hugo Award finalist in the Novella category. "The Undead: A Tale of the Biotech Revolution," by Brian Stableford. In the world of the future, the latest rage is the creation of "Undead" personality simulations to place within the tombstones of the recently departed. But when a cluster of new monuments is vandalized, cemetery Chief Security Officer Tann Hicks must find the perpetrators and stop the crimes. Are the sims really dead? As the controversy over the Undead grows, with religious fanatics lining up against right-to-life advocates, Tann finds himself at the center of a growing political and media storm.

The second Borgo Press book of mystery stories presents a collection of great tales by such masters as Michael Kurland, Brian Stableford, Darrell Schweitzer, Don Webb, George Zebrowski, Ardath Mayhar, John Russell Fearn, Lonni Lees, and many more!

This is one of a series of anthologies of science fiction and mystery stories by Borgo Press writers that are being distributed at cost as both ebooks and print-on-demand volumes. This third volume in the sequence, Once Upon a Future, includes a dozen original and reprint tales by twelve writers. Jean Lorrah’s “Best of Friends” is a key tale in the Sime~Gen sequence, being set just after the implementation of the treaty that allowed Simes and Gens to live together peaceably. In “Best-Laid Plans,” by William Maltese, a pair of professional fighters is selected for a new mission—but not the one they thought! A. R. Morlan’s “Boog’/4 and the Endicaran Kluge” is an interesting psychological tale set on a multi-generational spaceship to the stars. Edward R. Morris can pronounce “Game Over” only when his protagonist escapes the game world in which he’s trapped. Charles Nuetzel’s “The Talisman” demonstrates that “free” is sometimes too high a price to pay for a gift. Patricia Wardon discovers that “Saving Jane Austen” (by Robert Reginald) is not as easy as it sounds. A starving author’s agent discovers a new market for subsidiary rights in Pamela Sargent’s amusing “All Rights.” Darrell Schweitzer’s “The Fire Eggs” just appear one day, everywhere on Earth, but what are they—and what purpose do they serve? “The Skin Trade,” by Brian Stableford, is one of a series of tales that explores the future of biotechnology, particularly as applied to the human form. In “The Space City,” by Doru Tatar, Grig investigates the massacre of a group of androids. E. C. Tubb’s “Agent” only wants to make money peddling his clients’ talents, but the licensees desire something entirely different! George Zebrowski’s “The Water Sculptor” fashions sculptures from ice in his isolated satellite home orbiting Earth. Twelve great stories by a dozen great writers!

Offers entries on 24 of the significant archetypes of horror and the supernatural, from the classical epics of Homer to the novels of Stephen King.

Lists significant international films, with brief plot summaries, critical analyses, and listings of producers, directors, and actors

Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.

Explores the cuisine of South-West France, looks at traditional ingredients, and features over 150 recipes from both local home cooks and renowned French chefs.

Futures of Comparative Literature is a cutting edge report on the state of the discipline in Comparative Literature. Offering a broad spectrum of viewpoints from all career stages, a variety of different institutions, and many language backgrounds, this collection is fully global and diverse. The book includes previously unpublished interviews with key figures in the discipline as well as a range of different essays – short pieces on key topics and longer, in-depth pieces. It is divided into seven sections: Futures of Comparative Literature; Theories, Histories, Methods; Worlds; Areas and Regions; Languages, Vernaculars, Translations; Media; Beyond the Human; and contains over 50 essays on topics such as: Queer Reading; Human Rights; Fundamentalism; Untranslatability; Big Data; Environmental Humanities. It also includes current facts and figures from the American Comparative Literature Association as well as a very useful general introduction, situating and introducing the material. Curated by an expert editorial team, this book captures what is at stake in the study of Comparative Literature today.

Jacques' waking reveries and daydreams are balanced by a succession of dreams and nightmares that explore the seemingly irrational, often grotesque, world of unconscious desire, producing a series of images that challenges anything to be found in the fantasies of 'Against Nature', or the Satanic obsessions of 'La-Bas'."

This book reveals the unique contribution made by the three founding fathers of British fantasy—Lord Dunsany, E. R. Eddison and J. R. R. Tolkien—to our culture’s perennial reassessment of the meanings of time, death and eternity. It traces the poetic, philosophical and theological roots of the striking preoccupation with mortality and temporality that defines the imagined worlds of early fantasy fiction, and gives both the form of such fiction and its ideas the attention they deserve. Dunsany, Eddison and Tolkien raise some of the oldest questions in existence: about the limits of nature, human and divine; cosmic creation and destruction; the immortality conferred by art and memory; and the paradoxes and uncertainties generated by the universal experience of transience, the fear of annihilation and the desire for transcendence. But they respond to those questions by means of thought experiments that have no precedent in modern literary history. This book has won the '2021 Mythopoeic Scholarship Award' for Myth and Fantasy Studies.